Tag: Ian Charleson

Hamlet by William Shakespeare, Olivier Theatre, 18 March 1989

This was the famous (or perhaps infamous) National Theatre production of Hamlet which took Daniel Day-Lewis to the very edge of reason and from which he quit part way through the run.

I went very early in the run – in fact it might even have been a preview – with Annalisa. I suspect that I had booked the thing with Bobbie in mind, but so long before the appointed date that Bobbie could no longer make it.

Let’s just say that, back then, I thought of Shakespeare as more Bobbie’s thing than Annalisa’s thing. Annalisa has latterly assured me that theatre, including Shakespeare, was very much her thing.

Anyway, I recall that we sat right at the front of one of those side wedges in the Olivier – you are very close to the action there, especially when the action is on your side of the stage.

I also recall that Daniel Day Lewis was a very wet Hamlet – by which I mean sweating and spitting his lines. Annalisa remarked afterwards that we should have taken umbrellas with us had we known.

It was a superb production, with a great many big names and several names that weren’t big then but went on to be big. National productions were a bit like that in those days – some still are I suspect.

I was motivated to write up this theatre visit while sitting at Lord’s in September 2018 watching, for the first time, Ethan Bamber bowl live. His father, David, was Horatio in this Hamlet production, nearly 30 years earlier.

Other big names/fine performances included Judi Dench, John Castle, Michael Bryant, Oliver Ford Davies & Stella Gonet. A young Jeremy Northam had a small part in the version we saw but stepped up to the plate when Daniel Day-Lewis walked out. Later in the run, Ian Charleson took on the role to much acclaim, just before he died.

I think this was still quite early in Richard Eyre’s tenure at the National and he directed this one himself, extremely well.

My only other recollection is a quote that Annalisa picked up from an American visitor to the National, who told his wife that he didn’t think all that much of the play – “too many of the lines were clichés”. I guess you can’t please everybody.

Below is Michael Billington’s Guardian review:

Billington on HamletBillington on Hamlet Sat, Mar 18, 1989 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review:

Ratcliffe on HamletRatcliffe on Hamlet Sun, Mar 19, 1989 – 46 · The Observer (London, Greater London, England) · Newspapers.com

Postscript: An Enthusiast From Across The Pond Sought Help…

…in March 2024 I received some unusual correspondence from a gentleman in the USA, wondering whether I still had the programme (or playbill in his terms) as he was keen to see Daniel Day-Lewis’s biography notes from that production.

I have mentioned before that Ogblog serves as a fifth emergency service on occasions and this felt like such an occasion. No sirens or speeding vehicles through the streets of London needed, but I fortuitously was able to lay my hands on this particular programme with relative ease, having not yet returned that batch to deep storage.

Without further ado…

…drumroll…

…THAT page:

Cat On A Hot Tin Roof by Tennessee Williams, Lyttelton Theatre, 12 March 1988

Bobbie and I were on a bit of a roll, theatre-wise, at the start of that year, seeing some great productions. This was certainly one of them.

Lindsay Duncan was a most memorable Maggie The Cat and Ian Charleson was superb as Brick; tragically Charleson died just a couple of years after this production. The cast also included Eric Porter, Alison Steadman, Henry Goodman…plus many other fine performers. Howard Davies directed.

Here is the Theatricalia entry for the production.

The Lyttelton is not my favourite place for this sort of play, but somehow this one seemed to work in that space. I seem to recall it received superb notices and for good reason.

Michael Billington loved this production – his review clipped below:

Billington On CatBillington On Cat Fri, Feb 5, 1988 – 18 · The Guardian (London, Greater London, England) · Newspapers.com

Clearly Michael Ratcliffe liked it too:

Michael Ratcliffe On CatMichael Ratcliffe On Cat Sun, Feb 7, 1988 – 26 · The Observer (London, Greater London, England) · Newspapers.com

There’s little on-line about this particular production, given its antiquity, but if you have no idea even what the piece looks/feels like, here is a clip of Paul Newman and Elisabeth Taylor from the 1950’s film version:

…while the following clip is from a subsequent National theatre production of Cat:

Anyway, the Lindsay Duncan & Ian Charleson version will live long in my memory. Bobbie’s too, I’ll guess. I’d better ask her.

Scapino, Young Vic, 23 January 1974

I started to keep a diary in January 1974.  The 23 January entry is my first record of visiting the theatre, although I went with my parents to see pantomimes and children’s shows before then.

This visit I’m sure was my first school trip to the theatre, an Alleyn’s School outing.  I think just for my class; 1S, probably Ian Sandbrook’s initiative.  It was a revival of the first production at the Young Vic Theatre, which I think therefore makes it the Young Vic’s first production as an independent theatre company.  It seems the revival was a precursor to a glittering US transfer.

All the 11 year old “critic” wrote at the time was:

“Scapino v good indeed.  Jim Dale good.  Got to bed very late.”

Yet the evening stays quite clearly in my memory.  I remember liking the patter song about Italian food and I also recall catching a plastic facsimile of a glass of wine and keeping it in a bottom drawer for years and years.  It survived many clear outs, but I think it came a cropper in the end.  Who knows, it might turn up in one of my junk boxes some day.

This Michael Billington piece about that production and the early days of the independent Young Vic is charming, click here.

This archive review from the Columbia Daily Spectator was written only a couple of months after our visit.  The late great Ian Charleson gets an honourable mention in this piece.

There is some material on this production right at the beginning of the Young Vic’s 50 year celebration on-line article – click here.

Here is a link to the Theatricalia entry for the production – whether or not some of the cast changed for the independent revival is lost in the mists of time. I think the main cast was those on the Theatricalia list.

Below is Milton Shulman’s review of the opening night, in September 1970, which he pretty much raved about:

Scapino Shulman StandardScapino Shulman Standard 14 Sep 1970, Mon Evening Standard (London, Greater London, England) Newspapers.com

The Guardian did an Arts Diary picture piece on the p[roduction:

Scapino GuardianScapino Guardian 11 Sep 1970, Fri The Guardian Journal (Nottingham, Nottinghamshire, England) Newspapers.com

If you want to read the script on the Internet Archive, I think you might need a (free) login to borrow it but you can preview it here: