Life After Scandal by Robin Soans, Hampstead Theatre, 21 September 2007

This was a very interesting and entertaining piece of verbatim theatre. Robin Soans is good at this stuff; we’d seen Talking To Terrorists at The Royal Court. It was probably this sole factor which encouraged us to book the play.

We were pretty much out of love with the Hampstead Theatre at this time; during the Anthony Clark era. Clark himself directed this one and did a decent job of it.

It was deservedly pretty well received on the whole by the critics:

 

Prophet in Exile by Nadim Sawalha, Chelsea Theatre, 8 May 2000

A rare Monday evening visit to the theatre for us. I had booked the day out as a long weekend. Perhaps Janie had intended to do the same, but her diary shows that she treated some patients, engineering it that she ended up in the Kensington & Chelsea area.

We really liked the stuff that little Chelsea Theatre was putting on back then – it had a short flowering of producing the sort of unusual fringe theatre stuff that we like.

This play was basically a biographical piece about Kahlil Gibran, not least the birth of his great work, The Prophet.

This production was very much a family affair for the Sawalha family, with author Nadim appearing in the production, along with brother Nabil and a couple of other Sawalhas; Lara & Omar, in some cases doubling up, playing several smaller parts. Gerald Key played Gibran, Briony Glassco played Mary Haskell and Colin Redgrave directed the production.

This production was previewed in The Standard

Prophet StandardProphet Standard 27 Apr 2000, Thu Evening Standard (London, Greater London, England) Newspapers.com

We rather liked the piece and performances. But then Janie had/has a bit of a thing about The Prophet. But 25 years later, I don’t think I’d get a positive answer if I suggested a Monday night at the theatre, even if the subject matter was close to Janie’s heart!

A Weekend Including The Arrival of Nobby, Cause Célèbre by Terence Rattigan, Lyric Hammersmith, A Drive Out To Mainelli-land On The Sunday & Finally Unwanted News On Our Return Home, 7 & 8 February 1998

A memorable weekend in all sorts of ways, this one – good and bad.

The weekend started with me collecting Nobby, my souped-down Honda CRX. I don’t often buy cars, so this was a big day.

Janie, with Nobby, at his last resting place, 16 years later

Then Cause Célèbre at the Lyric, which I simply rated “good”.

It didn’t get much press. Here’s a snippet from the Sunday Telegraph:

22 Feb 1998, Sun Sunday Telegraph (London, Greater London, England) Newspapers.com Cause Célèbre 2 of 2 Sunday TelegraphCause Célèbre 2 of 2 Sunday Telegraph 22 Feb 1998, Sun Sunday Telegraph (London, Greater London, England) Newspapers.com

I’ve never been a huge fan of Rattigan and I recall that this play/production didn’t really change my view.

On the Sunday, somewhat on a whim I seem to recall, the Mainelli’s invited us over to their place as they had several people already scheduled to visit and they wanted a butchers at my new motor.

My abiding memory of that visit was how cold it was that day, but the assembled throng (especially Rupert Stubbs) insisted that we remove the roof of the car and drive off demonstrating the open-toppedness of the thing.

Dall-e thinks we looked a bit like this

When we got home, while we were eating a camembert salad supper, Janie’s twin sister Philippa called to let us know the bad news that she had been diagnosed with aggressive breast cancer. That news dampened our mood considerably and turned our world upside down for quite a while.

The Game Of Love And Chance by Pierre Marivaux, Cottesloe Theatre, 20 February 1993

The Theatricalia entry for this production can be found here.

What a cast: Maggie Steed, Trevor Baxter, Caroline Quentin, Peter Wingfield, Stefan Bednarczyk, Marcello Magni. Joint directors Mike Alfreds and Neil Bartlett.

No wonder I was keen to see it.

Still, I don’t think Janie and I were wild about this one. I was fast learning that Janie doesn’t like classics as much as she likes modern pieces, nor does she like farce. Marivaux was never likely to float Janie’s boat.

Yet worse, from a “what Janie does and doesn’t like” point of view, this production had re-located the piece in the 1930’s, adding a Cowardesque flavour to it that didn’t go down well with the reviews that are currently ( as I write in 2019) on-line/clippable.

Despite that, the sheer weight of talent on show carried the day for us, as we both found the production entertaining and could not question its quality of production.

Below is Michael Billington’s review from the Guardian:

Billington Game Of LoveBillington Game Of Love Wed, Jan 13, 1993 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Coveney’s review from the Observer:

Coveney Game Of Love & ChanceCoveney Game Of Love & Chance Sun, Jan 17, 1993 – 47 · The Observer (London, Greater London, England) · Newspapers.com

The Seagull by Anton Chekhov, Barbican Theatre, 14 September 1991

Stellar cast for this RSC production of the great Chekhov play. Alfred Burke, Simon Russell Beale, Amanda Root, John Carlisle, Susan Fleetwood, Roger Allam…to name but a few. In the capable hands of Terry Hands.

The Theatricalia entry for this one can be found here.

Bobbie and I both enjoyed this production a lot.

I hadn’t realised that this production was Terry Hands’s swansong for the RSC, but Nicholas de Jongh made much of that fact while praising the production in The Guardian:

De Jongh on SeagullDe Jongh on Seagull Sat, Jul 13, 1991 – 21 · The Guardian (London, Greater London, England) · Newspapers.com