Total Immediate Collective Imminent Terrestrial Salvation by Tim Crouch, Royal Court Theatre Upstairs, 14 September 2019

This is a fascinating and original piece of theatre.

The audience sits in a circle. Each member of the audience receives a book, which we are taken through as the performance goes on. At some stages of the performance, audience members are asked to read lines or passages of text.

If it sounds weird, that’s because it is weird. But it is a play; the performances are excellent and memorable.

The Royal Court’s resource on this play/production can be found here.

Tim Crouch

Tim Crouch is an interesting playwright and performer. We have seen his work before; Adler & Gibb which we really liked, plus The Author which we found impenetrable.

This evening’s short (70 minute) piece was not impenetrable but you did need to interpret pictures form the book as well as the words to get the gist of the story. I enjoyed that part of the process more than Janie did.

I was also quite comfortable reading out loud a bit, which I did, while Janie scrupulously avoided eye contact with the performers to be sure that she wasn’t picked for reading out loud.

I am glad that I bought a copy of the book – which is available in paperback to buy – not the hardbacks lent out for performance – because the illustrations as well as the words are a pleasure to look at again and again.

The reviews, from Edinburgh a few weeks earlier and subsequently The Royal Court have deservedly been very good – click here to find them.

Unusual and well worth seeing.

Adler & Gibb by Tim Crouch, Royal Court Theatre, 21 June 2014

Strange play, this one. I recall us both really liking the idea of it and the style of it…

…I even recall that we enjoyed the evening…

…yet afterwards we sensed that there was less substance to the piece than we had imagined…

…a bit like the modern/conceptual art world in many ways, so perhaps the play depicts its subject cunningly well.

Here is a link to the Royal Court’s resource on this production.

Below I have embedded an interview with Tim Crouch and Karl James, who explain the play rather well.

Here is a link to a search term that should find most if not all of the reviews – which were rather mixed.

The Author by Tim Crouch, Royal Court Theatre Upstairs, 26 September 2009

I only vaguely recall this one. Experimental theatre, with the cast sitting among us as the audience.

The Royal Court has only left scant details up – click here for those.

Tim Crouch himself is a little more forthcoming on his site – here.

Here are some rehearsal and preview extracts from the Royal Court:

Tim took this play to Edinburgh the following year – here is a two minute extract:

Post modern in a “theatre about theatre” way. An attempt to shake up the complacency of audience members like us.

It seems to have worked better on critics than it did on us:

Rosencrantz & Guildenstern Are Dead by Tom Stoppard, Lyttelton Theatre, 30 December 1995

I liked this more than Janie did. I thought it was a very good production and I have long had an affection for the play.

Janie sees this as an example of Tom Stoppard being “a bit too clever for his own good”, a view I can understand but with which I don’t agree. Let’s just say that Janie does not remember this fondly.

Amazing cast, with Adrian Scarborough & Simon Russell Beale in the eponymous roles. Here is the Theatricalia entry for this one.

Michael Billinton is with Janie on the play and with me on the production:

Billington on RosencrantzBillington on Rosencrantz Sat, Dec 16, 1995 – 27 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney strangely liked the play but not so much the production.

Sun, Dec 17, 1995 – 60 · The Observer (London, Greater London, England) · Newspapers.com