Tag: Suzanne Burden

Judgment Day by Ödön Von Horváth, in a new version by Christopher Hampton, Almeida Theatre, 10 October 2009

We love the Almeida Theatre, despite the extra shlep involved in getting there from West London. At the time of writing (29 May 2017) we have just been again.

One really excellent thing about the Almeida is the quality of on-line resource they put up for the productions, with lots of information about the play, the creatives involved in the production, plenty of pictures and links to many reviews (the favourable ones of course).

Here is the Almeida’s on-line resource for Judgment Day.

The other really excellent thing about the Almeida is the quality of stuff it puts on. This play/production was no exception.

Ödön Von Horváth (imagine answering the “how do you spell it?” question with that name) has long fascinated Christopher Hampton. This seemingly small canvas German play, about the moral consequences of covering up the true reason for a deadly train crash, is in reality a pre-war allegory with the wilful blindness that led to Nazi power.

It was an especially good evening in the theatre; Janie and I both remember it fondly well. I also recently (when we saw The Ferryman) remembered that we had seen the excellent Laura Donnelly before, but didn’t at the time connect it with this play/production.

Most of the reviews – eight to ten of them included in the Almeida resource link above and here – are very good, but:

We thought it was top notch.

The Recruiting Officer by George Farquhar, Olivier Theatre, 27 June 1992

I have carried a fondness for this play with me for as long as I can remember, despite it not really being my type of play.

Revisiting my first encounter with it for Ogblog, some 25 years later (August 2017) I can understand why. This was one heck of a good production.

The Theatricalia website has recorded all the cast and crew details, mercifully, so I don’t have to – click here – then gasp in awe and wonderment. What a cast, what a production team.

Photostage has some photos, which you can peruse if you wish – here.

All my notes say is that I went with Bobbie Scully and that we thought it was very good.

I remember thinking Ken Stott was superb – I don’t think I had seen him before. It might have been my first encounter with the excellent Alex Jennings. Des Barrit was also a standout performer, as usual. But in truth the whole cast was good and you can see many names on the list who went on to do bigger and bolder things.

There are no on-line reviews to be found – until now – my one right here – yay!

I’m not sure what Bobbie and I did about eating afterwards, but in those days we would sometimes eat at the RNT itself – we might well have done that – or sometimes we’d go to The Archduke or somewhere of that ilk nearby.

 

Below is Michael Coveney’s Observer review:

Coveney on RecruitingCoveney on Recruiting Sun, Mar 15, 1992 – 60 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michael Billington’s review:

Billington on RecruitingBillington on Recruiting Sat, Mar 14, 1992 – 30 · The Guardian (London, Greater London, England) · Newspapers.com

The Voysey Inheritance by Harley Granville-Barker, Cottesloe Theatre, 1 July 1989

I noted that this was a very good production and I’m sure that was true. Richard Eyre in charge of an infeasibly good cast in that intimate little Cottesloe Theatre.

Here is the Theatricalia entry for the production with so many top notch theatrical names on the list…

…David Burke, Michael Bryant, Jeremy Northam, Graham Crowden, Sarah Winman, Stella Gonet, Selina Cadell, Suzanne Burden, Wendy Nottingham… it was difficult to work out which names from the cast list to leave out from this highlights version of the list.

In truth I don’t think Granville-Barker is really for me. I find his plays stylised and very Edwardian – which is, after all, what they are.

This one is at least replete with interesting moral dilemmas but in truth it’s not Ibsen.

But I do recall really enjoying this particular evening in the theatre and I suspect that this is the best Granville-Barker experience I have ever had and ever will.

Below is Michael Billington’s Guardian review:

Billington on VoyseyBillington on Voysey Thu, Jun 29, 1989 – 24 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Kate Kellaway’s Observer review:

Kellaway on VoyseyKellaway on Voysey Sun, Jul 2, 1989 – 41 · The Observer (London, Greater London, England) · Newspapers.com

I don’t recall exactly what Bobbie thought of it but I think she, like me, was much taken with the production. I also don’t recall what we did (i.e. where we ate) afterwards. Bobbie might just remember.