Lizzy Dyson
News RevueLIST OF SONGS SUBMITTED AND TAPE TRACK LISTING
FEBRUARY-APRIL 1996 RUNDear Lizzy
I apologise for taking so long to get a starter pack to you. This starter pack consists of songs currently in the show and previously unperformed songs. I shall try to write you some more this weekend.
Call me and let me know if you are short of any subjects or styles and I shall try to oblige. If you want me to rewrite of an old chestnut of mine that you might have uncovered in the archive, just let me know. Also, if any of the enclosed need a bit of rewrite then I am happy to change them on request.
Good luck and I look forward to seeing you soon.
Song Title
Original Title/
Artist on Tape Aprox. No. of weeks performed
7+ 4-6 1-3 New
side 1
michael winner eats it all the winner takes it all / abba N
don’t you want me voters? don’t you want me? / human league N
hooray for bollywood hooray for hollywood / hollywood hotel N
goatee swanee / al jolson 4-6
stakeholder dont sit under the apple tree / andrew sisters 4-6
whitewater 1996 oh susannah / trad 4-6
penguin 60s when I’m 64 / beatles N
rip it off / halitoasis roll with it & whatever / oasis N
Author: Ian Louis Harris
Stanley by Pam Gems, Cottesloe Theatre, 13 February 1996
My log and indeed my memory is unequivocal about this one:
Quite outstanding. One of the very, very best.
A rare visit to the theatre midweek, I’m guessing that our impending trip to Thailand & Vietnam restricted our choices of dates for this one. Such was our desire to see it, we booked a midweek evening to be sure of seeing the production.
Both Antony Sher and Deborah Warner were superb in their roles, as indeed was the whole supporting cast.
Here is the Theatricalia entry for this play/production.
In truth, Stanley Spencer’s art is not really my bag, but his story is strange and peculiarly touching, certainly as told in this excellent play by Pam Gems.
Strangely, I cannot find a Guardian review for this one, but Michael Simons previewed it:
Paul Taylor gave the play & production rich praise in The Independent.
Michael Coveney in The Observer agreed the play was excellent and enjoyed the production too:
It picked up awards and stuff, did Stanley. But there’s no praise higher than the Ged & Daisy accolade quoted at the top of this piece.
Penguin 60s, NewsRevue Lyric, 12 February 1996
Penguin 60s were little précis of bigger books.
In late 1995 and early 1996 they were “a thing”.
Hence, a miniature lyric.
PENGUIN 60S
(To the Tune of “When I’m 64”)
VERSE 1When I get older,
Losing my brain,
And attention span;
Will I still be reading War and Peace or Proust?
A la
Recherche
De Temps Perdue?Will I stay up till quarter to three,
Reading Chapter 4?Give me a racey,
Miniature précis,
(What are) Penguin 60s for??MIDDLE EIGHT
Every summer we shall read a dozen on the Isle of Wight,
Cos they’re not too dear.
We shall…………
(perhaps flick through several pages to the ending)THE ENDING
…….read cheaply,
But ever so briefly,
(What are) Penguin 60s for??
Here is a half-decent cover of When I’m 64 (originally by the Beatles) with lyrics on the screen:
Halitoasis, NewsRevue Lyric, 12 February 1996
I must have had a bit of a love-hate thing with Oasis at that time. I’d bought their albums – perhaps I just wanted to make full use of them for NewsRevue. I rather like this one, taking advantage of the somewhat derivative…sorry, I mean “tribute”…nature of Oasis’s oeuvre.
HALITOASIS
(To the Tune of “Whatever”)
VERSE 1
Free of any copyright,
Whatever you wrote,
I change the odd note,
That’s my lot.VERSE 2
Free of any royalties,
I just have to sneeze,
The damned NME
Studies my snot.MIDDLE EIGHT
It always seems to me,
That half our tunes are from 1973;
And also lyrically,
Like “stay on the bus, forget about us”,
Is from “Tie a Yellow Ribbon Round The Old Oak Tree”.OUTRO
Free!!
Below is a video of Oasis singing Whatever with the lyrics on the screen:
The Good Person of Sichuan by Bertolt Brecht, Orange Tree Theatre, 3 February 1996
Janie had never seen this play before and The Orange Tree was on a bit of a roll with us, so we decided to give this a go.
Given the scale of the piece, I thought we’d try sitting upstairs rather than downstairs for once. It was just for once, because we didn’t find upstairs very comfortable – less leg room and peering down didn’t please us.
I had seen a cracking good production of “Good Person” with Bobbie at the National a few years earlier:
In truth. the Orange Tree was probably biting off a bit more than it could chew attempting such a large-scale piece in the round, but Sam Walters obcviously wanted to have a go.
We enjoyed the production. I think Janie got more out of it than I did because she hadn’t seen the play before and didn’t have a big production with which to compare it.
No newspaper reviews to be found but I did find this interview/preview by Carol Woddis on TES. That piece is scraped to here just in case that link disappears.
Letter To Ben Murphy, 29 January 1996
Goodness knows what I sent Ben in this batch, but he would have been planning the album “How Bonkers Is That” at that time.
Ben Murphy 29 January 1996
(Wells address redacted)
Dear Ben
MORE STUFF!!!!!
I have been remiss and have not sent you any gear for ages. I actually haven’t been writing much but had a brainstorm this weekend, so here’s the stuff.
Give us a bell to let me know what you think. Look forward to hearing from you soon.Cheers.
Yours sincerely
Ian Harris (Z/Ian)
Encs.
The Newbury Bypass, NewsRevue Lyric, 29 January 1996
Protesters tried to prevent the building of the Newbury Bypass by intervening in the process. I merely wrote this lyric, which i don’t think even made it into NewsRevue.
THE NEWBURY BYPASS
(To the Tune of “Winchester Cathedral”)
VERSE 1
The Newbury bypass,
Will go round the town;
You stood and you watched as,
Our treehouse came down.You could have done something,
But you didn’t try,
Now our bivouac will,
Become a lay-by.MIDDLE EIGHT
Now everyone knows just how much we hated that road,
It wouldn’t have gone through that quick if it wasn’t for that Mawhinney toad.VERSE 2
The Newbury bypass,
Who knows what it’s for?
It’s circumlocating,
The A34.The Newbury bypass,
We’re blocking it hard,
Don’t knock down our shelter,
Not in our back yard.MIDDLE EIGHT 2
Then the local fuzz dragged us out of the snow and hail;
We’re one of the few groups around to be better off in a British gaol.VERSE 3
The Newbury bypass,
Now you’re a done deal;
Once we’re out of prison,
We’ll go and stop veal.
Below is a video with The New Vaudeville Band singing Winchester Cathedral:
My Turk, NewsRevue Lyric, 29 January 1996
The news story was that a thirteen year old named Sarah Cook from Braintree in Essex had married an eighteen year old Turkish waiter from Kahramanmaras. The gutter press went wild and I wrote the following lyric for NewsRevue, which I think went down rather well for a few weeks.
MY TURK
(To the Tune of “My Guy”)VERSE 1
Nothing you could say will tear me away from my Turk (her Turk),
Nothing you could glean though I’m not even fourteen with my Turk (her Turk);
I’m sticking to my Turk cos I’m not a pariah,
He’s taught me the sheriah in an abaya;
I’m telling it to the Sun and making twenty tons,
For my Turk.
(SUN REPORTERS: Whatcha say??)VERSE 2
Nothing you can do will make stick with you in Essex (Essex),
Nothing there is dainty so I’m well ‘acked off with Braintree Essex (Essex);
I gave my Turk my word of honour,
To be faithful and eat Donor;
You’d best be believing I don’t regret me leaving,
Essex.
(SUN REPORTERS: Tell us more)MIDDLE EIGHT
As a matter of opinion I think he’s tops,
I just regret that he’s been dragged off by the cops;
The row in Britain was in excess,
Now he’s bunged in jail like Midnight Express.VERSE 3
Some muscle bound man has lead me by the hand from my Turk (her Turk);
The Sun wants its cash back cos I won’t take off me yashmak – piss off you berk!!
We may not look like movie stars,
But we looked OK in Kahra – manmaras;
I wish my man today could take me away from Essex. (SUN: Whatchasay??)
I’m now a ward of court for the stuff the papers bought on my Turk (SUN: Tell us more!!)
I’ve pissed off the Brits cos I prefer Islamisists and my Turk!!
Below is Mary Wells singing My Guy with the lyrics on the screen:
Stakeholder Economy, NewsRevue Lyric, 29 January 1996
I had written several versions of “Don’t Fuck Up The Economy” a few years earlier, not least the version included in this one:
As Time Goes By or They Flew From Tuscany, NewsRevue Sketch and Medley, 10 October 1992
Anyway, when Tony Blair decided that an idea referred to as The Stakeholder Economy was going to be the election winning idea, I got to work on that lyrical idea again:
STAKEHOLDER ECONOMY
(To the Tune of “Don’t Sit Under The Apple Tree”)
VERSE 1 – JOHN MAJOR
Don’t fuck up the economy with anyone else but me,
Anyone else but me, anyone else but me (no, no, no);
Don’t fuck up the economy with anyone else but me,
We’re screwed financially.MIDDLE EIGHT – FEMALE CHORUS
You’ve heard the word from the Tory nerd,
With a pre-election curse;
So hear the tune from the God Squad goon,
Now the Labour party’s worse.VERSE 2 – TONY BLAIRE
Don’t stakeholder economy with anyone else but me,
Anyone else but me, anyone else but me (no, no, no);
Don’t stakeholder economy with anyone else but me,
We’ll screw you equally.
Below is Glenn Miller & His Orchestra performing Don’t Sit Under The Apple Tree with the lyrics on the screen:
Violin Time by Ken Campbell, Cottesloe Theatre, 16 January 1996
This evening – a rare visit to The Cottesloe on a Tuesday evening – was the first time I saw Ken Campbell perform.
I was really smitten with this piece – I found it very funny. I think I got more out of it than Janie did, but she was fascinated enough to want to see more of his work after that.
One of the things that attracted us to the piece, apart from the weirdness of the blurb, which promised us – I paraphrase from various book blurbs available:
“Cathar heretics, a mysterious female French book thief and a Vietnamese violinist who does pig impressions”.
It would be difficult to say no to that, especially as we had booked to go to Vietnam a couple of months later.
Janie and I saw an early preview of the show; it didn’t get reviewed until October but we saw a preview in January.
There is a somewhat tepid Independent review of the piece by Robert Hanks available on-line – here.
Michael Coveney in the Observer liked it, perhaps because he got a name drop:
Unusually, it doesn’t look as though The Guardian reviewed it.