Tag: Lyric Studio

The Cosmonaut’s Last Message To The Woman He Once Loved In The Former Soviet Union by David Greig, Lyric Studio, Followed By Dinner At Grano, 10 May 1999

A rare visit to the theatre by me and Janie on a Monday evening. We had chosen to take a week off work; partly for culture and partly, in Janie’s case, I think to spend time with Phillie and her medical stuff. We had little opportunity to go away properly around that time, so it made sense to take a bit of time.

But this play/production was a waste of time for us.

It was doing very little for us, so we left at half time to enjoy a longer session over a super meal at Grano.

One of Vicky Featherstone’s earlier efforts at directing.

Nicholas de Jongh did not rate it highly:

Cosmonaut Standard de JonghCosmonaut Standard de Jongh 14 May 1999, Fri Evening Standard (London, Greater London, England) Newspapers.com

I don’t think Susannah Clapp in The Observer was too impressed either:

Cosmonaut Clapp ObserverCosmonaut Clapp Observer 16 May 1999, Sun The Observer (London, Greater London, England) Newspapers.com

Like a spacecraft that has lost its bearings…I’m sue you get my drift.

Grano Restaurant in Chiswick was something special. New in 1998, award-winning “best Italian Restaurant in London” in 1999. We had a super meal there. Sadly, now gone.

Take Away by Stephen Clark, Lyric Studio, 30 May 1998

I have very little intel on this play/production, other than the above sheet handed to us at the Lyric.

I think the playwright is probably THIS Stephen Clark but I could be wrong.

My one word review of the play/production was:

Good

…which means it was good.

My records show that we went to Sabai Sabai afterwards. Janie and I had a little reminisce when I found that reference, as we both remember really liking that place – we went quite often back then. So good they named it twice.

Ironically, I think we ate in there rather than take away, but perhaps on this occasion we took away!

The next day we went to a rather ghastly chiropody trade show in Mitcham (Footman) before visiting my folks. The diaries reveal.

Huis Clos by Jean-Paul Sartre, Lyric Studio, 5 August 1989

John White loves a bit of existential angst, so what could be a better choice for a Saturday night out than Huis Clos? Mandy was up for it. Annalisa was up for it. Off we went to the Lyric Hammersmith – the small Studio theatre there.

The play is set in hell, which is said to be a hot place.

It really was o-t ‘ot that evening. Clammy August and naturally the air conditioning system in the Studio wasn’t working.

Here’s my database/diary note for this evening:

The air conditioning had broken down on one of the hottest days of the year.  The Lyric gave us all free squash in the interval because it was so bad.  It did make the play about hell truly multi-sensory.  The line “it’s so hot in here” had the whole audience in stitches.

You don’t need to take my word for this. Here’s a link to a review from “The Stage”.  As Maureen Paton puts it in that review:

…the oven-temperature heat in the Studio does the rest. Hell is too many other people in the audience on a hot night.

Still, we had a good evening as far as I can recall and all four of us dined out on that story for some time. Indeed John still seems to be talking about it as I write in October 2016, as John’s comment on my piece about I, Daniel Blake – click here – confirms.

The rest of the programme follows – heck it was quite a job this evening to dig it out, so I thought I might as well scan the lot while I was at it.

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Listings Huis ClosListings Huis Clos Fri, Aug 4, 1989 – 30 · The Guardian (London, Greater London, England) · Newspapers.com

Huis Clos ListingHuis Clos Listing Mon, Aug 7, 1989 – 35 · The Guardian (London, Greater London, England) · Newspapers.com

Pentecost by Stewart Parker, Lyric Studio, 25 January 1989

An after work visit to the theatre with Bobbie on a Wednesday evening. The Lyric Studio did really high quality fringe stuff back then. This cast included Adrian Dunbar, Dearbhla Molloy and Michelle Fairley would you believe?

This production was actually the Tricycle Theatre (or do I now have to say “Kiln” even when discussing productions gone by?) in exile at the Lyric Studio. Hence Nicholas Kent directing.

Stewart Parker had died recently, which I suppose led quite rapidly to this production of his last play in London. I found this interesting essay about him on Jstor.

I don’t remember all that much about this play/production, other than it being pretty impressive for a small studio production and being very Northern Irish in tone and subject matter. The acting and directing was top notch.

Will Bobbie remember more about it? I’ll ask.

Below is Michael Billington’s touching review:

Billington on Parker PentecostBillington on Parker Pentecost Wed, Jan 11, 1989 – 46 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review:

Ratcliffe on PentecostRatcliffe on Pentecost Sun, Jan 15, 1989 – 46 · The Observer (London, Greater London, England) · Newspapers.com