An Evening With Teresa Bestard, Bob Willis & Others, Albertine Wine Bar, 19 August 1997

I am writing this memory piece on 4 December 2019, having just learnt that the great fast bowler and latterly cricket pundit, Bob Willis, has died today.

I first met Bob Willis when I was but a boy, in 1977, at The Oval:

For those who cannot be bothered to click through, Graham and I really did meet Bob that day in 1977, down in the tube station, an hour or so after stumps, as we were all heading to different households in Streatham, in his case to visit friends on the test match rest day.

I doubt very much whether Bob recognised me 20 years later on our second encounter; on this occasion in the Albertine Wine Bar in Shepherd’s Bush.

Albertine was well trendy in 1997, picking up awards and being known as a place to celebrity spot – click here or image below for ES artcle/review:

Teresa Bestard was working with me on several projects with Broadcasting Support Services, who at that time were based in Shepherd’s Bush. I had arranged to meet Teresa and David Highton to go through stuff late afternoon/early evening and we agreed we’d have a drink after work together. Teresa chose Albertine because she wanted to celebrity spot.

The bar was not so crowded when we got there and Teresa was a little disappointed not to recognise any celebrities in the bar.

The only person I recognised, on the far side of the bar, was Bob Willis. He was with two other people; one turned out to be the cricket journalist Michael Henderson, the other a mustachioed Aussie, who looked like a superannuated version of Merv Hughes but who was in fact a wine producer.

I told Teresa that a former great England cricketer was in the bar, which was celebrity enough for me. It was celebrity enough for David Highton too, who is/was a keen follower of cricket and indeed was a decent player in his own right when he turned out for the charity matches.

Teresa let it be known that former cricketers did not meet her stringent criteria for celebrity.

David didn’t hang around for very long.

Teresa asked me a bit more about Bob Willis. In the absence of any celebrities who met her stringent criteria, she suddenly promoted Bob to the “worth asking about” level.

I told her a little and suggested that she approach Bob and chat with him.

Teresa was not at all keen on that idea…

…until she progressed to a second glass of wine…

…when she asked again about this cricket business and that cricketer and I suggested that she approach Bob Willis with a greeting along the lines of…

…aren’t you Bob Willis, the great fast bowler and former England cricket captain…

…and take it from there.

So imagine the scene. Teresa Bestard, a pint-sized young woman with a big smile and a heavy Catalan accent, wanders to the other side of the bar, looks up to the relative giant, Bob Willis, presumably saying the above short speech.

I couldn’t hear from my distance, but I did see the astonished expression on Bob Willis’s face and gales of laughter from the group.

Teresa was then chatting with them for a short while, before Michael Henderson came over to me.

You set that up, didn’t you?…

..said Henderson…

…that was really funny. Is she your girlfriend?

No, I said, Teresa’s a work colleague.

Well, anyway, she’s perfectly safe with those two.

Henderson and I chatted a while, which is how I found out, amongst other things, that “Merv Senior” was a wine producer.

Soon enough, Bob, “Merv Senior” and Teresa came over to our table – I think the Bob Willis party had been on the verge of leaving when Teresa intervened with them, so all three of them made to leave.

Is this your girlfriend?…

…Bob Willis asked me, pointing to Teresa.

Oh no, blushed Teresa, you should meet his girlfriend Janie, she’s lovely!

Bob Willis turned to me, saluted me and said…

…mon capitaine…

…before all three of Bob’s party left us, with warm farewells.

Bob Willis.

Scottish Orchestra Does Russian (& Georgian) Composers At The Proms, Royal Albert Hall, 3 August 1997

This was our one visit to the Proms that season away from the clutches of The Duchess. I had fallen into the habit of treating her to one ort wo Proms each season, by that time. Janie and I occasionally also went to something of our own choosing.

On this occasion, I think the programme looked unusual and yet approachable. Alexander Lazarev conducting the Royal Scottish National Orchestra. I wanted to hear Francesca da Rimini performed live and Janie had acquired a taste for countertenor singing. Plus some unusual pieces.

Here is a link to the BBC stub for this Prom.

We heard:

  • Mikhail Ivanovich Glinka – Capriccio brillante (on the Jota Aragonesa)
  • Sergey Prokofiev – Violin Concerto No. 2 in G minor
  • Giya Kancheli – Symphony No. 3
  • Pyotr Ilyich Tchaikovsky – Francesca da Rimini
  • Alexander Glazunov – Raymonda, Op 57 No. 26 Grand pas espagnol Act 2- encore
  • Trad. – Eightsome (reel) – encore

What could possibly go wrong?

Nothing. Nothing went wrong. Although in truth, I don’t recall much about the lesser-known pieces and I cannot for the life of me work out where the countertenor fits in with this collection of pieces. Janie cemented her view that she didn’t like Prokofiev and that big symphony orchestra concerts were not really her favourite thing. Still, we both very much enjoyed our evening.

Here’s what the Glinka sounds like:

Here’s a good recording of the Prokofiev.

The Kancheli is strange yet certainly haunting:

I really enjoyed the Francesca da Rimini. Here is a more recent version of it from The Royal Festival Hall, but you’ll get the idea:

Dig this little bit of the Glazunov:

Fine composer, was Trad. Should have paired up with Anon – they could have been the Lennon and McCartney of the 11th to 19th centuries. Yet Janie insisted that the final encore was Trad’s “Tiresome Reel” rather than Eightsome Reel. I kinda see her point:

Geoffrey Norris in The Telegraph wrote very fondly of this Prom:

Lazarev Prom Norris TelegraphLazarev Prom Norris Telegraph 04 Aug 1997, Mon The Daily Telegraph (London, Greater London, England) Newspapers.com

Robert Cowan in the Independent also waxed lyrical about this Prom:

Lazarev Prom Cowan IndyLazarev Prom Cowan Indy 05 Aug 1997, Tue The Independent (London, Greater London, England) Newspapers.com

Rick Jones was less impressed in The Standard. I’m not quite sure what he means by an errrant electronic high-pitched note. Janie would argue that Prokofiev is meant to sound like that.

Lazarev Prom Jones StandardLazarev Prom Jones Standard 04 Aug 1997, Mon Evening Standard (London, Greater London, England) Newspapers.com

Devolution, NewsRevue Quickie Lyric, 2 August 1997

Scottish devolution, eh? A bit like Euroscepticism; a gift that keeps on giving for satirists and a pain in the butt for politicians. 

I’m not sure if this quickie was ever used. 

DEVOLUTION QUICKIE
(To the Tune of “The Bonnie Bonnie banks of Loch Lomand”)

 

INTRO

And now, a referendum broadcast on behalf of the Scottish Nationalist Party.

CHORUS 1

You take the Welsh poll,
But we’ll take the Scots poll,
And get devolution before ye;
Then we in West Lothian,
Will never vote again,
For that bloody Tony Banks,
And Mo Mowlem.

 

Below is a nice video recording of The Bonnie Banks, with the lyrics on the screen:

Othello by William Shakespeare, Cottesloe Theatre, 2 August 1997

I don’t think Othello & I get on.

I was underwhelmed when I saw this play for the first time, with Bobbie, in 1989.

Again, this time with Janie, we saw a stellar cast and the work of a fine director (Sam Mendes rather than Trevor Nunn).

My log says:

Sadly, Janie hated it and I had pulled my neck, so we bowed out gracefully at half time. (Well, Janie bowed, I couldn’t bow of course).

My neck condition was doubtless not improved by Janie’s manifest disquiet and the length of the play. Perhaps I had overdone it the previous weekend at Andrea’s BBQ party on the Saturday and Kim & Micky’s evening do the next day.

Apologies to the fine cast who had to do without us for the second half of that evening; Simon Russell Beale, David Harewood & Claire Skinner leading the pack. Trevor Peacock, Colin Tierney, Indira Varma and others supporting well no doubt. It’s either me, or the play, or me & the play…it’s not you, loves. The Theatricalia entry gives you chapter and verse on the cast and crew.

There was a hoo-ha in the press that summer about whether or not Othello could or should be played by a white actor. Having seen Willard White in 1989 and David Harewood in 1997, I was not really party to the phenomenon that Othello is usually played by a white actor and that the play is increasingly rarely performed because some people are uncomfortable about skin colour with regard to that part.

Janie and I saw a preview long before the press night of this production – indeed before most of that press hoo-ha kicked off, which made the hoo-ha seem even more weird to us.

Anyway, Charles Spencer seemed very impressed with the production once press night came around:

Othello Spencer TelegraphOthello Spencer Telegraph 18 Sep 1997, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

Nicholas de Jongh seemed to quite like it in The Standard

Othello de Jongh StandardOthello de Jongh Standard 17 Sep 1997, Wed Evening Standard (London, Greater London, England) Newspapers.com

Our friend Michael Billington found it “brilliant” in the Guardian:

Othello Billington GuardianOthello Billington Guardian 18 Sep 1997, Thu The Guardian (London, Greater London, England) Newspapers.com

I am happy to concede that the critics were right and/but this simply isn’t a play for Janie and probably (even though i am far more partial to Shakespeare than she) not for me either. A pain in the neck is how I remember it.

A Visit To NewsRevue With Janie, John Random and Friends, 1 August 1997

I went to NewsRevue so often in the 1990s, I’d rarely even note it in my diary.

Thursday night was “writers meeting and see NewsRevue night” most weeks.

But on this particular week things must have been different, as John Random has recently (July 2017) sent me a note from his own diary, as follows:

IT WAS TWENTY YEARS AGO TODAY – SORT OF

John is such a nice chap, his note doesn’t actually ask me to upload the lyric so he can read it.

But I’m a nice chap too and I realise that a revisit to the lyric will please John, me and perhaps other Ogblog readers too, so “up it goes”…as Bill Clinton no doubt frequently used to put it.

Letter to Aiden Tierney, NewsRevue, 22 July 1997

Aiden Tierney 22 July 1997
New Revue

 

Dear Aiden

EDINBURGH

A few rewrites for Edinburgh. Apart from Paisley and Adams, I believe that none of these have been to Edinburgh before.

 

I hope to see you and speak to you soon.

Yours sincerely

 

 

Ian Harris

Encs.

 

NewsRevue Tonight, Multiple Lyric Revisions 1996 & 1997

My main post on this long-running lyric can be found if you click here.

There were several revisions, the last three of which follow.

This one is from 9 January 1996 and is actually numbered “4”:

NEWS REVUE TONIGHT – REVISION NUMBER GOODNESS KNOWS WHAT
(To the Tune of “Comedy Tonight”)

VERSE 1

THATCHER: Someone familiar,
PAISLEY: Someone peculiar,
ALL: Weirdoes from everywhere at News Revue tonight;
BLOKES: Major’s deflecting,
GIRLS: Emma’s defecting,
ALL: No party whipping here at News Review tonight.

MIDDLE EIGHT 1

GIRLS: Nothing that brings share options down,
BLOKES: Bring on Ken Clarke in place of the clowns
GIRLS: Old exploitations,
BLOKES: New corporations,
ALL: Something to make the boss contrite;

CLIMAX 1

ALL: Barbican tomorrow,
News Revue tonight.

VERSE 2

GIRLS: Alan Clark’s diaries,
BLOKES: The Scott enquiry,
ALL: Sleaze factor everywhere at News Revue tonight;
BLOKES: Serbs’ revolution,
GIRLS: Scots’ devolution,
ALL: Side splitting everywhere at News Revue tonight.

MIDDLE EIGHT 2

GIRLS: Nothing with French nuclear tests,
BLOKES: Show us exploding silicon breasts;
GIRLS: News that reflects life,
BLOKES: Diana’s sex life,
ALL: Satire that puts the world to right;

CLIMAX 2

ALL: Maida Vale tomorrow,
News Revue, News Revue, News Revue, News Revue, News Revue..Tonight!!

Next up, revision 5 dated 16 November 1996 – I get the impression I did this in response to a request:

NEWS REVUE TONIGHT – XMAS 1996 REMIX (YOU ASKED FOR IT)
(To the Tune of “Comedy Tonight”)

VERSE 1

MAJOR: Someone familiar,
PAISLEY: Someone peculiar,
ALL: Weirdoes from everywhere at News Revue tonight;
LABOUR: New Labour morals,
TORY: Old Tory quarrels,
ALL: No party whipping here at News Review tonight.

MIDDLE EIGHT 1

GIRLS: Nothing that brings share options down,
BLOKES: Bring on Ken Clarke in place of the clowns
GIRLS: Old exploitations,
BLOKES: New corporations,
ALL: Something to make the boss contrite;

CLIMAX 1

ALL: Barbican tomorrow,
News Revue tonight.

VERSE 2

GIRLS: More cash for questions,
BLOKES: And lewd suggestions,
ALL: Sleaze factor everywhere at News Revue tonight;
BLOKES: Benazir Bhutto,
GIRLS: Tutsis and Hutus,
ALL: Side splitting everywhere at News Revue tonight.

MIDDLE EIGHT 2

GIRLS: Something to treat your Christmas guests,
BLOKES: Madonna and child with big pointy breasts;
GIRLS: News that reflects life,
BLOKES: Bill Clinton’s sex life,
ALL: Satire that puts the world to right;

CLIMAX 2

ALL: Broadway tomorrow,
News Revue, News Revue, News Revue, News Revue, News Revue..Tonight!!

Finally, the sixth and final revision, a version for Edinburgh 1997:

NEWS REVUE TONIGHT – EDINBURGH 1997 VERSION
(To the Tune of “Comedy Tonight”)

VERSE 1

BLAIR: Someone familiar,
PAISLEY: Someone peculiar,
ALL: Weirdoes from everywhere at News Revue tonight;
LABOUR: New Labour morals,
TORY: Old Tory quarrels,
ALL: No party whipping here at News Review tonight.

MIDDLE EIGHT 1

GIRLS: Nothing that brings share options down,
BLOKES: Take off Ken Clarke bring in Gordon Brown.
GIRLS: Old exploitations,
BLOKES: New corporations,
ALL: Something to make the boss contrite;

CLIMAX 1

ALL: Edinburgh tomorrow,
News Revue tonight.

VERSE 2

GIRLS: War in Tirana,
BLOKES: Canaan Banana,
ALL: Globe trotting everywhere at News Revue tonight;
BLOKES: Congo’s solution,
GIRLS: Scot’s devolution,
ALL: Side splitting everywhere at News Revue tonight.

MIDDLE EIGHT 2

GIRLS: MP’s we chase, much like fox hunts,
BLOKES: Jack Straw and Gordon Brown are……;
GIRLS: …….at lunch;
GIRLS: News that reflects life,
BLOKES: Camilla’s sex life,
ALL: Satire that puts the world to right;

CLIMAX 2

ALL: Royal Mile tomorrow,
News Revue, News Revue, News Revue, News Revue, News Revue..Tonight!!

Skylight by David Hare, Vaudeville Theatre, 19 July 1997

Somehow Janie and I missed this one when it ran at The National a couple of years earlier – I guess we were kinda busy back then. Anyway, we resolved to see the first revival of Skylight at the National, with Bill Nighy and Stella Gonet picking up the leading parts this time around.

We were not disappointed, but I did manage to mislay the programme. Theatricalia is not much help for this revival.

My log suggests that

It was very good indeed. We saw it wherever it transferred after the RNT

Janie’s diary suggests that she (unusually) did all the booking for this one (perhaps she was keener than me) so I can report that she/we paid £25 per ticket to sit in Row D 9 & 10 of the Vaudeville Theatre – this sort of detail would not be found in my diary, which simply says “Skylight 8.00”.

David Benedict in The Indy had this to say about the transfer – broadly positive I think – making it plain that Nighy & Gonet is a very different casting to Michael Gambon & Lia Williams.

Skylight Benedict IndySkylight Benedict Indy 05 Jul 1997, Sat The Independent (London, Greater London, England) Newspapers.com

Nick Curtis in The Standard had this positive stuff to say:

Skylight Curtis StandardSkylight Curtis Standard 01 Jul 1997, Tue Evening Standard (London, Greater London, England) Newspapers.com

Charles Spencer in The Telegraph also wrote very highly of it:

Skylight Spencer TelegraphSkylight Spencer Telegraph 02 Jul 1997, Wed The Daily Telegraph (London, Greater London, England) Newspapers.com

Twilight Of The Golds by Jonathan Tolins, Arts Theatre, 5 July 1997

We rated this good, although I recall not really liking the Wagnerian idée fixe (or should I say leitmotif in the context of Wagner?) underlying this New York drama.

The cast comprised Jason Gould (fanfared as the son of Elliot Gould & Barbara Streisand), Gina Bellman, Mark Hadfield, Sheila Allen and Peter Laird. Theatricalia is not much help on this one.

Nicholas de Jongh in The Standard hated it:

Twilight de Jongh StandardTwilight de Jongh Standard 20 Jun 1997, Fri Evening Standard (London, Greater London, England) Newspapers.com

Kate Bassett was no more impressed in The Telegraph:

Twilight Bassett TelegraphTwilight Bassett Telegraph 25 Jun 1997, Wed The Daily Telegraph (London, Greater London, England) Newspapers.com

Paul Taylor in The Indy was more generous towards the play & production:

Twilight Taylor IndyTwilight Taylor Indy 24 Jun 1997, Tue The Independent (London, Greater London, England) Newspapers.com

We had dinner at Momo in Heddon Street afterwards. It was all the rage at that time, having just opened.

Here is Tracey Macleod’s The Independent review of Momo from a few week’s earlier.

Submission To Aiden Tierney Re NewsRevue, 29 June 1997

Aiden Tierney
News Revue
(London WC1 Address Redacted)

LIST OF SONGS SUBMITTED AND TAPE TRACK LISTING
EDINBURGH 1997 RUN

Dear Aiden

Welcome back to News Revue!! It was good to get your message the other day. As you requested, here is a starter pack which consists of my latest songs plus some older ones which have longevity or are still topical.

Feel free to give me a call on (0171) 243-0725 if you want anything else or want a rewrite or two. Good luck and I look forward to seeing you soon.

Ian Harris

Song Title
Original Title/
Artist on Tape Approx.. No. of weeks performed
7+ 4-6 1-3 New
side 1
labour medley world war two songs by ghastly soldiers 7+
david hellfgott in concert all by myself / eric carmen 4-6
jack straw my name is jack / manfred mann N
gordon brown golden brown / stranglers 4-6
when you fall out when you’re in love / dr hook 4-6
me and paula jones me and mrs jones N
maggie might maggie may N
ffion rave on / buddy holly 1-3
julio down by the seaside julio down by the school yard / paul simon N
side 2
the shit of araby the sheik of araby / spike jones 7+
plagiarise walk on by / dionne warwick 4-6
my cherie earns more my cherie amour / stevie wonder 4-6
taliban carrie anne / hollies N