Tiger Country by Nina Raine, Hampstead Theatre, 12 December 2014

Talk about bad timing.

Less than a week earlier we’d seen a play about dementia (albeit a truly excellent one), while mum’s dementia was fast deteriorating:

Visitors by Barney Norris, Bush Theatre, 6 December 2014

…little did we know that we were seeing this play about NHS hospital chaos less than a fortnight before mum was to make her final, one-way trip to such a place.

In truth, although we quite enjoyed this play/production, we found it a bit fast and furious without really saying all that much. We’d felt similarly about the police one, Wildefire, at the same venue a few weeks before:

Wildefire by Roy Williams, Hampstead Theatre, 7 November 2014

As with Wildefire, there was some great acting, some wonderful lines and some super vignettes in there. Indira Varma was excellent, as usual; in fact the whole cast was good.

Perhaps it was just a bit too near the bone for me – not just in the mum aspect but also because I was doing so much work with NHS Foundation Trusts at that time. Definitely worth seeing, but no wow factor for either of us.

Below is a “behind the scenes” video:

Below is the actual trailer for the production:

Here is a link to the reviews – the critics pretty-much universally loved the piece.

The House Among The Stars by Michel Tremblay, Orange Tree Theatre, 31 October 1998

Our Richmond-fest continued with this Canadian (or should I say Quebecois?) play. My log was pretty clear on our take:

Dreadful, we almost missed it due to bad weather and road condition, but still left at half time.

Nick Curtis in The Standard was kinder than that, although still awarded it a blob:

Tremblay Curtis StandardTremblay Curtis Standard 28 Oct 1998, Wed Evening Standard (London, Greater London, England) Newspapers.com

The local Chronicles spoke highly of it:

Tremblay Starr ChroniclesTremblay Starr Chronicles 05 Nov 1998, Thu The Feltham Chronicle (Hounslow, London, England) Newspapers.com

No doubt Janie and I enjoyed our Don Fernando dinner afterwards, despite the play.

Juno And The Paycock by Sean O’Casey, Lyttelton Theatre, 22 February 1989

A midweek visit to the theatre with Bobbie. How on earth we ended up at the National for a major production on press night I have no idea – perhaps a couple of Bobbie’s journalist friends/colleagues had to divest themselves of a pair of tickets at short notice.

Midweek theatre was a habit we had acquired during my quieter months in late 1988 but this was not a sensible idea once my Binders career got going, as I might be deadline-ridden or out of town at the drop of a hat in my new career – so such mideweek jaunts became rare.

Having said that, it seems that February 1989 was a relatively quiet month for me, in terms of client contact anyway, certainly compared with the frantic few weeks I spent on my first major assignment in December 1988 and January 1989:

I don’t recall being quiet at work, though, so I must have been immersed in something or things that didn’t require meetings. I think I ran a tendering process or two, got involved with some proposal writing and helped out on a few projects staffed by people who didn’t really “get” accounting.

One thing I most certainly wasn’t doing was strutting around the office like a “paycock”. Which brings us back neatly to the matter at hand – a Wednesday evening visit to the National to see Juno and the Paycock with Bobbie.

It’s a good play – one of O’Casey’s best in my opinion – a synopsis and the play’s provenance can be found here. The 1989 Lyttelton production was a good one to be sure – that’s what I wrote in my log anyhow.

Linda Bassett played Juno and Tony Haygarth played the Captain. It was a very good cast altogether, in fact – see this Theatricalia entry for details.

Below is Michael Billington’s Guardian review:

Billington on PaycockBillington on Paycock Fri, Feb 24, 1989 – 34 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review:

Ratcliffe on PaycockRatcliffe on Paycock Sun, Feb 26, 1989 – 44 · The Observer (London, Greater London, England) · Newspapers.com

Strangely, it was revived again at the Lyttelton in 2011 with Ciaran Hinds and my neighbour, Sinead Cussack. Here is a link to a list of many productions.

It is hard to find any information on-line about the 1989 production, although some of the 2011 reviews hark back to the earlier production. But take my word for it that the 1989 production was good. I’m pretty sure it got good notices. Bobbie might remember yet more about it than I do. I’ll ask her.