Banda, NewsRevue Lyric, 14 June 1993

In expectation of the departure of Dr Hastings Kamuzu Banda, the Prime Minister and President of Malawi for several decades.

Actually he didn’t depart until about a year after I wrote this lyric.

About 30 years after I wrote this lyric, Janie and I went on holiday to Malawi:

Here’s the lyric; not one of my greatest hits to be honest. It doesn’t even scan well:

BANDA

(To the Tune of “Homburg”)
 
VERSE 1
 
This multilingual African,
Has reached his finale;
Leaving utter depravation,
In the state of Malawi.
 
VERSE 2
 
‘Tho Doctor Hastings Banda,
Has now run out of steam;
He once displaced Uganda,
As the world’s worst regime.
 
CHORUS
 
His power tricks are dirty,
And his human rights are wrong;
He’d better take off his homburg,
Cos his overthrow won’t take long.
 
 
(Once he actually goes the last line reads “Cos his overthrow took too long” – the rest of the song is consistent before and after his departure)
 

Click here for a vid of Procol Harem singing Homburg, with the lyrics in the blurb underneath…or just watch the vid below:

Here is a link to the lyrics for Homburg.

Body Doubles Voiceover, NewsRevue Quickie, 12 June 1993

This little quickie speaks for itself, really. I’m not sure whether or not it was sued.

BODY DOUBLES (VOICEOVER)
 
Film experts in Russia report that the film “Indecent Proposal” has flopped.  The studio blames a translation mistake in the marketing blurb.  Instead of saying “watch sex scenes between body doubles” the advert said “see the Congress of Peoples Deputies”.
 

It Ain’t Levy, It’s A Blunder, NewsRevue Lyric, 12 June 1993

I’m pretty sure this wasn’t used. As much as anything else, another of my lyrics that works to “He Ain’t Heavy, He’s My Brother”, the Princess Di Bulmia Song, was a perennial in the show at that time:

Anyway, this was presumably intended to be a quickie and to echo the other “Heavy” number.

IT AIN’T LEVY, IT’S A PLUNDER

(Quickie to the Tune of “He Ain’t Heavy, He’s My Brother”)
 
The road’s gone wrong,
It’s blemished with dire sun burn;
Our motorways from the start,
Fall apart.
 
Delays long,
And we’re asked to pay for them;
It ain’t levy,
It’s a plunder.

Below is a vid showing the Hollies performing “He Ain’t Heavy, He’s My Brother”:

This link – click here – will show you the Hollies lyrics.

Judges Are Senile, NewsRevue Lyric, 12 June 1993

I don’t recall this lyric being used in NewsRevue, but there are a few minor revisions of it on my machine over that summer, so I’m guessing that it probably was.

JUDGES ARE SENILE


(To the Tune of “Putting On The Style”)
 
VERSE 1
 
Eighty three, goes to court, likes to wear his wig,
Britain’s legal system appointed this old prig;
He was a bright young lawyer who made a legal pile,
But now he’s old and talks baloney, judges are senile.
 
CHORUS 1
 
Oh
Magistrates are lunatics, judges are senile,
That’s why it’s a toss up what happens at a trial;
Convicted rapist walks free, another court meanwhile,
Jails a kid who smoked dope, judges are senile.
 
VERSE 2
 
Starforth Hill blames a girl ‘cos he’s off his board,
If he goes on at this rate they’ll make him a law lord;
He says all girls are sinful as does Judge Argyll,
These old sods know not what they’re saying, judges are senile.
 
CHORUS 2
 
Oh
Justices need therapy, judges are senile,
Most right thinking people find their opinions vile;
Ernest Saunders set free, judge gives him a smile,
Old Ernest has Alzheimer’s but is not senile.
 
VERSE 3
 
Justice on the Woolsack, the appeal court’s packed,
The House of Lords gives judgement ten years after the act;
That House is not debating the crimes that we revile,
But huge vexatious corporations suing for a pile.
 
CHORUS 3
 
Oh
UK courts are such a crime, judges are senile,
That’s why lots of young folks want other domicile;
We should make British justice defend itself on trial,
Let’s start by sacking judges who have gone senile….
i-ile, i-ile, i-ile.

This link takes you to the lyrics of Puttin On the Style. Below is a vid of Lonnie Donegan singing Puttin On The Style:

Below is the updated lyric for Verse Two and Chorus Two dated 11 July 1993:

JUDGES ARE SENILE – VERSION TWO

(To the Tune of “Putting On The Style”)
 
VERSE 2
 
Criminal Justice Bill scraps half of our rights,
Our hope of getting justice is like free Hoover flights;
We’ll lose our right to juries resolving our trials,
And get some bigot Magistrates with arthritis and piles.
 
CHORUS 2
 
Oh
Magistrates need therapy, most of them are vile,
They behave like judges but lack judicial guile;
Although the Magna Carta’s been around a while,
The stupid Royal Commission would scrap jury trials.

It seems I further revised Verse Two in August 1993:

VERSE 2
 
Criminal Justices scrap half of our rights,
Our hope of getting fairness is like free Hoover flights;
We’ll lose our right to juries resolving our trials,
And get some bigot Magistrate with arthritis and piles.
 

The Showman by Thomas Bernhard, Almeida Theatre, 12 June 1993

Janie and I both thought this play/production was very good.

Alan Bates was a superb actor and was espececially suited to this role. The supporting cast were excellent under Jonathan Kent’s expert direction.

Below is Michael Billington’s judgment on the piece:

Billington On the ShowmanBillington On the Showman Wed, May 19, 1993 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney was also very keen on this play/production:

Michael Coveney On The ShowmanMichael Coveney On The Showman Sun, May 23, 1993 – 64 · The Observer (London, Greater London, England) · Newspapers.com

Janie and I still say “my dear child” in the gnarley style that Alan Bates delivered that phrase in this production.

This was our first visit to the Almeida together and I have a feeling we ran into my NewsRevue friend Ivan Shakespeare on this occasion and indeed on more than one of our first few occasions at the Almeida. Ivan was a volunteer there and I think he did Saturday evenings whenever he could.

A Direct Communication, But Absolutely Not A Letter Of Complaint To Time Magazine, 11 June 1993

I have just started retro-blogging Janie’s and my first big adventurous holiday, 25 years ago, to China, Hong Kong and Bali:

An Anticlimactic Start To My & Janie’s First Big Travel Adventure Together, 14 to 16 November 1993

While wading through some papers connected with that holiday, I found the following photocopy of a letter to Time Magazine, who, it seems, were unwilling to say goodbye to me as a paying customer, despite my attempts to cancel my subscription.

Why the letter starts on the right hand page and moves on to the left I think is just a photocopying thing. Or it might be an ethnic quirk…he says, without a hint of irony.

As the letter makes clear in the last sentence, it is not a complaint. Goodness only knows what a complaint from me would have looked like back then.

Anyway, the letter made me laugh when I uncovered it after all these years. It made me realise that I am not turning into a cantankerous old git…I was always a cantankerous git…I’m just “gitting” older.

Telecom Charges, NewsRevue Lyric, 6 June 1993

I don’t think this lyric ever made it into the show and possibly just as well. The slow numbers have to be very good to work in the show and this lyric doesn’t make the grade as I look at it 25+ years later.

TELECOM CHARGES

(To the Tune of “Wichita Lineman”)
 
VERSE 1
 
I am a financier for BT,
And I’ll buy BT 3;
Fifty quidsworth yuppy,
Taking shares profitably.
 
They’re raking in a huge pile,
They’re making hay while the sun shines;
Cos the Telecom charges,
Are way out of line.
 
VERSE 2
 
I know they have some competition,
But it don’t look like trade;
As Mercury it seems to me,
Can never make the grade.
 
Those BT fat cats are laughing,
They make more money every time;
Cos those new operations,
Must hire BT lines.
 
VERSE 3
 
But someday soon BT will tumble,
And lose their monopoly;
Now yuppies drone on cordless phones,
That don’t come from BT.
 
And though we need them more than want them,
And wally’s use them at odd times;
The cellular cordless,
Don’t use BT lines.

Below is Glen Campbell singing Wichita Lineman, with the lyrics of that song there to be seen on the screen:

Scarborough Cliffs/Oh I Do Like To Be Beside The Cliff Face, NewsRevue & Ben Murphy Lyrics, 6 June 1993

The day before I wrote these lyrics, a large chunk of a Scarborough Hotel, Holbeck Hall, fell from the top of the cliffs into the sea, as a result of coastal erosion.

This seemed like good material for topical satire; which it was.

The first part of the lyric, the Scarborough Fair bit, was not much used, but the second part of the lyric ran in NewsRevue for some time and was recorded by Ben Murphy on his album that summer; click below:

                                           SCARBOROUGH CLIFFS


                                       (To the Tune of “Scarborough Fair”)
 
VERSE 1
 
Are you going to Scarborough cliffs?
Strawberry jam, whipped cream, scones and tea;
The eastern coast has started to shift,
Scarborough’s falling into the sea.
 
VERSE 2
 
Tell her to find me a Chippendale chair,
Walnut, oak, ebony or teak;
Now Holbeck Hall has laid itself bare,
She may catch a falling antique.
 
VERSE 3
 
Beautiful paintings are now on the skids,
Renoir fakes, Picasso and Freud;
One genuine worth thousands of quid,
In the struggle may be destroyed.
 
VERSE 4
 
Through the soil where once flowers bloomed,
Scavenge greedy bastards below;
You’ll see the folk who were not entombed,
Next week on the Antiques Road Show.
 
 
OH I DO LIKE TO BE BESIDE THE CLIFF FACE
(To The Tune Of “Oh I Do Like To Be Beside The Seaside”)
 
Oh I do like to be beside the cliff face,
Oh I do like to be beside the sea;
Oh I do like to watch the bits of Holbeck Hall,
Crumble away and fall till it’s not there at all.
 
Just bury me beside the cliff face,
I’ll be impaled by cutlery;
Then a Chippendale bedstead will descend onto my head,
Beside the cliff face,
Beside the sea.

Below is Simon and Garfunkel’s recording of Scarborough Fair:

Below is the original recording of Oh I Do Like To Be Beside The Seaside by Mark Sheridan, from 1909. The chorus starts around the 48 second mark:

The Belle Of The Belfast City by Christina Reid, Orange Tree Room, 5 June 1993

Of the three plays Janie and I went to see at the Orange Tree Room together, before that “above the pub” bit of the Orange Tree empire closed down, this is the only one for which I still have the “programme” – i.e. sheet of paper:

Just as well I have the sheet, because, unlike Saigon Rose – click here or below…

Saigon Rose by David Edgar, Orange Tree Room, 20 March 1993

…I cannot find any reviews on-line.

Ian Angus Wilkie of NewsRevue fame once again found his way into the cast; he must have found favour with the Orange Tree folk back then and for good reason.

I was gutted that Ian Angus Wilkie didn’t list NewsRevue in his recent relevant experience – it had only been about a year before – perhaps less ( I have a feeling he did Edinburgh or Christmas that 1992 year). How could he hold back on reporting that career highlight?

All I wrote in my log for this one was that I thought it was a very good play/production – which was the way I felt about all the things we saw in that Orange Tree Room…but in truth this was the least memorable of the three, for me.

Sex In My Anorak by John Random & Others (Including Me), Opening Night, Canal Cafe Theatre, 2 June 1993

Janie joined me (and I’m sure quite a few of my NewsRevue writer friends) for the opening night of this show, conceived by John Random.

I think the idea of it was to be a showcase for revue material that John and others of us sometimes wrote that was not ideally suited to the topical NewsRevue show.

I have a couple of pieces of paper about the show, one of which tells me that I forked out some dosh to angel the show.

I cannot remember how much, if any, of that cash came back to me. John might have information on’t.

Here’s the other artifact, which was a sort of interim newsletter which also gives some clues as to the conceit (if that is the right word) of the show.

I also cannot remember how many, if any, of my lyrics found their way into this show.

In fact, the item I remember most clearly about this show is an idea that John in the end didn’t use, which was the idea of performing Spike Jones’s version of the Hawaiian War Chant live.

It would have been wicked hard to stage well with four performers and one pianist. But John and I both still regret that the idea got…as it were…spiked.

I do remember one of John’s numbers, which I think was the closing number, named Living In A Cliche, which was a spoof of Bon Jovi’s Livin’ On A Prayer.

Gosh, yes, that track is simply asking for the John Bon Random treatment.

I wonder whether John still has running orders and/or other materials pertaining to Sex In My Anorak. I do remember thinking the show was rather good.

Postscript: a few months ago we had a discussion about this show and also about Bish Bash Bosh on Facebook in the NewsRevue group – click here for link. Nick R Thomas in particular remembered some interesting stuff about Anorak:

I had a co-written sketch about cats. If I remember correctly, the sketch I wrote with Bournemouth writer Gary Mitchell was about the Cats Protection League actually being a protection racket run by cats.

John had a wonderful running song sketch throughout based on 2Unlimited but featuring nuns, eg “No no, no-no no no, no-no no no, no-no sex before marriage”.

Come to think of it, this No Limit number was also simply asking for the 2Johnlimited Random treatment.