Saturday Night’s All Right For Tantrums, NewsRevue Lyric, 8 July 1996

Presumably there had been a news item about Elton John having a hissy-fit about something. 

SATURDAY NIGHT’S ALL RIGHT FOR TANTRUMS
(To the Tune of “Saturday Night’s All Right For Fighting”)

 

VERSE 1

It’s Saturday, late,
And so I’m in a state;
I’m Elton John don’t call me queer;
It’s seven o’clock, got my glasses stocked,
In my walk-in wardrobe full of gear.

My cash pile’s a biggy,
So don’t go and call me wiggy,
Or Elton here might cause a scene;
There’s nothing bizarrer than a poof in a tiara,
With a partner who’s a screaming queen.

Ohhhhhhhhhhh….

CHORUS 1

Don’t give me so much TV exposure,
I’m still standing ‘tho I’ve sinned;
Saturday night’s all right for tantrums,
Like a candle in the wind.

Your song’s got me sounding like a rocket man,
A song for any guy I like;
Saturday night’s all right for tantrums,
Saturday night’s all right.
All right, all right, ooh, ooh, ooh, ooh.

OUTRO

CHORUS Elton John, Elton John, Elton John
Elton John, Elton John, Elton John
Elton John, Elton John, Elton John’s
Full of shite.

Below is a video with Elton John singing Saturday Night’s Alright For Fighting with lyrics on the screen:

John Major Just Cares Like Me, Topical Lyric, 7 July 1996

Written primarily for NewsRevue, I think this one was performed during the summer of 1996. I don’t think it made it to Edinburgh though; maybe it did.

These days (writing in December 2015) the notion that New Labour is almost indistinguishable from the Conservatives is considered to be hard-left Corbynism, but in those days, before Labour took power in 1997, it was pretty much the way most people felt.

Click here for a YouTube link to the Nina Simone recording of the original song, with those original lyrics helpfully shown in the notes, or below just to hear Nina.

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♬ JOHN MAJOR JUST CARES LIKE ME
(To the Tune of “My Baby Just Cares For Me”) ♬

VERSE 1 – JOHN MAJOR – SOLUS

John Major don’t care for fools,
John Major don’t care for schools,
John Major just cares for beef;
John Major don’t care for bastards’ tactics,
John Major don’t care for Eurosceptics.
George Gardener is not my style,
And even Peter Lilley’s guile,
Is something I don’t need;
John Major don’t care who knows,
John Major just cares for me.

MIDDLE EIGHT – INSTRUMENTAL – LET THE PIANIST SEIZE THE DAY

(John dances a little – then enter Tony Blair)
JOHN: Hello Tony. Have you come to join me?
TONY: I’ve been with you all the while, John.
(They dance together – at points synchronised – at some points chronically unsynchronised)
TONY: I say I say I say. What’s the difference between new labour and old conservatism?
JOHN: I don’t know. What is the difference between new labour and old conservatism?
TONY: I don’t know. I thought you knew. What’s this “New Labour, new danger” bit then?
JOHN: New danger that the British public gets another 17 years of the same old rubbish, I suppose. I don’t write ’em. I just tell ’em.
(They dance some more.)

VERSE 2 – BOTH

TONY: New Labour don’t care for wealth,
New Labour don’t care for health,
JOHN: It cares like me!!
TONY: New Labour don’t care for left wing vision,
TONY: New Labour don’t care for Socialism.
JOHN: Eric Heffer is not his style,
TONY: And even Norman Tebbit’s smile,
Is something I can see;
JOHN: (Its something he can see)
I wonder what’s wrong with Bambi?
TONY: John Major just cares for,
JOHN: The stuff Tony Blair’s for?,
BOTH: {New Labour just cares like me.}
{John Major just cares like me.}
Yeah!!

 

Hillary, Topical Lyric, 7 July 1996

Not one of my great pieces and I don’t think this one ever got performed.  At least I don’t think I ever got paid for it.

My best song on the subject of Bill and Hillary Clinton, , though I say so myself, was a lyric that might sit comfortably with Billy Don’t Be a Hero.  Indeed, Mike Hodd himself (pater familias NewsRevue) often talks that one up.  I’ll upload that one too, some day.

But reflecting on this Hillary song as I write now, in December 2015, the stuff about Hillary communicating with the late Eleanor Roosevelt doesn’t get talked about much.

I did manage to find this WND piece from 2012 that discusses the matter – click here.

I really like the song, by the Turtles, upon which the lyric sits comfortably if you choose to do so.  It is one I can just about play on my baritone ukulele.

Click here for a link to a YouTube of the record, with the lyrics helpfully set out in the notes, or below just to hear the Turtles.

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♬ HILLARY (To the Tune of “Eleanor”)♬

VERSE 1 – BILL CLINTON

You’ve got a thing about you,
Landing us both in the poo,
Every reporter, Hillary, smears me;
Your plans intoxicate me,
That’s why the press berates me,
Over Whitewater, will the courts clear me?

CHORUS 1 – BILL CLINTON

Hillary, gee, I think you’re swell,
With those properties you sell,
Through our pals’ Arkansan Mafia;
Hillary, do we both have pride?
Do we both shag on the side?
Like did Vincent Foster stiff yah?

VERSE 2 – HILLARY

I’ve been too altruistic,
So I’m told by my mystic,
Speaking the words of Eleanor’s phantom;
I’m going to play by new rules,
No-one calls me a screw ball,
Out of my box, I’ll box like a bantam.

CHORUS 2 – HILLARY

Eleanor, Mrs Roosavelt,
Through the Ouija board I felt,
As I touched Mahatma Ghandi;
Eleanor, I like a good time,
Is it really such a crime?
Has it made my legs go bandy?

OUTRO – BOTH

HILLARY: Eleanor, gee I think you’re swell – oohh aahh
BILL Hillary, I don’t think you’re well – oohh aahh
BOTH Aahhhhhhhh

Paisley and Adams, Topical Lyric, 18 June 1996

This is a sour comedy song really, about Northern Ireland politics.  But in 1996 peace seemed potentially within striking distance and yet illusive.  This did OK in NewsRevue, if I remember correctly, but not as well as others on the subject.

The tune is Father and Son by Cat Stevens – click here or below for a YouTube link with that song and its original lyrics.

Was it John Cowan who wrote a great “Addams Family” parody for this subject?  I remember something by John Random about the Orangemen marching that almost had me falling off my chair with laughter.

Still, this one of mine isn’t bad:

♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬

♬ PAISLEY AND ADAMS (To the Tune of “Father & Son”) ♬

VERSE 1 – THE REVEREND DOCTOR IAN PAISLEY (BELLOWING)

It’s not time to make a change,
Just relax, take it easy;
You’ve got bombs, that’s your fault,
There’s so much we’ve had to go through;
Find a girl, live in peace,
Burn in hell if she’s a Catholic;
Look at me, I am mad,
But I’m happy!!!

VERSE 2 – GERRY ADAMS (MUCH CALMER)

I was once like you are now,
And I know that it’s not easy,
To make peace when there’s still some bombs going off;
So take your time, think a lot,
Think of Paddy Mayhew’s snot;
That prick will still be here tomorrow,
Though your legs may not.

VERSE 3 – BOTH

PAISLEY: (still bellowing) How can I try to explain,
What I’d do to Gerry and Sinn Fein,
It’s always been the same, with these Tories;
From the moment I could shout,

ADAMS: I was ordered to listen,
IRA, now I know,
That my peace was blown away;
I know, the peace is blown.

I wrote an update 22 July 1997 which I think revived this one for a while:

PAISLEY AND ADAMS 1997 VERSION
(To the Tune of “Father & Son”)

 

VERSE 1 – THE REVEREND DOCTOR IAN PAISLEY (BELLOWING)

It’s not time to make a change,
Just relax, take it easy;
You’ve got bombs, that’s your fault,
There’s so much we’ve had to go through;
Find a girl, live in peace,
Burn in hell if she’s a Catholic;
Look at me, I am mad,
But I’m happy!!!

VERSE 2 – GERRY ADAMS (MUCH CALMER)

I was once like you are now,
And I know that it’s not easy,
To make peace when there’s still some bombs going off;
So take your time, think a lot,
Think of Maureen Mowlem’s twat;
That bitch will still be here tomorrow,
Though your legs may not.

VERSE 3 – BOTH

PAISLEY: (still bellowing) How can I try to explain,
What I’d do to Gerry and Sinn Fein,
It’s always been the same, since those Tories;
From the moment I could shout,

ADAMS: I was ordered to listen,
IRA, now I know,
That my peace will blow away;

BOTH We know, the peace is blown.

 

Ode To Eurosceptics, Topical Lyric, 18 June 1996

I think this quickie song worked well as a companion piece to sketches about Euroscepticism in NewsRevue back in 1996.  The cast of idiots might have changed, but writing now nearly 20 years later (December 2015) and this subject is pretty high on the Tory agenda and indeed the national agenda with a referendum promised.

Here is a link to the words of “Ode To Joy”, both in German and English.

Click the link here or below to a YouTube of the tune, Ode To Joy, from the last movement of Beethoven’s Ninth Symphony.

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♬ ODE TO EUROSCEPTICS (To the Tune of “Ode To Joy”) ♬

CHORUS – MP’s

ALL: At Westminster in the commons,
Tossed out of the cabinet;
Wasting power with John Major,
Seen our chance of grabbing it.
BLOKES: We’re both Normans,
GIRL 1: Teresa Gorman,
GIRL 2: Bill Cash without his testicles;
ALL: (So) we shall beef all through the summer,
We are Eurosceptical.

ALL: Storm the polls with,
Old Jimmy Goldsmith;
Tell Major where to stick his whips;
(We’ll) bore you shitless ’til next Christmas,
We are Euroscepticists.

Letter To Ben Murphy, 17 June 1996

Not sure what I sent Ben at that time, but once I get round to upping the stuff I was writing around about that time…it will have been much of that stuff.

Ben Murphy                                                 17 June 1996
(Newquay address redacted)
Dear Ben

THAT TAPE

Good to speak with you yesterday. I feel very remiss having not sent you any gear for quite a while. I enclose the ones you asked for plus some stuff that is currently in News Revue or has been in very recently (I realise that I’ve actually had quite a lot in the show lately).

Hope this helps. Let me know if you need anything else.

Cheers.

Yours sincerely

Ian Harris (Z/Ian)
Enc.

The Designated Mourner, Wallace Shawn, Cottesloe Theatre, 1 June 1996

What an amazing piece of theatre this was.  The late great Mike Nichols, better known as a director of course, acted brilliantly, with Miranda Richardson and David de Keyser, all wonderful.

David Hare, better known as a playwright but also a talented director, did a grand job with the piece.

Wallace Shawn, perhaps better known as an actor than as a playwright, although also a very talented playwright, wrote it.  Not his best known; indeed possibly not his best piece, but, an excellent play.

Here is the Theatricalia entry for this play/production.

Despite all that role rotation, it came off superbly well for us.

Janie and I recognised the unmistakable back of Wallace Shawn’s head just in front of us that night.  A few years later, we chatted with Wallace Shawn at the Almeida when he turned up to see Miranda Richardson in Aunt Dan and Lemon; he waxed lyrical about how wonderful he thinks she is, seemed genuinely self-effacing about his writing and genuinely delighted that we had been inspired to seek out his plays by seeing this piece and of course My Dinner With Andre, one of my favourite films ever.

Wikipedia explains the plot – click here.

Bit early in the life of the web for on-line reviews, but I found this rather informative thing – click here.

Michael Billington was very taken with the play and production in the Guardian:

Billington on MournerBillington on Mourner Thu, Apr 25, 1996 – 2 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney seemed less sure but still speaks well of it:

Coveney on MournerCoveney on Mourner Sun, Apr 28, 1996 – 65 · The Observer (London, Greater London, England) · Newspapers.com

We were really taken with it; discussing the issues for the rest of the weekend and beyond.

The Netanyahu Chorus, Newsrevue Lyric, 2 June 1996

DonkeyHotey [CC BY 2.0 (https://creativecommons.org/licenses/by/2.0)]

Actually there were several versions of this lyric in the aftermath of the 1996 Israeli election and Benjamin Netanyahu‘s subsequent antics. This lyric did really well in NewsRevue and several directors asked for updates. Below is the first version – more or less straight after the 1996 election.

THE NETANYAHU CHORUS
(To the Tune of “The Hallelujah Chorus” by Handel)

[The tune and harmonies of the original are quite complex; harmonies etc. probably need scaling down for piano and four voices. Nevertheless I think you can have a lot of fun with this if you want to.]

THE NETANYAHU (formerly THE HALLELUJAH)

Netanyahu, Netanyahu, Netanyahu Netanyahu, Netan-yahu;
Netanyahu, Netanyahu, Netanyahu Netanyahu, Netan-yahu;
Not the Israeli boss we expected, (Netanyahu, Netanyahu, Netanyahu, Netanyahu)
Old Shimon Peres has been rejected; (Netanyahu, Netanyahu, Netanyahu, Netanyahu)
Ariol Sharon is resurected, (Netanyahu, Netanyahu, Netanyahu, Netanyahu)
And Yasser Arafat is dejected. (Netanyahu, Netanyahu, Netanyahu, Netanyahu)

THE LEADER OF LIKUD (formerly THE LEADER OF THE EARTH)

The leader of Likud, he is no bloody good;
The leader of Likud will want to fight and show his might.

FOUR YEARS SHALL SEEM (formerly For He Shall Reign)

Four years now seem like ever and ever, and peace is put on the never never;
Four years now seem like ever and ever, and peace is put on the never never.

BIG FAT GIT (formerly KING OF KINGS)

Big fat git, (big eater, big eater, Netanyahu, Netanyahu)
And full of shit; (bullshitter, bullshitter, Netanyahu, Netanyahu)
He’s dead thick, (so oafish, so oafish, Netanyahu, Netanyahu)
And such a prick; (a penis, a penis, Netanyahu, Netanyahu)
Big fat git, (so podgy, so podgy, Netanyahu, Netanyahu)
And smart he’s not – Peres must wish Bibi had been shot.

CONCLUSION (formerly moderately polite)

But not much rhymes with Ben Netanyahu,
Although one thing occurs to us mark you;
Big fat git, (Netanyahu, Netanyahu)
And full of shit: (Netanyahu, Netanyahu)
But not much rhymes with Ben Netanyahu;
Big fat git, and full of shit, he’s dead thick and such a prick;
But not much rhymes with Ben Netanyahu,
Netanyahu, Netanyahu, we say fuck you, we say fuck you,
We say fuck you, Netanyahu, we say fuck you, Netanyahu;
WE SAY – FUCK YOU!!!!

A very minor edit in october 1996, changed the second line of “The Leader of Likud” to:

he chose to fight and show his might…

…and the last line of “Big Fat Git” to…

And smart he’s not – Peres must wish Bibi had been shot.

Also a 1 March 1997 remix, which also seems very minor, changing just the title and a few lines, bringing corruption into the mix:

NETANYAHU CHORUS – YES HE REALLY IS A BASTARD REMIX
(To the Tune of “The Hallelujah Chorus” by Handel)

[The tune and harmonies of the original are quite complex; harmonies etc. probably need scaling down for piano and four voices. Nevertheless I think you can have a lot of fun with this if you want to.]

THE NETANYAHU (formerly THE HALLELUJAH)

Netanyahu, Netanyahu, Netanyahu Netanyahu, Netan-yahu;
Netanyahu, Netanyahu, Netanyahu Netanyahu, Netan-yahu;
Not the Israeli boss we expected, (Netanyahu, Netanyahu, Netanyahu, Netanyahu)
Old Shimon Peres has been rejected; (Netanyahu, Netanyahu, Netanyahu, Netanyahu)
Ariol Sharon is resurected, (Netanyahu, Netanyahu, Netanyahu, Netanyahu)
And Yasser Arafat is dejected. (Netanyahu, Netanyahu, Netanyahu, Netanyahu)

THE LEADER OF LIKUD (formerly THE LEADER OF THE EARTH)

The leader of Likud, he is no bloody good;
The leader of Likud he likes to fight and show his might.

FOUR YEARS SHALL SEEM (formerly For He Shall Reign)

Four years now seem like ever and ever, and peace is put on the never never;
Four years now seem like ever and ever, and peace is put on the never never.

BIG FAT GIT (formerly KING OF KINGS)

Big fat git, (big eater, big eater, Netanyahu, Netanyahu)
And full of shit; (bullshitter, bullshitter, Netanyahu, Netanyahu)
He’s a prick (a penis, a penis, Netanyahu, Netanyahu)
Corrupt and thick (so oafish, so oafish, Netanyahu, Netanyahu)
Big fat git, (so podgy, so podgy, Netanyahu, Netanyahu)
And smart he’s not – Israelis wish that Bibi had been shot.

CONCLUSION (formerly moderately polite)

But not much rhymes with Ben Netanyahu,
Although one thing occurs to us mark you;
Big fat git, (Netanyahu, Netanyahu)
And full of shit: (Netanyahu, Netanyahu)
But not much rhymes with Ben Netanyahu;
Big fat git, and full of shit, he’s a prick, corrupt and thick;
But not much rhymes with Ben Netanyahu,
Netanyahu, Netanyahu, we say fuck you, we say fuck you,
We say fuck you, Netanyahu, we say fuck you, Netanyahu;
WE SAY – FUCK YOU!!!!

Finally, the following version from May 1999 when I thought, wrongly, that he was gone for good. Sadly he was merely gone temporarily:

NETANYAHU CHORUS – GOODBYE REMIX
(To the Tune of “The Hallelujah Chorus” by Handel)
[The tune and harmonies of the original are quite complex; harmonies etc. probably need scaling down for piano and four voices. Nevertheless I think you can have a lot of fun with this if you want to.]
THE NETANYAHU (formerly THE HALLELUJAH)
Netanyahu, Netanyahu, Netanyahu Netanyahu, Netan-yahu;
Netanyahu, Netanyahu, Netanyahu Netanyahu, Netan-yahu;
Bibi and Likud have been rejected, (Netanyahu, Netanyahu, Netanyahu, Netanyahu)
Since Ehud Barak has been elected (Netanyahu, Netanyahu, Netanyahu, Netanyahu)
Israel is partying, they’re all plastered (Netanyahu, Netanyahu, Netanyahu, Netanyahu)
So we shall sing goodbye to that bastard. (Netanyahu, Netanyahu, Netanyahu, Netanyahu)
THE LEADER OF LIKUD (formerly THE LEADER OF THE EARTH)
The leader of Likud, he was no bloody good;
The leader of Likud he chose to fight and show his might.
THREE YEARS HAVE SEEMED (formerly For He Shall Reign)
Three years have seemed like ever and ever, and peace was put on the never and never;
Three years have seemed like ever and ever, and peace was put on the never and never.
BIG FAT GIT (formerly KING OF KINGS)
Big fat git, (big eater, big eater, Netanyahu, Netanyahu)
And full of shit; (bullshitter, bullshitter, Netanyahu, Netanyahu)
He’s dead thick, (so oafish, so oafish, Netanyahu, Netanyahu)
And such a prick; (a penis, a penis, Netanyahu, Netanyahu)
Big fat git, (so podgy, so podgy, Netanyahu, Netanyahu)
And smart he’s not – Israelis wish that Bibi had been shot.
CONCLUSION (formerly moderately polite)
But not much rhymes with Ben Netanyahu,
Although one thing occurs to us mark you;
Big fat git, (Netanyahu, Netanyahu)
And full of shit: (Netanyahu, Netanyahu)
But not much rhymes with Ben Netanyahu;
Big fat git, and full of shit, he’s dead thick and such a prick;
But not much rhymes with Ben Netanyahu,
Netanyahu, Netanyahu, we say fuck you, we say fuck you,
We say fuck you, Netanyahu, we say fuck you, Netanyahu;
WE SAY – FUCK YOU!!!! (goodbye).

Below is the Hallelujah Chorus by George Frederick Handel with lyrics on the screen:

Supergazza, NewsRevue Quickie, 31 May 1996

This is a quickie about troubled footballer Paul Gascoigne, aka Gazza.

SUPERGAZZA
(A quickie)

FA officials are mooching around looking worried.

OFFICIAL 1: There must be something we can do to revive the England football team’s fortunes for Euro ’96.

OFFICIAL 2: Surely someone or something will save us.

OFFICIAL 3: Wait. (points offstage) Look over there. Is it a bird? Is it a plane.

(Enter Gazza)

GAZZA: They’re all the same to me like. Birds. Planes. I just smash ’em up whatever.

(starts crying)

I didn’t mean to do it. And anyway, it wasn’t me it was the others who did it.

BLACKOUT

Potter’s Last, NewsRevue Lyric, 29 May 1996

In truth I was (and still am) partial to Dennis Potter’s work, but I think I found his late (posthumously published) pieces focused more on those aspects of his work that pleased me the least. That might explain the near reverence if my Painting An Angel’s Nipples piece when he died…

Painting The Angels’ Nipples, NewsRevue Lyric, 13 June 1994

…compared with the less reverent tone of this piece, some two years later.

POTTER’S LAST
(To the Tune of “Why Must I Be a Teenager In Love”)

 

A “bimbo” looking girl should mime the lead vocals on stage while the other girl sings through the microphone offstage. The fellas can do the oooo-waaaaa-oooo’s, which you shall have to supply yourselves.

VERSE 1

Each time I read a Potter,
It almost breaks me heart;
Cos I am so afraid,
I’ll get the bimbo part;
Each night I ask the stars up above,
Why must he write such godawful stuff?

VERSE 2

He shows me doggy fashion,
Through mirrors, on the bed;
Hope I don’t have to bonk,
With Finney’s severed head;
Each night I ask the stars in the cast,
Why must I mime these naff songs from the past?

 

MIDDLE EIGHT

Four hundred years,
In the future, who knows;
Churn out scripts in sixty days,
But bleedin’ ‘ell it shows.

VERSE 3

So if you want to make me cry,
That won’t be so hard to do;
Slash me face and black me eyes,
Or paint lipstick round me pubes;
Each night I tell the stars in the cast,
Thank God this script will be Den Potter’s last,
Thank God this script will be Den……
Potter’s last!!

Below is a video of Dion & The Belmonts singing Why Must I Be A Teenager In Love with the lyrics on the screen: