The Merchant Of Venice by William Shakespeare, Phoenix Theatre, 29 August 1989

I saw this production of The Merchant Of Venice with Bobbie. I don’t think either of us was overly enamoured of it. I registered “quite good” in my log, which is faint praise from me.

There was a lot of hype about this production because Dustin Hoffman was playing Shylock. I recall that Bobbie’s friend May Lamb referred to that actor as “Dustbin Hoffman” – I must admit that I have never been able to process his name the same way since.

There were other good folk in this production; Geraldine James as Portia for a start. Michael Sibbery as Gratiano, Ian Lavender as Solanio, Leigh Lawson as Antonio, Peter-Hugo Daly as Launcelot Gobbo and many other good names. Peter Hall directed it.

Here is its Theatricalia entry.

Sometimes a collection of big names is not, in itself, enough.

Also, I have a feeling that this is not really a great play; that’s my opinion anyway. Technically it is a comedy in the Shakespeare canon, but well short of laughs for the modern audience, even by Shakespeare comedy standards.

This review piece from the New York Times archive suggests that the critics weren’t overly impressed with this production either.

Below is Michael Billington’s Guardian review:

Billington on MerchantBillington on Merchant Fri, Jun 2, 1989 – 27 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review:

Ratcliffe on MerchantRatcliffe on Merchant Sun, Jun 4, 1989 – 44 · The Observer (London, Greater London, England) · Newspapers.com

Here is a little YouTube clip of Dustbin…

…I mean Dustin Hoffman rehearsing with Peter Hall:

Cymbeline by William Shakespeare, Olivier Theatre, With Bobbie, 15 November 1988

This production started its life at the Cottesloe, then went on tour and then returned to the National at the Olivier. Bobbie and I caught it on its return.

Theatricalia lists the production here.

I recall not much liking this play. We had seen a cast comprising mostly this ensemble perform The Tempest some months earlier, which I had loved. I think it was that experience that drew us to Cymbeline.

I also realised by then that I prefer smaller spaces than the Olivier – there was a comparatively impersonal feel to the Cymbeline and I remember wondering whether I would have liked it more in the Cottesloe.

Still, it was a fine production with an excellent cast. I wonder what Bobbie thought of it and/or recalls about it?

Below is Michael Billington’s Guardian review of Cymbeline:

Billington on CymbelineBillington on Cymbeline Mon, May 23, 1988 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review, which also covers The Tempest:

Ratcliffe on Tempest & CybelineRatcliffe on Tempest & Cybeline Sun, May 22, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

This was my last week working for Newman Harris, I was doing exam marking for Financial Training college to make a few extra bucks and on the preceding Monday my parents went on holiday. How do I remember all that?:

The Tempest by William Shakespeare, Cottesloe Theatre, 23 July 1988

This was a very good production of The Tempest at the National Theatre. Peter Hall directed it. Superb cast.

Here is the Theatricalia entry for this production.

Below is Michael Billington’s Guardian review of the Tempest

Billington On The TempestBillington On The Tempest Sat, May 21, 1988 – 17 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review of the Tempest and Cybeline:

Ratcliffe on Tempest & CybelineRatcliffe on Tempest & Cybeline Sun, May 22, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

It was part of repertory trio of productions of late Shakespeare plays, of which we also saw Cybeline a few months later:

I rated this production very good. I think we benefited from seeing The Tempest in the intimate environment of the Cottesloe – certainly when compared with Cybeline at the Olivier.

Not sure what we did afterwards – the diary might have some info on that, which I shall add in the fullness of time if it does.