I had been corresponding with my old school friend Paul Deacon on Facebook for the previous couple of days, sparked by:
- a visit to 28 Pembridge Road, the site of our Record and Tape Exchange visits in our youth, 1978 – Ogblogged here;
- a trawl through the diary and another Ogblog piece about our earlier visits, 1977, to the Slipped Disc in Clapham Junction – Ogblogged here.
As an aside, Paul asked me if Janie and I had listened to his weekly broadcast on The Grand At 101 lately. I had to admit we hadn’t. The show is on Saturday afternoons in Ontario, therefore Saturday evening here. Janie and I are almost always out on a Saturday evening – Ogblog postings passim attest to this fact. It must be more than a year; perhaps even a couple of years since we last tuned in.
However, our Saturday evening plans – feeding friends Kim, Michel and David – had, for practical reasons, been switched to Sunday lunch instead. As it turns out, Sunday 8 May is scheduled to be “sunny, hot, sit in the garden” weather, so the switch was fortuitous in many ways.
In short, we would be around, so I told Paul we’d tune in at least to some of the show. In the course of this correspondence, Paul Hamer (another old school friend) said that he would also tune in “while cooking his risotto”. At the start of the show, Paul Hamer evidenced the fact that he was listening and cooking risotto with this picture:
Once we were listening in, I mischievously sent Paul the following private message, which relates closely to the rag, tag and bobtail records we procured at the Slipped Disc all those years ago:
Ian and Janie messaging in from warm and sunny London. Would you be able to spin a 45 for us today? Ideally a Melodisc classic, such as Jolie La Ville Curepipe by the Alain Permal Mauritius Police Band, Agbogun G’Boro by Tunde Nightingale and his HighLife Boys, Bulgarian Betrothal by the Bulgarian Variety Orchestra or the classic Stop For The Music by The Nutrons. We and your listeners deserve nothing less.
Of course, I should have known better than to challenge Paul to play an unbelievably obscure 1960s record.
Soon after 20:00 our time, Paul Deacon broadcast a shout-out to Paul Hamer and played some rather unappetising sound effects in honour of Paul Hamer’s jumbo prawn risotto. Paul Hamer’s retort; a photo of said risotto in all its glory – makes better Facebook/Ogblog than it does radio…but it does look very appetising:
I showed Janie the jumbo prawn risotto picture; she suggested I take a picture of the remains of our dinner and upload it. I made an executive decision not to do that. Even if people could imagine that fine meal from the messy carnage of (what had only recently been) a most impressive-looking roast duck…I wouldn’t have wanted to upstage Paul Hamer.
Then a few minutes later Paul Deacon broadcast a shout-out to me and Janie. Much to my embarrassment, he actually played Stop For The Music by The Nutrons as a request for us. “Truly terrible”, was Janie’s verdict on that obscure musical masterpiece.
When Paul (wisely) interrupted the track before the full 125 seconds of noise had completed, he played The Grand at 101 jingle. “Oh, so Paul also has a Room 101 for crappy records then?”, asked Janie. “No”, I replied, “101 is the FM broadcasting frequency of Paul’s radio station”.
To explain, if I put something on a music playlist that Janie really doesn’t like, it doesn’t simply get deleted from that playlist, it gets moved to a playlist named “Janie’s Room 101 Playlist”. The latter playlist would, in extremis, be played continuously on a loop if Janie ever were so badly behaved as to require sending to Room 101 for re-education.
Readers will, I’m sure, be unsurprised to learn that Janie’s Room 101 is more a theoretical construct or “empty threat” than anything approaching reality. She’s stronger than me for a start. Paul Deacon would be a little disappointed by some of the tracks that have ended up in Janie’s Room 101, but there’s no accounting for taste.
Meanwhile, Paul’s radio show. While simultaneously joking with several of us on Facebook, digging out obscure 1960’s Melodisc records…oh, and of course actually broadcasting a show an hour longer than his usual slot to cover for someone…
…Paul Deacon also told us that John Eltham (another old school friend of ours) would be joining him at the studio “any minute”, along with Rich Davies – yet another old school friend, who lives in Ontario near the Deacons.
I was aware that John Eltham was due to visit Paul and Rich this month, as John had mentioned the visit in correspondence with me a couple of weeks ago. I hadn’t twigged that the visit was so imminent. Indeed, while the broadcast was still going on, Paul wrote:
He’s here now! Just telling us about Rohan…
…the Rohan reference is to Rohan Candappa. I suppose in particular the “telling” was about a gathering we had a few months ago to see Rohan’s wonderful one-man show, which we now learn will be going to Edinburgh this summer – click here to read about it.
So, I woke up this morning to see these wonderful postings on Paul’s Facebook Area:
- Paul and Christine Deacon, Rich Davies and John Eltham dining together after the show – not a risotto in sight.
I reflect that this connected world of ours is truly marvellous. We can banter with old friends and listen to radio broadcasts across continents. Face-to-face visits across such distances are now affordable, practical realities also. But by gosh it helps if you can multi-task like Paul Deacon!