Five Kinds Of Silence by Shelagh Stephenson, Lyric Hammersmith, 24 June 2000

No comment on this one in my log. Not necessarily a bad thing but also not necessarily a good thing.

Fabulous cast – including Tim Pigott-Smith, Lizzy McInnerny, Gina McKee & Linda Bassett. Ian Brown directed. But in truth I remember little about this one – even after looking at some of the reviews.

Paul Taylor was impressed:

Five Kinds Taylor Independent

Article from 3 Jun 2000 The Independent (London, Greater London, England)

Michael Billington was less impressed:

Five Kinds Billington Guardian

Article from 5 Jun 2000 The Guardian (London, Greater London, England)

Nicholas de Jongh was also somewhat underwhelmed by the play:

Five Kinds de Jongh Standard

Article from 5 Jun 2000 Evening Standard (London, Greater London, England)

Janie and I went to a gastro pub restaurant, The Chiswick, afterwards.

Salve Regina, Robin Blaze & The Parley of Instruments, Wigmore Hall, 22 June 2000

We must have really fancied this one, as we don’t (and didn’t) much go to the Wigmore Hall for this type of concert midweek. Our work diaries were so full back then.

Janie was on a bit of a countertenor kick back then; that would have clinched it.

Anyway, what an interesting concert:

  • Johann Rosenmuller – Ascendit Christus in Altum
  • Giovanni Legrenzi – O Mirandum Mysterium
  • Giovanni Legrenzi – Sonata in G major ‘La Pezzoli’
  • Giovanni Antonio Rigatti – Nunc Dimittis
  • Giovanni Antonio Rigatti – Cum Invocarem
  • Claudio Monteverdi – Iam Moriar, Mi Fili (Pianto Della Madonna)
  • Alessandro Grandi – Ave Maris Stella
  • Alessandro Grandi – Amo Christum
  • Biagio Marini – Sonata Quarta in A minor
  • Francesco Maria Marini – Jesu Dulcis Memoria
  • Dario Castello – Exultate Deo
  • Giovanni Rovetta – Salve Regina

Here is one of the pieces they performed that night:

The following year, this troupe released the Salve Regina album, which contains many of the “hits” we heard that night – I have saved it to my YouTube Music account here.

My log records just one word to describe my feelings about this concert:

Lovely.

Orpheus Descending by Tennessee Williams, Donmar Warehouse, 17 June 2000

Really good.

That’s what I wrote in my log. And I meant it.

I had previously seen Peter Hall’s excellent 1988 production of Orpheus Descending, with Vanessa Redgrave, Jean-Marc Barr and other fine acting folk:

Janie is especially partial to a bit of Tennessee Williams. Although I suspected that I would not be seeing a better production that the one I saw in 1988. the lure of Helen Mirren and Saskia Reeves was enough for me. Also involved, a young Stuart Townsend in the male lead, a yet-to-fall-foul-of-my-displeasure Nick Hytner directing, ably assisted by a young Josie Rourke.

Our friend, Michael Billington, was quite impressed:

Orpheus Billington Guardian

Article from 28 Jun 2000 The Guardian (London, Greater London, England)

Paul Taylor described Hytner’s production as “powerful, if over-emphatic”:

Orpheus Taylor Independent

Article from 28 Jun 2000 The Independent (London, Greater London, England)

Kate Bassett wrote well of it in the Telegraph:

Orpheus Bassett Telegraph

Article from 29 Jun 2000 The Daily Telegraph (London, Greater London, England)

Nicholas de Jongh described Hytner’s production as “staid”, but still rated the experience “very good”:

Orpheus de Jongh Standard

Article from 28 Jun 2000 Evening Standard (London, Greater London, England)

I wrote “really good”, not “very good”. I wonder whether the LLMs detect a difference between those two ratings?

The Heavy Rollers Double-Up For The First Two Days Of The England v West Indies Edgbaston Test Match, 15 & 16 June 2000

The first ever picture of The Heavy Rollers, taken, quite brilliantly, by “that joker of a supervisor steward”, Paul Guppy. From left to right starting with, in the green shirt and shades: Nigel, Charles, Jeff, Me (with Hippity & Henry The Duck), David. I have often wondered about the person two seats to the right of David. Did he not want to be seen on camera? Was he having a Sneed-snooze? Had he existentially expired?

…or perhaps the chap with his head down had just heard one of Paul’s terrible jokes

Following the resounding success of the 1999 Heavy Rollers visit to Edgbaston – my first one:

…which itself was the sequel to the inaugural Heavy Rollers outing in 1998:

…at some point a decision was made to make it two days rather than one for 2000. That decision was as yet unmade in early December 1999, when Nigel wrote:

Whatever your reasoning-to see Charles take money off Jeff, Ian’s mascot/s, the cuisine, the cricket even….the time has come to believe in the future. Things can improve.

England v West Indies, same place, Thursday June 15th and possibly 16th too?

Let me know,soon.

Nigel

I cannot see my reply or even any e-mail replies on the e-mail trail, yet somehow we must have all communicated to Nigel our considered opinion on expanding the adventure to two days: YES PLEASE!

We were all working together a lot in late 1999, so my guess is that everyone had the opportunity to discuss the matter with Nigel and for all the arrangements to be communicated by means other than e-mail. An extraordinary thought 20+ years later.

In the absence of a swathe of photos and documentary evidence, memory evidence is thin. The traditions described in the above two pieces (1998 and 1999) would have been pursued without doubt. We will have stayed at Wadderton, certainly on the Wednesday and Thursday night. David will have done the honours with the picnic on both days. Jeff will have done Edgebaston [sic] betting sheets. I would have trained home on the Friday evening.

One strong memory I have of this episode was a moment of fame for one of my mascots, Henry the Duck.

Same location, same two teams, four years later

I’m pretty sure it was on the TV highlights we saw at Wadderton on the evening after the first day’s play. I’m guessing it was when Graeme Hick was out for a duck, the camera panned to Henry for a few moments and Michael Holding said, words to the effect of:

that just about sums it up.

Traditions take a while to settle, of course. Even The Heavy Rollers. So there was some fragmentation and controversy that summer.

No-one has ever managed to establish why Nick “The Boy Malloy” Bartlett wasn’t there. Nick is convinced he wasn’t invited. Nigel insists that he would only have needed the nod from Chas and Nick would have been an automatic pick. There are rumours that some indecision might have been involved. The truth will never be established.

Later in the summer, the fragmentation meant that Chas and I, together with Michael Mainelli and Bob “Big Mac” Reitemeier spent the day together at the Oval on Day One of The Fifth Test.

That event might inadvertently have kicked off the short spate of ill-conceived attempts by senior Children’s Society folk to join The Heavy Rollers and the resulting accusations of elitism.

On Day Five of the fifth test, Jeff Tye called me in the morning and suggested that we “walk up” and see the day’s play together, as it promised to be potentially historic – indeed it turned out unquestionably so. As I explain in the above piece, to my regret since, I let work get in the way. Jeff was smarter and/but went to the Oval on his own that day.

But returning to Edgbaston in June 2000, here is a link to the scorecard for the match...then feast your eyes again on that early incarnation of The Heavy Rollers…

The Country by Martin Crimp, Royal Court Theatre, 10 June 2000

Janie and I were very taken with this creepy three-hander at the Royal Court. I remember us agreeing that it was Pinteresque at the time – without the influence of reviews I hasten to add.

I think this was our first sighting of a Martin Crimp play and for sure we were intrigued enough to seek out his work several times subsequently.

Owen Teale, Juliet Stevenson and Indira Varma, directed by Katie Mitchell. All people who had impressed us before and/or since.

My friend Michael Billington in the Guardian shared our fascination with this piece and also saw the Pinter parallels:

Billington on Crimp's The CountryBillington on Crimp’s The Country 17 May 2000, Wed The Guardian (London, Greater London, England) Newspapers.com

Charles Spencer in the Telegraph, on the other hand, adjudged the play “pastiche Pinter”, while applauding the acting and the production:

Spencer on Crimp's The CountrySpencer on Crimp’s The Country 18 May 2000, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

Clearly the photographers thought that Juliet Stevenson jiggling car keys in Owen Teale’s face was the memorable image of the production.

Macbeth by William Shakespeare, Young Vic Theatre, 3 June 2000

This was a great production. I recall gently persuading Janie to see Macbeth again – she’s no fan of Shakespeare and felt that she had “done” Macbeth when seeing the 1994 Jacobi version.

It was the pull of Tony Sher and Harriet Walter that won Janie round, firstly to attending and in the end to admitting what a fabulous production this production at The Young Vic was. It was fast, it was furious, it was very memorable. Greg Doran knows a thing or two about doing Shakespeare.

The Theatricalia entry reminds me that the 2000 version was an RSC touring production that started at the Swan in late 1999 and ended up at The Young Vic in mid 2000.

Here’s Charles Spencer’s review from the Swan:

Macbeth Spencer Telegraph

Article from 18 Nov 1999 The Daily Telegraph (London, Greater London, England)

While Spencer gushed, Susannah Clapp really raved about it in the Observer:

Macbeth Clapp Observer

Article from 21 Nov 1999 The Observer (London, Greater London, England)

Paul Taylor also spoke very highly of it in The Independent:

Macbeth Taylor Independent

Article from 17 Nov 1999 The Independent (London, Greater London, England)

Here’s Nicholas de Jongh’s take on the production, once it landed at The Young Vic:

Macbeth de Jongh Standard

Article from 28 Apr 2000 Evening Standard (London, Greater London, England)

Is the ultimate accolade five stars from our friend, Michael Billington?

Macbeth Billington Guardian

Article from 17 Nov 1999 The Guardian (London, Greater London, England)

Of course not – the ultimate accolade is Janie admitting that this was an exciting, jaw-dropping production of a play she didn’t much like.