Month: August 1989

The Merchant Of Venice by William Shakespeare, Phoenix Theatre, 29 August 1989

I saw this production of The Merchant Of Venice with Bobbie. I don’t think either of us was overly enamoured of it. I registered “quite good” in my log, which is faint praise from me.

There was a lot of hype about this production because Dustin Hoffman was playing Shylock. I recall that Bobbie’s friend May Lamb referred to that actor as “Dustbin Hoffman” – I must admit that I have never been able to process his name the same way since.

There were other good folk in this production; Geraldine James as Portia for a start. Michael Sibbery as Gratiano, Ian Lavender as Solanio, Leigh Lawson as Antonio, Peter-Hugo Daly as Launcelot Gobbo and many other good names. Peter Hall directed it.

Here is its Theatricalia entry.

Sometimes a collection of big names is not, in itself, enough.

Also, I have a feeling that this is not really a great play; that’s my opinion anyway. Technically it is a comedy in the Shakespeare canon, but well short of laughs for the modern audience, even by Shakespeare comedy standards.

This review piece from the New York Times archive suggests that the critics weren’t overly impressed with this production either.

Below is Michael Billington’s Guardian review:

Billington on MerchantBillington on Merchant Fri, Jun 2, 1989 – 27 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review:

Ratcliffe on MerchantRatcliffe on Merchant Sun, Jun 4, 1989 – 44 · The Observer (London, Greater London, England) · Newspapers.com

Here is a little YouTube clip of Dustbin…

…I mean Dustin Hoffman rehearsing with Peter Hall:

My First Live Go At Bruckner’s 8th Symphony, Royal Albert Hall, 27 August 1989

The first but by no means my last earful of Bruckner’s 8th Symphony live.

This one was Bernard Haitink conducting the European Union Youth Orchestra.

I’m not 100% sure who joined me for this one, but Jilly is my prime suspect.

Here is a link to the BBC stub for this concert.

It got a Nice review in the Guardian…David Nice, to be precise:

Haitink Prom Nice GuardianHaitink Prom Nice Guardian 29 Aug 1989, Tue The Guardian (London, Greater London, England) Newspapers.com

If you want to hear Haitink conducting this piece, you could do worse than this Royal Concertgebouw recording.

When I was sitting in this August 1989 Prom, I would not have expected to have been sitting in the Concertgebouw less than four week’s later:

A Five Day Work Visit To Amsterdam Including A Concertgebouw Evening 23 September 1989

Life was a bit like that for me back then.

All Fired Up At A BBC Philharmonic Prom, Royal Albert Hall, 15 August 1989

Jilly is listed as having joined me for this one. Her work telephone number is strategically placed in my diary on the preceding day, so she might struggle to deny this one.

I’m not entirely sure why I chose it other than the fact that I was certainly into Richard Strauss and Sibelius at that time, so two pieces by those dudes that I hadn’t heard live before probably sealed the deal. It might have been Jilly saying “you’ve GOT to see this Heinz Holliger fellow”, as that was the sort of thing that Jilly would say.

Here is a link to the BBC stub for this one. Edward Downes conducting the BBC Philharmonic. We heard:

  • John McCabe – Fire at Durilgai
  • Richard Strauss – Oboe Concerto in D major
  • Jean Sibelius – Symphony No. 1 in E minor

Robert Maycock in The Independent liked this concert:

Downes Prom Maycock IndyDownes Prom Maycock Indy 17 Aug 1989, Thu The Independent (London, Greater London, England) Newspapers.com

McCabe wrote Fire At Durilgai for the BBC Philharmonic. Here is a recording of it by them, but under Yan-Pascal Tortelier’s baton.

Here is a recording of the great oboist Heinz Holliger, but with the Chamber Orchestra of Europe rather than the BBC Phil.

Here’s a recording of the Orchestre de Paris under Paavo Järvi giving Sibelius 1 a go:

Huis Clos by Jean-Paul Sartre, Lyric Studio, 5 August 1989

John White loves a bit of existential angst, so what could be a better choice for a Saturday night out than Huis Clos? Mandy was up for it. Annalisa was up for it. Off we went to the Lyric Hammersmith – the small Studio theatre there.

The play is set in hell, which is said to be a hot place.

It really was o-t ‘ot that evening. Clammy August and naturally the air conditioning system in the Studio wasn’t working.

Here’s my database/diary note for this evening:

The air conditioning had broken down on one of the hottest days of the year.  The Lyric gave us all free squash in the interval because it was so bad.  It did make the play about hell truly multi-sensory.  The line “it’s so hot in here” had the whole audience in stitches.

You don’t need to take my word for this. Here’s a link to a review from “The Stage”.  As Maureen Paton puts it in that review:

…the oven-temperature heat in the Studio does the rest. Hell is too many other people in the audience on a hot night.

Still, we had a good evening as far as I can recall and all four of us dined out on that story for some time. Indeed John still seems to be talking about it as I write in October 2016, as John’s comment on my piece about I, Daniel Blake – click here – confirms.

The rest of the programme follows – heck it was quite a job this evening to dig it out, so I thought I might as well scan the lot while I was at it.

huis-clos-2-of-4-tiny

huis-clos-3-of-4-tiny

huis-clos-4-of-4-tiny

 

Listings Huis ClosListings Huis Clos Fri, Aug 4, 1989 – 30 · The Guardian (London, Greater London, England) · Newspapers.com

Huis Clos ListingHuis Clos Listing Mon, Aug 7, 1989 – 35 · The Guardian (London, Greater London, England) · Newspapers.com