Letter To Mike Ward, Actors’ Workshop, 18 November 1996

This one is dated 7 October on the face of the letter bt the file is dated 18 November and must have been written then, on my return from the USA:

 

Mike Ward 7 October 1996
Actor’s Workshop
West Grove Terrace
Hopwood Lane
Halifax West Yorkshire
HX1 5EX

 

Dear Mike

ADAM / THE RIDINGS SCHOOL / NO JUXTAPOSITION INTENDED

Thank you for putting Adam in touch with me; it was a pleasure to see him at The Harvard Club that Monday. He seems much more settled and in his element in NY NY than he did last time I saw him in London, which is good news. My trip went well you’ll also be glad to learn.

I got your Ridings School plea when I returned from the Big Apple. I enclose a fairly simple romp through the theme but it might just do the trick for you.

Xmas run of News Revue opens this Thursday – I’m trying to arrange a New York – style evening to enable me to complete my earlier evening appointments in time to catch the show!!

I hope to see you and speak to you soon.

Yours sincerely

 

 

Ian Harris

Encs.

Moral Xmas, Newsrevue Lyric, 12 November 1996

I’m not sure whether or not NewsRevue used this lyric, but I do know that, 21 years later, we alumni NewsRevue writers had a sort of moral Christmas ourselves with John Random’s Moral Maze crackers:

An Amazing Week Of Grazing And Moral Mazing, 1 to 7 December 2017

MORAL CHRISTMAS
(To the Tune of “Merry Xmas”)

 

VERSE 1

Politicians wear their ethics on their sleeve,
And in politics that’s dead hard to believe;
They pretend that they are worthy,
And that they believe in God,
Deep down, we know, each one’s an evil sod.

CHORUS 1

So here it is, moral Christmas,
Major, Blair and Ashdown pray,
Here’s to the public,
Who just wish they’d go away.

VERSE 2

When the politicians try so hard to please,
You can bet they’re on the make or deep in sleaze;
They might ride a red nosed reindeer,
Not a sexual delight,
They’d do anything when told the price is right.

CHORUS 2

So here it is moral Christmas,
When hypocrisy’s a smash,
Pay for your questions now,
With Barclaycard or cash.

CHORUS 3

So here it is moral Christmas,
When MPs seek the high ground,
Here’s to the future graft,
In Euros not in pounds.

Below is Merry Christmas Everybody by Slade with lyrics on the screen:

Marge Proops, NewsRevue Lyric, 12 November 1996

Marjory Proops was a very well-known agony aunt, said to bear an uncanny resemblance to my mum. Frankly, I think it was just the cruel spectacles combined with some ethnic stereotyping.

Anyway, point is, Proops died in November 1996 so I wrote the following lyric for NewsRevue, which, I think, went down well.

MARGE PROOPS
(To the Tune of “High Hopes”)

 

VERSE 1

If you want vice at a newspaper price,
There was lots to be learned from Proops’ advice.
Just what made that agony aunt,
Want to write with a sexual slant;
Editors thought an old aunt can’t,
Make their readership pant.

CHORUS 1

But she was Marge Proops,
She was Marge Proops,
She was back of a barge, nose too large Proops.
If you’d a dud relationship,
‘jaculation’s quick,
Or you’d done a Hugh Grant.
You’d tell all to Marge the agony aunt,
{You’d tell all to Marge the agony aunt,}
You’d tell all to Marge the agony aunt.

VERSE 2

If you gave head or were no good in bed,
She was not too much help and now she’s dead.
Just what made that agony aunt,
Make folk think her advice was extant?;
Anyone knows an old aunt can’t,
Do much other than rant.

CHORUS 2

But she was Marge Proops,
She was Marge Proops,
She was light brigade charge, specs too large Proops.
So now if you are cryin’ she’s,
Not replyin’ cos,
She’s a stiff so she can’t;
Oops there goes another agony aunt,
{Oops there goes another agony aunt,}
Oops there goes another agony aunt.

Ker plop!

Below is a video of Frank Sinatra and a chorus of kiddies singing High Hopes with the lyrics on the screen:

Food, Art & Work In New York City, 1 to 8 November 1996

Picture by Rennboot, CC BY 3.0

Michael and I had been commissioned to do a bit of work for Bloomberg. Janie and I decided to enjoy a weekend in New York ahead of my assignment. Janie flew out with me on the Friday, returning to London on the Sunday redeye. I then joined up with Michael and we worked in New York for several days.

Janie and I stayed at the Waldorf Astoria, scoring a manageable price at that time – especially as expenses was picking up five of my seven nights.

Reading Tom, CC BY 2.0

We chose to eat at Smith & Wollensky’s (see headline picture) the first night, having read a rave review about it in one of Janie’s travel mags. What that review didn’t teach us was the extent to which a high-end steakhouse in NYC was a “jacket & tie more or less assumed” place, which I discovered only after we arrived in smart casuals.

One local asked Janie if we were Irish as he was leaving, perhaps based on Janie’s physiognomy but perhaps also our casual look. One friendly but drunk gentleman, while walking past us as he departed, stopped and asked me if I realised how expensive the restaurant was. I told him I did. Thing was, back then, an expensive New York restaurant seemed quite modest in price by London standards.

Museum Of Modern Art (MoMA)

Janie and I did some culture-vulturing on the Saturday, spending quite some time at MoMA, partly looking at the excellent general galleries but also taking in some special exhibitions, e.g. a Jasper Johns retrospective.

We went on to a Nan Goldin exhibition at The Whitney, which had been much heralded on both sides of the pond:

Whitney MOMA October 1996Whitney MOMA October 1996 12 Oct 1996, Sat Daily News (New York, New York) Newspapers.com

Janie and I were especially taken with the Nan Goldin.

Tired, a little lagged even, but not dissuaded, we went on to The Guggenheim, where Ellsworth Kelly was featured.

I have found an interesting review of both the MoMA Jasper Johns and the Ellsworth Kelly on-line, which is pretty cool:

Ellsworth Kelly and Jasper Johns October 1996 New YorkEllsworth Kelly and Jasper Johns October 1996 New York 22 Oct 1996, Tue Daily News (New York, New York) Newspapers.com

By mid-late afternoon, we really were both wilting, so we returned to the hotel for siesta, before venturing out again, this time for dinner at the 2nd Avenue Deli:

Librarygroover, CC BY 2.0

Actually we eschewed the popular “salt beef on rye” style of deli food depicted for a more traditional Jewish deli meal, harder to come by in London, including a truly excellent cholent, which Janie, now a self-appointed aficionado of such dishes, claims to be the best she has ever tasted. I believe it was accompanied by (or perhaps we separately ordered) a kishke or helzel, which, obviously, will have helped the fatty-gooiness of the occasion make an especially strong impression. We also tried p’tcha (calves foot jelly), which is one of those mistakes people tend to only make once.

Still, it was a very special evening and I am pretty sure we slept off our endeavours/over-indulgence at length that night.

The next day we took it easy, simply strolling and finding a suitable-looking mid-town eatery for a traditional New York Sunday brunch, before I helped Janie get a cab to the airport for her “red-eye” journey home that evening.

Joolack, CC BY-SA 3.0

New York cabs were still a hit-and-miss affair, probity-wise, back then. The authorities had fixed the price of a fare from Manhattan to JFK, so I gave Janie the appropriate fare plus a generous tip, explaining to her that she could and should simply exhaust her supply of dollar money on that journey. The cabbie tried to enforce some monstrous sum showing on his meter, which was the very thing the authorities had sought to prevent with the flat fare rule. Janie simply explained what had been explained to her and the initially angry cabbie relented. Janie has not sought a rapid return to New York City since.

Harvard Club Interior Marc Jacobs, CC BY-SA 4.0

I have a feeling I met up with Michael at the Harvard Club that evening. I recall having some superb sashimi with him there – for some reason (perhaps brainiacs tend to like sashimi) the place had employed a top sashimi chef at that time, which didn’t go with the decor but did go down very nicely indeed.

Then for several days it was mostly work.

I recall one midweek evening being entertained for dinner at John Aubert’s elevated apartment on the New Jersey side of the Hudson Bay with a glorious view of Manhattan.

One midweek evening comprised an early evening cocktail party at the Harvard Club, organised by Michael for his wider circle of friends and acquaintances, followed by dinner with a closer-knit small group. Very New York.

On my last night, the Thursday, Bloomberg arranged a dinner for us and several of the seniors involved in our project at a seriously up-market, kosher restaurant in mid-town. Several of the attendees had such dietary needs. It was, to date (25 years on), the one and only meal I have ever had that might be described as both haute cuisine and glatt kosher.

Not a pickle in sight

Michael stayed on Friday for an audience with Michael Bloomberg himself, while I took the wimps (daytime) flight back to London, arriving late evening to find that Janie had, in my absence, changed all of the carpets in Sandall Close. Let’s tread carefully around that one.

What The Heart Feels by Stephen Bill, Orange Tree Theatre, 11 October 1996

The programme for this one went missing, so we have to reconstruct cast and creatives as best we can from on-line archives reviews and stuff.

Stephen Bill wrote it. The Doolee description reads:

“…a group of friends attempt to build an arts centre in the Midlands.”

The production was previewed in The Evening Standard:

What The Heart Feels, Standard PreviewWhat The Heart Feels, Standard Preview 11 Oct 1996, Fri Evening Standard (London, Greater London, England) Newspapers.com

Kim Bunce wrote it up thus in The Independent:

What The Heart Feels Kim Bunce ObserverWhat The Heart Feels Kim Bunce Observer 10 Nov 1996, Sun The Observer (London, Greater London, England) Newspapers.com

While Michael Billington, an Orange Tree fan, wrote the following:

What The Heart Feels Billington GuardianWhat The Heart Feels Billington Guardian 19 Oct 1996, Sat The Guardian (London, Greater London, England) Newspapers.com

I think we quite liked this play/production. In truth I only vaguely remember it from the descriptions.

Letter To Ben Murphy, 7 October 1996

Ben Murphy and I were getting towards the end of our road together by the autumn of 1996. I sense I am only half expecting to get paid again.

The album I refer to in this letter can only be “How Bonkers Is That”, which contains much of the material he and I debated in correspondence the previous year.

Anyway:

Ben Murphy                     7 October 1996

(Alton address redacted)

Dear Ben

GREAT TAPE – WHERE’S ME DOSH? HERE’S SOME MORE STUFF!!!!!

I haven’t sent you any new material for ages – so here’s some. Let me know what you think. The album is great. I don’t know why you agonise so much about them, they always come out fine.

Cheers.
Ian Harris (Z/Ian)

Encs.

Letter To Dr Demento, 7 October 1996

Self explanatory letter to Dr Demento. Unsurprisingly, there was no reply. I tried.

Submission For Broadcast          7 October 1996
Dr. Demento
P.O. Box 884
Culver City, CA 90232
USA
Dear Dr D

INTRODUCING THE RECORDINGS OF BEN MURPHY

I enclose a tape of songs recorded by Ben Murphy, who performs and records dementia here in Blighty. I write many of the songs, he writes many too and some are “classic dementia”.

Some of the material will not cross the pond too well, but some surely will. I have cued the Tarantino Man song (last track, Side A) for your initiation. The Brit Pop subject matter might please you (I’m Not Young, Britpop, Uncommon People) or you might even enjoy some truly British dementia for a change (Songbooks, Euroscepticals, BSE).

Please enjoy and broadcast if you will. I can be contacted as above. I shall be in New York 1 November to 8 November if that helps at all.

Yours sincerely

Ian Harris

Encs.

Letter To Mike Ward, Actors’ Workshop, 7 October 1996

Mike Ward 7 October 1996
Actor’s Workshop
West Grove Terrace
Hopwood Lane
Halifax West Yorkshire
HX1 5EX

 

Dear Mike

HERE’S THE NEW ONES & THE 1996 REMIXES!!!

The heading is self explanatory I think. It was good to see you the other week and thanks for your kind note. The new run of News Revue is a bit “boom boom – in yer face” for my taste, but who knows what the discerning audience might feel?

I am now officially a jet setter – we’ve won a piece of work in NYNY and are off on 1 November for a week.

Nevertheless, hope to see you and speak soon.

Yours sincerely

 

 

Ian Harris

Encs.

What’s the Story, Boring Tory, Newsrevue Lyric, 1 October 1996

I don’t recall this one making the show, but I was attending NewsRevue a bit less often by late 1996, so it might have done without me seeing it. It shows due reverence for the fag end of that Tory government, and for the rock group Oasis.

WHAT’S THE STORY, BORING TORY
(To the Tune of “What’s the Story, Morning Glory”)

 

VERSE 1

All our dreams are made,
When were chained from the goolies by a chambermaid,
This is Conservative morality;
Another conference afternoon,
Listening to the crap from our favourite loon,
The public only hope it’ll all be over soon.

CHORUS 1

Need some little lies to make up, Need some little lies to make up, make up,
Need a few more lines to fake up, Need a party line to bend your mind,
We’ll get your vote in the end so might as well.
What’s the story, boring Tory, Well?
We need a few more lies to make up make up, Hell?
What’s the story, boring Tory, Hell?
Need a few more lies to make up make up.

VERSE 2

All our votes are won,
When the press gets all jingoistic, read the Sun,
We’re sprouting on so Eurosceptically;
Another low opinion poll,
Another gaff and minister deep in a hole,
Tomorrow no-one knows what was the controversy.

CHORUS 2

Need a minister to scapegoat, (Ken Clarke), Need a good excuse to scapegoat, Ken Clarke,
Need to exorcise the turncoat, Not the party line, so just resign,
Not one of us, so we guess you might as well.
What’s the story, warning Tories, Well?
Just hold the party line and wake up wake up, Well?
What’s the story, boring Tories, Well?
Need a few more lies to make up make up, Well?

OUTRO

MAJOR: Why can’t we be successful like Oasis?
CLARKE: We’re very much like Oasis, Prime Minister. Always squabbling, consistently failing to please the public, and no-one outside Britain takes us even faintly seriously.

Below is Oasis singing What’s the Story, Morning Glory with lyrics on the screen.

The Dirt On Tony Blair Chorus, NewsRevue Lyric, 1 October 1996

I’m trying to work out what I was getting at with this one. I think the conceit of it was the idea doing the rounds that Tony Blair was a closet Roman Catholic – the twist in the lyric being the idea that he was a closet Tory.

I don’t think it got used in NewsRevue, which is such a shame.

THE DIRT ON TONY BLAIR CHORUS
(To the Tune of “Gloria”)
A BIT OF BAROQUE AND ROLL TO BE SUNG ACAPELLA

INTRO – DIDDLY POM CHORUS

Pom-pom, pom pom, pom-pom, pom pom pom,
Diddly om pom pom, diddly om pom pom
Pom-pom, pom pom, pom-pom, pom pom pom,
Diddle-iddle-iddle pom, diddle-iddle-iddle pom,
Pom-pom, pom pom, pom-pom, pom pom pom,
Diddly om pom pom, diddly om pom pom
Pom-pom, pom pom, pom-pom, pom pom pom,
Diddle-iddle-iddle iddle-iddle iddle-iddle iddle-iddle iddle-iddle iddle-iddle iddle-iddle iddle-iddle iddle-iddle iddle-iddle iddle-iddle iddle-iddle iddle-iddle iddle-iddle iddle-iddle, iddle-iddle iddle-iddle iddle-iddle iddle-iddle iddle-iddle iddle-iddle iddle-iddle iddle-iddle,
Pom
Diddle-iddle-iddle iddle-iddle iddle-iddle iddle-iddle iddle-iddle

(you can work this stuff out yourselves – I’m a lyricist you know, not a bloody acapellist)

1st LYRICAL BIT – LYRICAL CHORUS & DIDDLY POM CHORUS

Tony Blair, Tony Blair (iddle-iddle-iddle pom, iddle-iddle-iddle pom)
Tony Blair, Tony Blair (iddle-iddle-iddle pom, iddle-iddle-iddle pom)
Is an evil genius,
He’s an evil genius.
Tony Blair, Tony Blair, Tony Blair, Tony Blair,
Is a secret Tory.
(iddle-iddle-iddle pom, iddle-iddle-iddle pom iddle-iddle-iddle pom, iddle-iddle-iddle pom)
Tony Blair, Tony Blair, is a se-e-e-e-cret…….Tory.
(So what’s new?)

2nd LYRICAL BIT – LYRICAL CHORUS & DIDDLY POM CHORUS

Tony has evil eyes and,
Tone has a legal wife named,
Cheri;
Cheri Blair’s been in court occasionally.
Pom-pom, pom pom, pom-pom, pom pom pom,
Diddly om pom pom, diddly om pom pom
Pom-pom, pom pom, pom-pom, pom pom pom,
He’s a clo-o-o-o-o-o-o-o-o-o-o-o-o-o-set;
(A closet what?)
Tony Blair is a closet Tory.
Pom diddly-om diddly-om
Diddly-om pom pom.

Below is Gloria In Excelsis Deo from Vivaldi’s Gloria in D Major Gloria V589, with the music and Latin lyrics on screen: