Who’s Got the Stomach For Days Three & Four Of The 2005 Edgbaston Test Match, Plus Who’s The Daddy by Toby Young, Lloyd Evans & Jeremy Lloyd, Kings Head, 6 & 7 August 2005

Image produced in collaboration with DALL-E

When reviewing the 2005 Ashes series, the great commentator, Richie Benaud, would relate tales from letters he had received from senior people, captains of industry even, describing hiding behind the sofa unable to watch the denouement of some of the tighter matches, such was the level of emotion invested in these incredible multiple-day sporting events that we call test matches in cricket.

The Edgbaston test, which several of us fortunate folk known as the Heavy Rollers experienced live in part, was such a match. While our live experience, which started so brilliantly for us the night before…

…and then progressed to Days One & Two, two utterly absorbing days at the test match itself…

…was over as a live experience for us at stumps on Day Two, of course it continued for us as a television and radio experience for the next couple of days.

Before that, someone (often it was Nigel), will have helped me get at least part of the way, if not all the way, to Birmingham New Street for my train and I probably got to Janie’s place around 9:30/10:00 at night for a shower and then some deep sleep.

No doubt Janie and I played tennis in the morning, ahead of hunkering down with the radio and/or television for most of the Saturday.

It was a seesaw of a cricketing day if ever there was one. England looked to have surrendered their second innings for too little, then Australia similarly found it difficult to avoid frequent dismissals.

But Janie and I could not stay at home all day and watch cricket – we had tickets for a dinner and show at The Kings Head, Islington: Who’s The Daddy, a satirical farce. Not the sort of show that Janie would normally want to see, except that this show was largely about a larger than life journalist/editor named Boris Johnson and his affair with fellow Spectator journalist Petronella Wyatt. Without reaching to breach any professional confidences here, Janie had professional reasons (as well as idle curiosity) to see this show.

This photo from around that time, adamprocter2006, CC BY-SA 2.0. I can report truthfully that Janie has never treated Bojo, although she had seen him in person…as have I, subsequently, in my case when I accosted him with my tennis racket in 2016.

Janie and I set off for Islington quite early, with England in a good but not yet totally secure position. Michael Clarke & Shane Warne were at the crease together albeit seven down but accumulating runs. I think the only reason that the match was still going on at that hour was because England had taken the extra half hour to try and finish the match, but that idea didn’t seem to be working. I’m pretty sure Janie did the driving, thank goodness. We were listening intently. We parked up near the theatre and sat listening to the last couple of overs. Then Steve Harmison bowled THAT ball to remove Clarke on the stroke of stumps.

The same Daily Motion web site that enhanced the previous report has a video (45 minutes this time) showing the Day Three & Four denouement of this incredible match.

That Steve Harmison ball at the end of Day Three is at c22’30”.

Janie and I were in celebratory mode as we entered The Kings Head. Australia still more than 100 behind, just two wickets left…what could possibly go wrong?

We didn’t think all that much of the show. Our (coincidentally cricket loving) friend at The Guardian, Michael Billington, was quite kind about it, but it was pretty much slammed by Sholto Byrnes in The Independent. Indeed, londontheatre.co.uk sums up the piece and its reviews very well. Not great.

No matter, we were in a great mood. England were on the verge of a vital win…

…or were they?

I’m pretty sure we played tennis again, early, on the Sunday morning. Then we hunkered down in the near-expectation that England would quickly take a couple of wickets and we could relax for the rest of the day.

It didn’t quite work out that way

I must say that I personally never got to the “hiding behind the sofa” stage, but there was a lot of oohing and aahing, that’s for sure. I started off watching in the living room, then migrated to the bedroom so I could put my feet up and await what I thought was the inevitable win…then I wasn’t so sure…then I starting to think it was an inevitable “yet again” loss on the way.

Janie kept insisting that it would all come good in the end, but once the lead had been reduced to 20-30 runs, she couldn’t sit still nor could she bear to watch.

By the time the England victory came, I was, by then, absolutely convinced that England were about to snatch defeat from the jaws of victory.

But in the end we celebrated, Janie reminding me that she had been insisting that it would come good for England all along. Yeh, right.

Here is a link to the Cricinfo scorecard and resources for this match.

A glimpse ahead

I had , in a moment of extreme lucidity disguised as madness, procured, the previous autumn, six tickets for Day Five of The Oval test, just in case England were able to take the 2005 Ashes series to the wire. I had kept very quiet about this purchase, just in case the social workers of The Children Society, on learning of this purchase, conspired with a couple of doctors and had me put away for gross insanity.

A coupe of hours after the Edgbaston victory, it felt like the right moment to fess up to this purchase. I called Chas, who was in one of those “trembling voiced Chas” states, but he did make some informed comments on the outcome of the match and immediately said yes to the idea of joining me and Daisy at Day Five of the Oval test, should the series come to that.

I told Chas that I intended to call Nigel next.

Chas told me that it might be best to leave it another couple of hours or more. “I called him a few minutes ago and he still could barely speak”, explained Chas.

Nigel in full flow

Nigel doesn’t lose his voice lightly.

I did speak with Nigel later that day, who was still somewhat of a quiver. It is a shame he wasn’t able to join us at the Oval, but still that Oval story will make for another excellent Ogblog piece, not least because it will be awash with Charles Bartlett’s colourful pictures.

The Country by Martin Crimp, Royal Court Theatre, 10 June 2000

Janie and I were very taken with this creepy three-hander at the Royal Court. I remember us agreeing that it was Pinteresque at the time – without the influence of reviews I hasten to add.

I think this was our first sighting of a Martin Crimp play and for sure we were intrigued enough to seek out his work several times subsequently.

Owen Teale, Juliet Stevenson and Indira Varma, directed by Katie Mitchell. All people who had impressed us before and/or since.

My friend Michael Billington in the Guardian shared our fascination with this piece and also saw the Pinter parallels:

Billington on Crimp's The CountryBillington on Crimp’s The Country 17 May 2000, Wed The Guardian (London, Greater London, England) Newspapers.com

Charles Spencer in the Telegraph, on the other hand, adjudged the play “pastiche Pinter”, while applauding the acting and the production:

Spencer on Crimp's The CountrySpencer on Crimp’s The Country 18 May 2000, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

Clearly the photographers thought that Juliet Stevenson jiggling car keys in Owen Teale’s face was the memorable image of the production.

Outside On The Street by Wolfgang Borchert, Gate Theatre, 27 June 1998

By gosh was I pleased when I learnt that my local, The Gate Theatre in Notting Hill, was to put on this play. Some years earlier, I had bought a book of European plays in translation and had read this play, along with some narrative about it, with a mixture of fascination and wonderment. Part of my wonderment was thinking about how on earth the play might be performed, but I suspected at the time that I would never see the piece in production.

Unlike my “how on earth might this play be performed?” musings, it worked remarkably well in this imaginative production in the Gate’s small-scale, theatre-above-a-pub environment. The Gate has reliably been extremely good at doing this sort of thing over the years.

Superb…

…was my single word verdict, which summed it up for both me and Janie.

Our friend, Michael Billington, gave a similar verdict in The Guardian, lauding performers Sean Gallagher and Jenny Quayle, plus translator Thomas Fisher in particular:

Billington Guardian OutsideBillington Guardian Outside 18 Jun 1998, Thu The Guardian (London, Greater London, England) Newspapers.com

Susannah Clapp gave it a glowing and quite lengthy review in the Observer, especially praising the director, Gordon Anderson and the designer, Jane Singleton:

Clapp Observer Outside 1 of 2Clapp Observer Outside 1 of 2 21 Jun 1998, Sun The Observer (London, Greater London, England) Newspapers.com Clapp Observer Outside 2 of 2Clapp Observer Outside 2 of 2 21 Jun 1998, Sun The Observer (London, Greater London, England) Newspapers.com

Nick Curtis in the Standard, on the other hand, found it all far too bleak for his liking:

Curtis Standard OutsideCurtis Standard Outside 18 Jun 1998, Thu Evening Standard (London, Greater London, England) Newspapers.com

While John Gross gave it a short but sweet review in The Sunday Telegraph:

Gross Sunday telegraph OutsideGross Sunday telegraph Outside 28 Jun 1998, Sun Sunday Telegraph (London, Greater London, England) Newspapers.com