Dealing With Clair by Martin Crimp, Orange Tree Theatre, 24 November 2018

We thought this was a fabulous piece and production – once again a superb evening of theatre at the Orange Tree.

Here is a link to the Orange Tree on-line resource for this production.

We’ve been interested in Martin Crimp’s writing for years. Sometimes his plays are a bit too weird even for us, but they always make us think and are usually chock-full of suspense and creepiness.

Dealing With Clair is no exception. One of Crimp’s earlier works this, when he was writing exclusively for The Orange Tree, it is very loosely based on the Suzy Lamplugh tragedy, which occurred a short while before the writing of this play and not too far away from Richmond.

Yet, this play from 30 years ago seems very contemporary and relevant today in this production.

The whole cast was excellent.

Our hearts sank a little when we saw that the designer had gone for one of those “behind a screen” designs, which we tend not to like, but actually it worked extremely well for this production, not least because the screen is removed at a telling moment in the play.

By gosh the play is creepy. We were talking about it a lot, for ages, after the evening – which is usually a sign that a play/production has really affected us – which this one surely did.

There are plenty of review snippets on the above links to the Orange Tree, but click here for links to the full reviews – mostly very good ones which the production thoroughly deserves.

I keep saying it, but the Orange Tree is doing great work at the moment – I hope they keep it going.

Life x 3 by Yasmina Reza, Lyttelton Theatre, 2 December 2000

Janie and I rated this one in my log:

very good.

We also both remeber it quite well, 25 years later. That might have a fair bit to do with the superb cast: Mark Rylance, Harriet Walter, Imelda Staunton and Oliver Cotton. The production was directed by Matthew Warchus. We didn’t recogognise his name then but we certainly do now. Here is the Theatricalia entry for this one.

Yasmina Reza (as translated by Christopher Hampton) was all the rage in the English speaking world back then. This was our fourth go at one of hers – Art having been the piece that kicked off the Reza fashion…

…we’d even seen one of hers at The Almeida just 10 weeks earlier:

Anyway, apart from Art, with thought Life x 3 to be the most interesting and memorable of Reza’s works.

Again we went to a preview, so we were ahead of the critics. What did they think? Here’s Charles Spencer who seemed pretty impressed with it, at least as entertainment if not as profound drama:

Life Spencer Telegraph Life Spencer Telegraph 11 Dec 2000 The Daily Telegraph (London, Greater London, England) Newspapers.com

Kate Bassett wrote an interesting profile-cum-review with some equivocation about this piece and Reza-ism generally:

Life Bassett Indy Life Bassett Indy 10 Dec 2000 The Independent (London, Greater London, England) Newspapers.com

Our friend, Michael Billington, was not at all sure about this piece:

Life Billington Guardian Life Billington Guardian 8 Dec 2000 The Guardian (London, Greater London, England) Newspapers.com

Nicholas de Jongh was impressed, while spotting something a bit Ayckbournish about the piece, which I remember thinking/saying myself at the time:

Life de Jongh Standard Life de Jongh Standard 8 Dec 2000 Evening Standard (London, Greater London, England) Newspapers.com

Dolly West’s Kitchen by Frank McGuiness, Abbey Theatre Dublin at The Old Vic, 29 July 2000

I remember thinking this play and production was rather good, although I wrote nothing positive or negative about the experience in my log. We’re both partial to Frank McGuiness and the Abbey Theatre Dublin as an ensemble rarely lets us down.

Perhaps I was too exhausted to write a comment after a week of total culture-vulturing – three museums/galleries, two concerts, two plays and a heck of a lot of work in-between.

Here’s the Theatricalia entry for this play/production.

Nicholas de Jongh wrote highly of it in The Standard:

Dolly de Jongh Standard

Article from 18 May 2000 Evening Standard (London, Greater London, England)

Paul Taylor also wrote highly of it in The Independent:

Dolly Taylor Independent

Article from 18 May 2000 The Independent (London, Greater London, England)

Charles Spencer positively raved about it in The Telegraph:

Dolly Spencer Telegraph

Article from 27 May 2000 The Daily Telegraph (London, Greater London, England)

Lyn Gardiner in The Guardian similarly heaped the praise:

Dolly Gardiner Guardian

Article from 19 May 2000 The Guardian (London, Greater London, England)

In short – this play/production was a good ‘un. Surprising it has never been revived.