A rare visit to the theatre on my own and on a Wednesday. No point trying to get Janie to a Georgian comedy; she doesn’t do classics and she doesn’t do farcical comedy of any kind.
But for reasons of my own – I still have some distantly related ideas for a comedy play on a jotter – I very much wanted to see this show, which had but a short run at the Barbican before going on to the Holland Festival.
As it happens, I had been invited that day to Lambeth Palace for lunch by the Church Commissioners (as Ian Theodoreson’s guest), so it seemed a suitable day for me to take the rest of the day off and therefore be free to spend the early part of a midweek evening at the theatre.
While suitable in practical terms, it was perhaps not quite such a suitable cultural switch from a dignified Lambeth Palace lunch under the auspices of Rowan Williams, the Archbishop of Canterbury, to a bawdy Georgian comedy under the auspices of Deborah Warner, the radical stage director. Neither the irony nor the culture shock of the switch seemed to affect me unduly on the day.
The Lambeth Palace lunch was delightful, btw. I met several interesting new people (this was the only occasion I met Rowan Williams) as well as getting a chance to chat with Ian T and the people I know in that Church of England circle. I was particularly impressed with the dignified informality and grandeur with a tasteful lack of ostentation to the whole Lambeth Palace event.
Afterwards I had plenty of time to do some reading at the Barbican Centre over a coffee or two in the afternoon before seeing the play.
Here is an explanatory vid with Deborah Warner talking about her production of the School For Scandal:
https://youtu.be/nNYiQGGs4hw
In truth I wasn’t bowled over by this production, which had received mixed reviews. This search term – click here – will find you reviews and other resources on the production.
It had some super people in the cast and I thought some of the modernising ideas were quite interesting. But on the whole I thought it was a pretty standard production of a Georgian play with a few nods to modern touches.
Of course it isn’t easy to refresh ideas that have been around for centuries and get their relevance across to modern audiences…
…perhaps the two halves of my unusual day had more in common than I thought about at the time.
