Mountain Language & Ashes To Ashes by Harold Pinter, & Alive From Palestine by Al Kasaba Theatre Group, Royal Court Theatre, 29 June 2001

We adjudged the event:

Triple bill proved a bit much for us that night!!

Both of us had really busy weeks in the run up to this Friday night at the theatre, with Janie taking patients early and late that week. In my case, as well as many client meetings, a very late night for me the previous evening due to the traditional Children’s Society v Z/Yen cricket match in Regents Park:

Harold Pinter would have understood.

I had seen Mountain Language before – a most memorable production in 1988 with Michael Gambon, Eileen Atkins, Tony Haygarth and Miranda Richardson, directed by Harold himself..

Returning to 2001, our friend Michael Billington reviewed Alive From Palestine, but not the triple bill, giving me the sense that the piece might have had a greater effect on us had it not been preceded by the two Pinter pieces.

Alive Guardian Billington Alive Guardian Billington 30 Jun 2001 The Guardian (London, Greater London, England) Newspapers.com

Rachel Halliburton in the Standard raved about the brace of Pinter plays, while remaining silent on the Palestinian play:

Ashes Standard Halliburton Ashes Standard Halliburton 27 Jun 2001 Evening Standard (London, Greater London, England) Newspapers.com

To be fair, she reviewed the Pinter double bill ahead of the short late night run of the third play started. And at least The Standard had the good manners to trail the Alive From Palestine one:

Alive Standard preview Alive Standard preview 21 Jun 2001 Evening Standard (London, Greater London, England) Newspapers.com

Charles Spencer in the Telegraph absolutely hated the Pinter and was utterly silent about the Palestinian play:

Ashes Telegraph Spencer Ashes Telegraph Spencer 28 Jun 2001 The Daily Telegraph (London, Greater London, England) Newspapers.com

Drag-On by Emmanuel De Nasciemento & Local by Arzhang Pezhman, Royal Court Theatre Upstairs, 11 November 2000

This evening in the theatre was part of that year’s Royal Court “Exposure Young Writers 2000” programme. Janie and I were especially impressed by the second play we saw.

Dominic Cavendish agreed with our assessment, while being pretty impressed with all of it, including the pairing of plays we didn’t see.

Exposure Cavendish Telegraph Exposure Cavendish Telegraph 25 Oct 2000 The Daily Telegraph (London, Greater London, England) Newspapers.com

Rachel Thackray in The Guardian was less sure about all of it:

Exposure Thackray Guardian Exposure Thackray Guardian 21 Oct 2000 The Guardian (London, Greater London, England) Newspapers.com

Rachel Halliburton in the Standard pretty much agreed with us, liking both but especially liking Local.

Exposure Halliburton Standard Exposure Halliburton Standard 20 Oct 2000 Evening Standard (London, Greater London, England) Newspapers.com

We have subsequently seen a lot of plays on these subjects, but at that time the subject matter and style seemed, to us, very fresh and encouraging for British theatre.