Tag: Matthew Strachan

Yours For The Asking by Ana Diosdado, Orange Tree Theatre, 7 September 2012

A few days after the end of our Olympic/Paralympic experiences, Janie and I returned to the scene of the (alleged but utterly refuted) crime from just before the Olympics; Richmond:

Mottled Lines by Archie W Maddocks, Orange Tree Theatre, 13 July 2012

This time we saw Yours For The Asking, a Spanish play from the late Franco era in the 1970’s.

Here is the Orange Tree resource on this play/production.

We rather liked this one. It was about a model who advertises a fragrance getting embroiled in a scandal. The themes seemed very modern and relevant in 2012; a prescient play in many ways.

The plot was a little hard to swallow and Sam Walters’ orthodoxy for not shortening scripts made it drag a bit, especially the second half.

Still, it was well performed by some of the Orange tree regulars and we thought it had been a worthwhile visit.

It didn’t go down too well with most of the critics – click here for a link to reviews.

 

The Promise by Ben Brown, Orange Tree Theatre, 27 February 2010

I don’t think this one really floated our boat. We liked the idea of it but it had a rather laboured feel as a piece of drama.

We were not having a good run at the theatre in the first part of 2010 and this one was part of that poor run for us.

Here is a link to the Orange Tree resource on the production.

I remember guessing at the time that Michael Billington would like it; he did – click here.

This search term – click here – will find you the other main reviews, most of which were luke warm.

We went for our traditional dinner at Don Fernando afterwards; I have a feeling we even skived the second half of this one.

The Good Person of Sichuan by Bertolt Brecht, Orange Tree Theatre, 3 February 1996

Janie had never seen this play before and The Orange Tree was on a bit of a roll with us, so we decided to give this a go.

Given the scale of the piece, I thought we’d try sitting upstairs rather than downstairs for once. It was just for once, because we didn’t find upstairs very comfortable – less leg room and peering down didn’t please us.

I had seen a cracking good production of “Good Person” with Bobbie at the National a few years earlier:

The Good Person of Sichuan by Bertolt Brecht, Olivier Theatre, 3 March 1990

In truth. the Orange Tree was probably biting off a bit more than it could chew attempting such a large-scale piece in the round, but Sam Walters obcviously wanted to have a go.

We enjoyed the production. I think Janie got more out of it than I did because she hadn’t seen the play before and didn’t have a big production with which to compare it.

No newspaper reviews to be found but I did find this interview/preview by Carol Woddis on TES. That piece is scraped to here just in case that link disappears.