Neil Austin – Page 3 – Ian Louis Harris

The Man Of Mode by George Etherege, Olivier Theatre, 19 April 2007

A rare visit to the theatre on a Thursday on my own. Janie hates Restoration comedy but I had (and at the time of writing, more than 10 years later, still have) an idea for a very thorough updating of one of those Restoration plays, so I very much wanted to see this modern production of a Restoration classic.

I thought it was very well done. Rory Kinnear was exceptional, as was most of the cast, including Alleyn’s alumna Nancy Carroll.

This was before Nick Hytner found his way off my Christmas card list by forgetting where his loyal audience comes from and becoming far too much of a jobsworth cum corporate lick-spittle when running the National. So hats off to him in this regard – Hytner can direct.

I rated this production very good indeed at the time, but it was not the sort of modernisation of a Restoration play which I have in mind…

…which is a good thing…

…if I ever get around to implementing my own cunning plan. But I digress.

Click here for a link to a search term that finds the reviews, which were mostly good but not great.

Below is the trailer, which is really quite snazzy without giving away much about the show. It has a fair smattering of Nancy Carroll, which might please my fellow Alleyn’s alums…or indeed anyone who watches the vid:

Dying For It by Moira Buffini, Almeida Theatre, 31 March 2007

This was a very entertaining evening in the theatre, Sounds odd, but it was a very amusing play about suicide.

Click here for a link to the Almeida’s resource on this play/production.

We rate Tom Brooke very highly and he was superb in this piece – a free adaptation, by Moira Buffini, of a subversive Soviet era Nikolai Erdman book.

It was well received by the critics on thew whole – click here for reviews and stuff.

Frost/Nixon by Peter Morgan, Donmar Warehouse, 19 August 2006

Janie and I were really taken with this play/production. On my log I gave it a one word review:

superb.

Peter Morgan writes these historical/biographical plays really well and Michael Sheen seems well fitted to the lead roles in them, be the role Tony Blair or David Frost.

Actually the whole cast was excellent, with especially memorable performances by Frank Langella, Kelly Shale, Lydia Leonard and Corey Johnson.

Michael Grandage was doing great work at the Donmar at that time.

There is a superb Donmar educational resource available for this production, now in the public domain but not well publicised, which I have scraped to here and/or the image link below:

Taken from https://en.wikipedia.org/wiki/File:Frostnixonposter.png with the same attribution and for the same fair use reasons as stated on Wikipedia.

We saw the original Donmar run quite early in its life – perhaps even still in preview or just after the press night. The play/production was extremely well received, deservedly so. A link to reviews can be found here.

The piece transferred big time and also was made into a film. Janie and I were delighted to have seen the original production before the big fuss broke out.

Heartbreak House by George Bernard Shaw, Almeida Theatre, 6 September 1997

I’ve never been sure about Shaw, but we thought we’d give this a try because it was The Almeida and because top flight Shaw productions were few and far between at that time.

Great cast and crew – see Theatricalia entry – including Emma Fielding, Richard Griffiths, Patricia Hodge, Penelope Wilton, Malcolm Sinclair and Peter McEnery, with David Hare in the director’s chair.

Despite all those good people, this one added to my/our sense of interminability, which had already been piqued by Suzanna Andler the previous week, which was soon followed by wall-to-wall coverage of Princess Diana’s tragic demise, which took ceaselessness to new levels.

Anyway, my contemporaneous words on Heartbreak House, speaking for both me and Janie: