Dealing With Clair by Martin Crimp, Orange Tree Theatre, 24 November 2018

We thought this was a fabulous piece and production – once again a superb evening of theatre at the Orange Tree.

Here is a link to the Orange Tree on-line resource for this production.

We’ve been interested in Martin Crimp’s writing for years. Sometimes his plays are a bit too weird even for us, but they always make us think and are usually chock-full of suspense and creepiness.

Dealing With Clair is no exception. One of Crimp’s earlier works this, when he was writing exclusively for The Orange Tree, it is very loosely based on the Suzy Lamplugh tragedy, which occurred a short while before the writing of this play and not too far away from Richmond.

Yet, this play from 30 years ago seems very contemporary and relevant today in this production.

The whole cast was excellent.

Our hearts sank a little when we saw that the designer had gone for one of those “behind a screen” designs, which we tend not to like, but actually it worked extremely well for this production, not least because the screen is removed at a telling moment in the play.

By gosh the play is creepy. We were talking about it a lot, for ages, after the evening – which is usually a sign that a play/production has really affected us – which this one surely did.

There are plenty of review snippets on the above links to the Orange Tree, but click here for links to the full reviews – mostly very good ones which the production thoroughly deserves.

I keep saying it, but the Orange Tree is doing great work at the moment – I hope they keep it going.

Henry IV Parts One & Two by William Shakespeare, Royal Shakespeare Theatre, Part Of A Back-Aching Weekend In Stratford With Bobbie, 27 to 29 September 1991

Back in the day, when I didn’t look much like the bard, Bobbie and I were partial to a bit of Shakespeare.

This sounded like the real deal, with Robert Stephens as Falstaff and Michael Maloney as Hal. A little-known (at that time) actress Linda Bassett played Mistress Quickly and Adrian Noble directed the thing.

Besides, I had studied Henry IV Part One for my English ‘O’ Level, so obviously I knew what I was talking about.

Here is a link to the Theatricalia entry for Henry IV Part One – which we saw on Friday 27 September.

My log for Henry IV Part One reads:

Back-aching but worth it

Whereas for Henry IV Part Two, which we saw on Saturday 28 September, it reads:

Seriously back-aching but still worth it

Here is a link to the Theatricalia entry for Henry IV Part Two.

Both plays were long – hence the back ache. I was still suffering the aftermath of my multiple lower back disc prolapses the previous year.

They were very good productions though.

Below is Michael Coveney’s Observer review of Henry IV Part One:

Coveney on Henry IV Part OneCoveney on Henry IV Part One Sun, Apr 21, 1991 – 56 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michael Billington’s take on Part One in the Guardian

Billington on Henry IV Part OneBillington on Henry IV Part One Thu, Apr 18, 1991 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Kate Kellaway’s Observer review of Part Two

Kate Kellaway on Henry Part TwoKate Kellaway on Henry Part Two Sun, Jun 2, 1991 – 72 · The Observer (London, Greater London, England) · Newspapers.com

Here’s Michael Billington in The Guardian ecstatic about the pair after seeing Part Two

Billington On Part TwoBillington On Part Two Sat, Jun 1, 1991 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

We stayed in an unmemorable B&B on the edge of town. I vaguely recall a bossy (i.e. rule-laden) owner.

I think we ate good food. Fatty Arbuckle’s or Lambs, and then The Glory Hole, if I recall correctly. I’m pretty sure the latter on the Saturday night because Henry IV Part Two was so darned, back-achingly long, there was only one eatery in Stratford open that late in those days.

We suffered for our art, going to Stratford, back then.