Tag: Tanya Burns

Moonlight by Harold Pinter, Almeida Theatre, 23 October 1993

Yes, yes, yes! We thought this was a really, really good night at the theatre.

I’d long been a Pinter fan. Janie wasn’t really familiar with his work, but Janie made the running for this night at the Almeida, booking us the front row seats we craved for that place (still do) and jotting down all the details. 90 minutes without an interval. Seats A7 & A8.

This play/production was our first sighting of Pinter together.

I think we ran into Ivan Shakespeare again that night; volunteering for the Almeida selling programmes.

Here is the Theatricalia entry for this play/production.

Here is the Wikipedia entry, which shows who did what etc. What a cast it was too. Claire Skinner, Ian Holm, Anna Massey, Michael Sheen, Douglas Hodge, Jill Johnson and Edward de Souza – directed by David Leveaux.

Below is Michael Coveney’s review:

Michael Coveney MoonlightMichael Coveney Moonlight Sun, Sep 12, 1993 – 49 · The Observer (London, Greater London, England) · Newspapers.com

Michael Billington’s review was on the front page of the Guradian – how often does that happen? Along with a luvvie-fest piece (I’m glad we weren’t there that night and a continuation on Page 18.

Billington MoonlightBillington Moonlight Wed, Sep 8, 1993 – 1 · The Guardian (London, Greater London, England) · Newspapers.com

Billington continued on Page 18:

Billington Moonlight ContinuedBillington Moonlight Continued Wed, Sep 8, 1993 – 18 · The Guardian (London, Greater London, England) · Newspapers.com

Also in the Guardian, an Anna Massey interview about Moonlight. Anna Massey went on to become one of Janie’s regular clients, but Janie didn’t yet know her when we saw Moonlight.

Anna Massey MoonlightAnna Massey Moonlight Thu, Sep 9, 1993 – 35 · The Guardian (London, Greater London, England) · Newspapers.com

We stayed at mine by the looks of it. I think I probably cooked, given the short play and my having been in the West End on the Friday.

Anyway, it was a fabulous, memorable night at the theatre.

Mozart And Salieri by Alexander Pushkin, Almeida Theatre, 11 March 1989

I went to see this production at the Almeida with Kate (previously and latterly Susan) Fricker. I rated it as very good and I’m pretty sure that Kate really enjoyed this production too.

It was an adaptation of a short Pushkin play about the interaction/rivalry between the two composers. This play inspired Peter Shaffer to write Amadeus on the same topic but the pieces are quite different other than the core topic. Here is the Wikipedia entry about the play.

Of course there is little on-line about these old productions – this one doesn’t even have a Theatricalia entry – but I did find this fascinating Guardian piece, including a wonderful photo of Tilda Swinton in the role of Mozart – click here.

Below is Michael Billington’s Guardian review:

Billington on Mozart SalieriBillington on Mozart Salieri Mon, Apr 10, 1989 – 37 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review:

Ratcliffe on Mozart SalieriRatcliffe on Mozart Salieri Sun, Apr 16, 1989 – 43 · The Observer (London, Greater London, England) · Newspapers.com

The dates on these reviews imply that Kate and I attended a preview in March 1989.

The diary is silent about what Kate and I did before or after the show; I’m sure we will have eaten something or at least taken some refreshment and had a chat. Perhaps Kate remembers.

My memory isn’t brilliant on this one. I would have sworn that we saw Stella Gonet opposite Tilda Swinton in this, but all the evidence says we saw Lore Brunner. I can see no sign of ever having seen those two (Swinton and Gonet) on stage together, although both were prominent in the leading roles we were seeing at that time.

In any case, I believe this was only my second visit to the Almeida, the first having been some six months earlier, to see Hello And Goodbye. I do recall falling for the Almeida as a place itself on this second visit – whereas that first visit I was simply bowled over by the production and didn’t especially associate that visit with the Almeida. That was partly, I think, because Kate was especially taken with what they seemed to be doing at the Almeida in terms of restoring an old theatre for modern use.