The Dysfunckshonalz by Mike Packer, Bush Theatre, 16 November 2007

This play was good fun. It is basically a comedy about a punk band that fell out in unusual circumstances reforming many years later as Mammon comes calling. It sounds a bot “so what?” and it some ways it was, but it was an entertaining evening at one of our favourite venues.

The Bush has a good stub for this production, as the best theatres now do – see here. The reviews bit doesn’t seem to be working, but there are several reviews still to be found:

It didn’t get a west end transfer, but perhaps that idea was b*llocks, never mind. The Bush was still a room above the pub in those days, which seemed a fitting venue for this piece.

Feelgood by Alistair Beaton, Hampstead Theatre, 26 January 2001

We had a very entertaining weekend at the end of January that year, seeing Feelgood on the Friday and then Entertaining Mr Sloane on the Saturday…

…just before heading off for a wonderful holiday in South-East Asia.

On the Friday evening, we saw Feelgood. We would have eaten at Harry Morgans before the show. I remember this play having a superb cast: Jeremy Swift, Henry Goodman, Amita Dhiri, Nigel Planer, Pearce Quigley, Sian Thomas, Nigel Cooke and Jonathan Cullen (according to my log), and being lots of fun. Max Stafford-Clark directed it. It transferred to the Garrick with a slightly different cast – Peter Capaldi taking Jeremy Swift’s place. Here’s the Theatricalia entry for that one.

Nicholas de Jongh really liked it in The Standard, especially heaping praise on Henry Goodman’s performance:

Feelgood, de Jongh Standard Feelgood, de Jongh Standard 1 Feb 2001 Evening Standard (London, Greater London, England) Newspapers.com

Charles Spencer in the Telegraph gave it a short but positive review too:

Feelgood Spencer Telegraph Feelgood Spencer Telegraph 10 Feb 2001 The Daily Telegraph (London, Greater London, England) Newspapers.com

Our friend Michael Billington covered Feelgood in a general piece about political theatre at the start of 2001:

Feelgood plus, Billington Guardian Feelgood plus, Billington Guardian 17 Feb 2001 The Guardian (London, Greater London, England) Newspapers.com

Billington concludes that article with a statement that seems oh so apposite as I write 25 years later:

…theatre is a place of information as well as entertainment and the more it cuts itself off from society – and relies on a mixture of anodyne musicals and Hollywood-star casting, the more it is doomed to glamorous irrelevance.

Shopping And F***ing by Mark Ravenhill, Queen’s Theatre, Then Dinner At Mr Kong, 28 February 1998

This play/production had enjoyed rave reviews and lengthy transfers. Unusually for us, more than a year after it first came out, we decided to book it and see what it was like.

We’re not usually shrinking violets as far as “no holds barred” serious theatre is concerned, but we found this play intolerable. Perhaps our emotions were heightened by the recent shock news about Janie’s twin, Phillie, whose radical cancer surgery had taken place a couple of week’s earlier.

My logged verdict:

Ghastly – we walked out at half time.

Charles Spencer was pretty plain about the piece in The Telegraph:

Shopping Spencer TelegraphShopping Spencer Telegraph 03 Oct 1996, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

Paul Taylor in The Independent, similarly:

Shopping Taylor IndependentShopping Taylor Independent 03 Oct 1996, Thu The Independent (London, Greater London, England) Newspapers.com

Nicholas de Jongh had warned the world in The Standard but still voted it good:

Shopping de Jongh StandardShopping de Jongh Standard 02 Oct 1996, Wed Evening Standard (London, Greater London, England) Newspapers.com

We should have listened to my friend, Michael Billington:

Shopping Billington 1 of 2Shopping Billington 1 of 2 03 Oct 1996, Thu The Guardian (London, Greater London, England) Newspapers.com Shopping Billington 2 of 2Shopping Billington 2 of 2 03 Oct 1996, Thu The Guardian (London, Greater London, England) Newspapers.com

Mercifully, after walking out early, Mr Kong gave us sanctuary more than an hour earlier than our booking.

Borrowed from www.allinlondon.co.uk

At that time, along with Fung Shing, one of our favourite up market eateries in Chinatown, this is yet another fine place that didn’t make it into the 2020s.

The Changeling by Thomas Middleton & William Rowley, RSC Swan Theatre, 29 October 1992

Here is the Theatricalia entry for this production.

This was the first of two plays Janie and I went to see on our first long weekend away together in Stratford-Upon-Avon.

I had seen The Changeling before, at the RNT in 1988, thought highly of it as a Jacobean revenge tragedy and thought Janie might like it. I didn’t yet realise that she was not so keen on classics/old plays. I’m not sure she realised it yet either.

My log reports:

Not quite to Janie’s taste – I rather liked it.

It was a superb production. Looking through the cast and creatives list you can see why. Cheryl Campell as Beatrice-Joanna, Malcolm Storry as De Flores, Michael Attenborough directing. Also a stellar list of youngsters who would break through in their own right later; Sophie Okeonedo, Barnaby Kay, Dominic Cooke (assisting Attenborough). Even Tracy-Ann Oberman (prior to her NewsRevue & SportsRevue days) puts in an appearance as an inmate of the asylum.

The Swan is an ideal venue for this type of play, much better than the Lyttleton. Very high production quality both times though – hard for me to rank one production above the other.

There’s a picture from The Swan production in a Guardian Gallery – click here and scroll down – but no on-line reviews of course.

Below is Michael Coveney’s Observer review:

Changeling, Antony & Cleopatra, Michael Coveney

Changeling, Antony & Cleopatra, Michael Coveney Sun, Nov 8, 1992 – 57 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michael Billington’s Guardian review:

Changeling, Antony & Cleopatra Michael Billington