Kim and Micky’s Party, 8 August 1992

All the diary entry says is “Kim & Michel 1:30”. A daytime, summer party. But that summer party was no ordinary passing event for me…nor for Janie.

On that day, at that party, Janie and I first met.

Writing this piece 25 years (to the day) after the event, my recollection of the day is a bit patchy.

I hadn’t seen Kim and Micky for some time; since my back injury, two year’s before, I had been a bit less sociable and had not been so good at keeping in touch with people. I remember being pleasantly surprised when Kim called, out of the blue, to invite me to that party.

There were quite a lot of people at the party – a few dozen I would guess. I chatted at some length with a pair of lively, friendly “girls”; Anthea – a photographer friend who had been at school with Kim, as had the other young woman, Jane, who was Kim’s chiropodist friend.

I vaguely recalled Kim having spoken with me in the past about these good friends; in particular Jane. I also recalled Rene Knight (who worked for Kim’s family for many years) telling me a funny story about Jane.

When Kim first started dating Micky, Rene mentioned to Jane that Micky was from Belgium and also that Kim’s new hot-shot boyfriend drove a Mercedes. Jane had asked whether the Mercedes was petrol or diesel. Rene wondered why Jane wanted to know. Jane told Rene that a Belgian diesel Mercedes must be a cab and that, if the Mercedes was diesel, Micky was clearly not the hot-shot he held himself out to be. Rene passed on this pearl of wisdom to Kim, who confirmed that the car was indeed propelled through the use of diesel fuel. By all accounts, Kim challenged Micky with this “fact” about his occupation the next time she saw him, but, despite Janie’s error of judgment on that matter, Kim & Micky progressed with their relationship and the two of them persevered with Janie’s friendship.

In some ways it is odd that Janie’s and my path hadn’t crossed before, through Kim & Micky, but in the late 1980s, when I would see Kim & Micky socially a few times a year, it tended to be dinner or lunch parties and I guess they saw Janie and me as part of different circles. In any case, we were both otherwise attached most of the time during those years.

Anyway, Janie and I ended up as part of a smaller group that was still around into the early evening, at which point Kim suggested that we all go across the square and play tennis.

I had just started playing tennis again post injury, although quite tentatively still. Goodness only knows how useless I was after quite a few drinks at the party. But most of us had been drinking quite heavily, so I don’t suppose the quality of the tennis was very high.

I’m struggling to remember who was still around for that impromptu tennis. Janie, Kim and Micky of course; I think also Gary & Clifford. Perhaps Anthea also, but I have a feeling that she ducked out before the tennis. Others might remember.

I do recall thinking that Janie was pretty good at tennis. It probably helped that she was the only sober person among us. It also helped that she had grown up in a house with a tennis court and sisters to play with, but I didn’t know that fact at the time.

Janie had mentioned several times that she had driven to the party in her car and therefore wasn’t drinking.  After the tennis, I asked her if she could drop me at a tube station. She said that she would, but that she wasn’t prepared to go out of her way and that the only tube station she’d be passing was Hanger Lane. That was ideal for me, as Hanger Lane and Notting Hill Gate are on the same line.

Janie and I chatted some more on the fifteen minute car journey.

She said that she liked poetry.

When she stopped the car to drop me off, I asked Janie for her telephone number.

Janie said no.

In order to get out of the car with my dignity intact, I took from my wallet one of those sticky labels with my name, address and telephone number on it. I stuck the label on her steering wheel, saying, “in that case, you can have my address and telephone number”.

Janie thanked me and said that she would write me a poem.

I’m still waiting for the poem.

The Complete Works of Shakespeare (Abridged) by Jess Borgeson, Adam Long, Daniel Singer, Reed Martin, Reduced Shakespeare Company, Arts Theatre, 5 August 1992

I went to see this show with Andrea, Maz and Daniel – normally the “three musketeers” of our bridge four.

Not sure whose idea it was to see this show…but I’ll guess that Maz was the ringleader for the trip.

I don’t remember much about it, but the diary says we met at 6:30 so I guess we had a drink before the show and a quick meal afterwards. I’m guessing The Mayflower Chinese, as I have a hint of a memory of dining with those three at that place, but I could be wrong.

Andrea or Maz might remember. Even Daniel might. I’d love to learn of any lingering memories from that evening.

My log simply says “fun”, which I recall it was. A rather silly show, of course, but that’s the idea of it.

Three days later, I met Janie. But that’s another story completely (unabridged).

The Reduced Shakespeare Company has its own website still, would you believe – here is the link.

There is also a Wikipedia entry for this great work – click here.

There is even a YouTube recording of the show – see below:

I can’t find formal reviews of this production but here is an interesting interview with the Reduced Shakeseare lot:

Veronica Lee With The RSCVeronica Lee With The RSC Mon, Mar 6, 2000 – 53 · The Guardian (London, Greater London, England) · Newspapers.com

The Rise and Fall of Little Voice by Jim Cartwright, Cottesloe Theatre, 1 August 1992

This was the Saturday before my life-changing first encounter with Janie at Kim & Micky’s party.

I went to see this play with Bobbie Scully. I remember it very well; both of us were very taken with it. It did prove to be a big hit, transferring and being produced again many times.

Here is a link to the Theatricalia entry for this production.

This original production really was a cracker. I think it pretty much made Jane Horrocks’s name; I don’t think she was all that well known before – perhaps she was known on the TV. Pete Postlethwaite and Alison Steadman were terrific.

I’m not sure what we did for food, but we tended to go to The Archduke or possibly RSJs after the show in those days.

No on-line reviews from those days, so you’ll just have to take my word for it – it was a cracking show. I rated the evening very good in my log, that’s for sure. Several reviews on-line for subsequent versions refer to the 1992 production – click here for the search term that brings those up.

Better yet, below is Michael Billigton’s Guardian review:

Billington on Little VoiceBillington on Little Voice Fri, Jun 19, 1992 – 36 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Coveney’s Observer preview, mostly about Alison Steadman:

Michael Coveney Preview's Little VoiceMichael Coveney Preview’s Little Voice Sun, Jun 14, 1992 – 63 · The Observer (London, Greater London, England) · Newspapers.com

Then the following week Coveney reviewed Little Voice:

Coveney reviews Little VoiceCoveney reviews Little Voice Sun, Jun 21, 1992 – 56 · The Observer (London, Greater London, England) · Newspapers.com

Mick’s Unpleasant Things, NewsRevue Lyric, 1 August 1992

25 years ago to this very day (I am writing on 1 August 2017), I wrote this rather nasty little lyric, which was very successfully used in NewsRevue for many weeks.

I’m hoping someone out there can name the two performers who made this their own for the first few weeks; I can picture them but not name them. I think Jonathan Linsley and Dot Atkinson were also in that cast, but I’m pretty sure the other two played Mick and Jerry…

Postscript: I found a running order and cast list in my own pile of antiquities – Peter Anthony Graham was “Mick” and Vanessa Peers was “Jerry”.

25 years later Mick Jagger and Jerry Hall are both still surprisingly newsworthy.

MICK’S UNPLEASANT THINGS

(To the Tune of “My Favourite Things”)

 

JUDGE:Dearly beloved.  We are gathered here today to conduct the divorce proceedings of Mr Michael Jagger and Ms Jeremiah Hall.  Ms Hall.  Will you please explain to this court why you wish to divorce this man.

 

VERSE 1 – JERRY’S TESTIMONY

 

Prancing about like a twelve year old wanker,

Marianne Faithful and loyal to Bianca;

Hundreds of other girls now wear his rings,

These are a few of Mick’s unpleasant things.

 

VERSE 2 – MORE OF JERRY’S TESTIMONY

 

Ogling at photographs of Dolly Parton,

Trips with Bill Wyman to the Kindergarten;

Look how he dances and hear how he sings,

These are a few of Mick’s unpleasant things.

 

CLIMATIC BIT 1 – JERRY’S CLIMAX

 

When a Mars bar, extra large size, is placed by my bed;

I think of Mick’s bulging and expectant eyes, and go for a walk instead.

 

JUDGE:Is she not radiant?  Is she not fragrant?  Would you care for a Twix, Ms Hall?  Now, Mr Slimy Toad, what do you have to say for yourself?

 

VERSE 3 – MICK’S TESTIMONY

 

Slow Texan drawl that drives me to distraction,

With girls like her I can’t get satisfaction;

Fights over Carla and my other flings,

These are a few of her unpleasant things.

 

VERSE 4 – MICK’S TESTIMONY

 

Honky Tonk Woman you’ve gone way past your prime,

Get off my cloud, paint it black for the last time,

I want some action, I don’t want the strings,

Least of all I want her unpleasant things.

 

CLIMATIC BIT 2 – MICK’S CLIMAX

 

When my lips purse, and I’m strutting, then its time for bed;

I think about Jerry’s aversion to rutting, and screw someone else instead.

 

JUDGE:Divorce granted.  Next case please.

Just in case you don’t know the song My Favourite Things from The Sound of Music…or even if you do know it but want to hear and see it again, here it is:

 

On 1 August 1993, I wrote a 50th birthday remix of this lyric:

MICK’S UNPLEASANT THINGS – 50th BIRTHDAY REMIX

(To the Tune of “My Favourite Things”)
 
ANNOUNCER:And now, in honour of Mick Jagger’s fiftieth birthday, we go over now to Mick & Jerry’s palatial residence in Richmond upon Thames.
 
VERSE 1 – JERRY HALL
 
Prancing about like a twelve year old wanker,
Marianne Faithful and loyal to Bianca;
‘Tho Mick is fifty he still has wild flings,
These are a few of Mick’s unpleasant things.
 
VERSE 2 – MICK JAGGER
 
Slow Texan drawl that drives me to distraction,
With girls like her I can’t get satisfaction;
I’m fifty so Jerry now clips my wings,
These are a few of her unpleasant things.
 
CLIMATIC BIT 1 – JERRY’S CLIMAX
 
When a Mars bar, extra large size, is placed by my bed;
I think of Mick’s bulging and expectant eyes, and go for a walk instead.
 
VERSE 3 – JERRY HALL
 
Ogling at photographs of Dolly Parton,
Trips with Bill Wyman to the Kindergarten;
Look how he dances and hear how he sings,
These are a few of Mick’s unpleasant things.
 
VERSE 4 – MICK JAGGER
 
Honky Tonk Woman you’ve gone way past your prime,
Get off my cloud, paint it black for the last time,
I want some action, I don’t want the strings,
Least of all I want her unpleasant things.
 
CLIMATIC BIT 2 – MICK’S CLIMAX
 
When my lips purse, and I’m strutting, then its time for bed;
I think about Jerry’s aversion to rutting, and screw someone else instead.

Note To Paula Tappenden, NewsRevue, 1 August 1992

This note speaks for itself.

So the other female in that cast (other than Dot Atkinson) was named Vanessa. Can anyone remember or find out what her surname is/was?

(Postscript: Vanessa Peers.)

I remember absolutely nothing about the stupor-filled weekend in South London referred to in the note…

…so it must have worked.

The diary helps; I went to see Little Voice with Bobbie on the Saturday evening and played bridge (presumably at Daniel’s place) at 5:30 on the Sunday. I’ll write up the Little Voice presently but the bridge I don’t recall but it sounds as though it would have been well wacky.

 

Dear Paula,

 

 

Here is one new song and some changes to bring some others more up to date.

 

MICK (see enclosed)

 

Vanessa wanted a leading role in a number from a big musical – so here it is.  I’m actually very pleased with “Mick’s Unpleasant Things” and hope you like it too.  I think you could do a lot with it.

 

STERIODS (see enclosed)

 

The twists in the Olympic drugs story have helped me to tighten up the Steriods (sic) number.  I think it is better than it was, but I won’t be disappointed if you drop it for something better.

 

TERRE’BLANCHE (see enclosed)

 

The Terre’Blanche libel case gets more bizarre and more coverage in the papers each day.  I have tweaked the intro to bring it up to date with the case and added an extra “middle bit” couplet that pre-empts the ANC general strike (due to start Monday) and the Boipatong enquiry (due to start on Thursday).  You have done a really marvellous job with this number – I was very impressed.  It is just a shame that the writers could hardly see at the back last week!

 

LABOUR (not enclosed)

 

I agree with you’re swopping Dave Blunkett for Paul Boeteng in “Come Back Labour”, but I think the intros should now read:

 

“Ladies and Gentlemen, let me introduce:

Neil Kinnock on keyboards,

Margaret Beckett on do-dos,

Harriet Harman on wop-bops,

Dave Blunkett on eye-drops,

And me, John Smith, on (pointedly) lead vocals.”

 

One small hint on performing “Labour”: – the Wilson couplet can be made to scan by leaping in a fraction early on the second line – the emphasis is as indicated    thus:

 

Come back Wilson, whatcha leave for?

We last won elections in ‘74,”

 

(I keep meaning to mention this when I see you – I know its a bit petty.)

 

ME (not enclosed)

 

I’m off now to spend the weekend in a stupor with various friends in South London.  I may well get some good ideas there – but am unlikely to remember many of them and am even less likely to write anything down.  If anything else does come to me I’ll bring it in Monday night.

 

You are all doing a grand job and I hope to see you next week.

 

Eugène Terre’Blanche, NewsRevue Lyric Actually Used, 26 July 1992

I like to think of Ogblog as the fifth emergency service. So when John White texted me on 1 January 2017 to say that he had my old Eugène Terre’blanche/Sweet Gene Vincent song giving him earworm and could I please Ogblog it sharpish…no sooner the word than the deed – click here for that hurried rescue piece.

But in truth, I wanted to write more about this lyric and in any case that original version from February 1992 was pre-NewsRevue (from my point of view) and never professionally performed.

By the summer of 1992 I was writing quite regularly for NewsRevue and, fortuitously (for me and for NewsRevue, not for the people of South Africa), Terre’blanche was back in the news.

Stalwarts of the show that summer were Jonathan Linsley and his then girlfriend Paula Tappenden. Both had a go at both acting and directing the show; at that juncture, Paula was directing and Jonathan was acting. That was good fortune for this song, as Jonathan was able to personify the ghastly Eugène Terre’Blanche very well.

I recall some excellent business in the intro where they would take the line “I like to watch springboks rutting” and get a member of the cast to do some suggestive puppetry with a pair of sneakers, only for Linsley/Terre’Blanche to yell, “I said springboks, not Reeboks”.

The female members of the cast would don deer masks and then dance around as a chorus of springboks. I recall that Dorothy (“Dot”) Atkinson was one of the springboks in that song but more importantly one of the supremely talented members of that cast.

Perhaps you had to be there – it was great. Paula and Jon (and indeed Dot); you were and are stars. It was one of the golden eras for NewsRevue.

In my delight and excitement at this triumph, I found, in Record and Tape Exchange, which is/was around the corner from my flat, an utterly ghastly album of Afrikaaner Oom-pah-pah music by Johnny Saffer and his Afrikaaner Pennywhistle Brass Band. OK, perhaps the band wasn’t called that, but the jolly looking chap on the cover “boer” a passing resemblance to Linsley/Terre’Blanche.

I gave the album to Paula and Jonathan. I think Jonathan and Paula enjoyed the wheeze. I wonder what became of that memento when they split? Perhaps this Ogblog piece will uncover one or both of  those lovely people and my question might even be answered.

Meanwhile, the lyrics that were actually used in NewsRevue follow:

                              EUGENE TERRE’BLANCHE – JULY 1992 VERSION

(To the tune of “Sweet Gene Vincent”)

 

INTRO BIT

 

{CHORUS:Eugene baby}

I like to get out of Cape Town sometimes and drive round the Karoo,

I like to eat Boerwors with right wing reporters who claim we don’t screw;

I like to watch the springboks rutting, I like to eat them barbecued.

Eugene Terre’Blanche, Neo-Nazi baas, Eugene Terre’Blanche.

{CHORUS:Who, who, who’s that baas?}

 

1st MAIN BIT

 

White face-black shirt, whites rich-blacks poor, Afrikaner-Hottentot, white’s right-black’s not:-

Eugene Terre’Blanche,

There’s one in every town;

I’m fond of dressing up like the Ku Klux Klan,

In a pointed hat and gown.

 

Eugene Terre’Blanche,

I am a crashing Boer;

Before we cede power to the ANC,

We’ll fight a civil war.

 

Well, the Nationalist Party is much too soft,

I think they’re Botha jerk,

But I’d still sooner have to take my Pik,

Than F.W. de Klerk.

 

2nd MAIN BIT

 

White Meneer-black Kaffir, whites vote-blacks don’t, Afrikaner-Bantu, hate blacks and Jews:-

Eugene Terre’Blanche,

They say that I’m like Himmler;

I haven’t yet caused as much violence as him,

But our accents sound quite similar.

 

Eugene Terre’Blanche,

I’m the baas laager lout;

We’re gonna cause trouble in the RSA,

Until we get thrown out.

 

Eugene Terre’Blanche,

I’m just a big fat git;

I’d like to end this song on a profound note,

But I’m afraid that’s it.

 

Click here or below for the Ian Dury and the Blockheads version.

 

Build A Rocket Or Two, NewsRevue Lyric, 26 July 1992

In truth I had no recollection of rewriting this one in the summer of 1992 nor of seeing it performed in NewsRevue – I simply remembered the generic version of it (shown at the bottom of this piece, dated 4 February 1991 in my jotter) as one of my earliest efforts of writing parody lyrics and performing them to friends.

Still, there it is in a running order I have rediscovered from Week Four of Paula Tappenden’s run – (w/e 31 July 1992).

I vaguely recall the subject of Saddam and his missiles being in the news again and discussing it at the writers’ meeting the week before, so I must have thought to myself, “I have a little something that will easily adapt to this story”.

The notion that Saddam had really nasty weapons squirrelled away somewhere seems to have been part of the general consensus amongst the savvy as early as 1992; an interesting note for the many historians who are surely reading the NewsRevue section of Ogblog as part of the authoritative historical record of the 1990’s era.

BUILD A ROCKET OR TWO – JULY 1992 VERSION

(A song for Saddam and Chorus to the tune of “Pick a Pocket or Two”)

 

VERSE ONE

In this world one thing counts,

On defence, large amounts;

Missiles like these, don’t grow on trees;

You’ve got to build a rocket or two,

You’ve got to build a rocket or two, boys,

You’ve got to build a rocket or two.

{CHORUS:Guns like these don’t grow on trees

You’ve got to build a rocket or two.}

 

VERSE TWO

Take a tip from Saddam,

Losing war is a sham;

Shrug of the loss, I’m still the boss;

But better hide a rocket or two,

I’d better hide a rocket or two, boys,

I’ll hide a vicious rocket or two.

{CHORUS:Yankee nerds can’t save the Kurds,

Saddam has hid a rocket or two.}

 

VERSE THREE

Iraqis, pay their tax,

For warheads, with Anthrax;

Splat Kurds en masse with mustard gas;

So build another rocket or two,

You’ve got to build a rocket or two, boys,

I’ll build a Shiite rocket or two.

{CHORUS:Germs like these don’t spread with ease,

So build another rocket or two.}

 

VERSE 4

UN force, who will lose,

Can my Scud, beat their Cruise? (Saddam looks worried, then has a thought)

Kill with aplomb by Neutron Bomb;

I’ll buy another rocket or two,

I like to buy a rocket or two, boys,

A very nasty rocket or two.

{CHORUS:Fallout?  These last centuries,

We’d better build a bunker or two.}

Here is Ron Moody singing “Pick A Pocket Or Two” from the movie version of Oliver!:

…and here are the lyrics to Pick A Pocket Or Two.

If by any chance there are some completists keen to see the original (February 1991) version of my “Rocket” lyrics, here it is:

BUILD A ROCKET OR TWO

(A Song to the tune of “Pick a Pocket or Two” from “Oliver!”)

VERSE ONE

In this world, one thing counts,
On defence, large amounts.
Missiles like these,
Don’t grow on trees;

You’ve got to build a rocket or two,
You’ve got to build a rocket or two, boys,
You’ve got to build a rocket or two.

Guns like these,
Don’t grow on trees,
You’ve got to build a rocket or two.

VERSE TWO

Why should we, pay more tax,
For warheads, with Anthrax?
Splat ’em en masse,
With mustard gas;

You’ve got to build a rocket or two,
You’ve got to build a rocket or two, boys,
You’ve got to build a rocket or two.

Germs like these,
Don’t spread with ease,
You’ve got to build a rocket or two.

VERSE THREE

If it’s Nukes, that you choose,
Build a Scud, or a Cruise.
Kill with aplomb,
By Neutron Bomb;

You’ve got to build a rocket or two,
You’ve got to build a rocket or two, boys,
You’ve got to build a rocket or two.

Fallout? These,
Last centuries,
You’d better build a bunker or two.

Steroids, NewsRevue Lyric, 25 July 1992

It was the Barcelona Olympics that summer and I thought the event needed the drugs treatment…

…as it were.

I remember Jonathan Linsley bellowing “Barcelona” at the end of the first line, to give the piece a topical feel, because it is, in truth, generic.

Still, it ran for several weeks and could run again. All it would need is a metaphorical shot in the arm.

STEROIDS

(To the Tune of “I Just Don’t Know What To Do With Myself”)

VERSE 1 – GIRL ATHLETE

I just don’t know what I’ve done to myself,

Don’t know just what I’ve done to my health;

Used to be soprano, now I’m baritone,

Once svelte, now I’m fourteen stone,

And chilled to the bone.

I can throw far and run like a shot,

Cos I’m built like a jet Aeroflot;

Where I once had bosoms, now I’ve large pectoids,

Don’t eat, I just take steroids;

I’ve great muscle tone,

Not human, more like hormone.

DRAMATIC MIDDLE BIT ONE – YOU CAN ALL JOIN IN

Barcelona games, we want to win the most,

We’ll do our best stuff to be first past the post.

VERSE 2 – A GROTESQUE BLOKE

I just don’t know what I’ve done to my glands,

Failed my drug test and now I’ve been banned,

Used to do athletics cos it kept me fit,

Now I just live for the hit,

When I put the shot,

It’s Cortisone in the bot.

DRAMATIC MIDDLE BIT TWO – YOU CAN ALL JOIN IN AGAIN

Barcelona games, there’ll be new records set,

We’ll take the most drugs in one Olympics yet.

VERSE 3 – TWO GROTESQUE BLOKES

We just don’t know what we’ve done to ourselves,

Get strange feelings in our brains and pelves;

Guess the trainer told us we would come in fast,

Girlfriends want our run to last;

A minute or two,

{GIRL – sounding a bit miffed}

But seven seconds won’t do.

In July 1996 I updated the lyric for the Atlanta Olympics, which gave it a new lease of life:

STEROIDS – ATLANTA 1996
(To the Tune of “I Just Don’t Know What To Do With Myself”)

VERSE 1 – GIRL ATHLETE

I just don’t know what I’ve done to myself,
Don’t know just what I’ve done to my health;
Used to be soprano, now I’m baritone,
Once svelte, now I’m fourteen stone,
And chilled to the bone.

I just don’t know what I’ve done to my glands,
Failed my drug test and now I’ve been banned,
Where I once had bosoms, now I’ve large pectoids,
Don’t eat, I just take steroids;
When I put the shot,
It’s Cortisone in the bot.

MIDDLE EIGHT ONE – YOU CAN ALL JOIN IN

The Atlanta games, we want to win the most,
We’ll do our best stuff to be first past the post.

VERSE 2 – TWO GROTESQUE BLOKES

We just don’t know what we’ve done to ourselves,
Get strange feelings in our brains and pelves;
Guess the trainer told us we would come in fast,
Girlfriends want our run to last;
A minute or two,
{GIRL – sounding a bit miffed}
But seven seconds won’t do.

MIDDLE EIGHT TWO – YOU CAN ALL JOIN IN AGAIN

The Atlanta games, there’ll be new records set,
Most cases of drugs in one Olympics yet.

VERSE 3 – MEDICS

We just don’t know why they’ve all done these drugs,
Cos they knew they’d get caught, they’re no mugs;
Maybe in Atlanta, something’s in the drink,
Athletes all land in the clink;
That’s why we all sing,
Try Coke, it’s the real thing!!

Here is Dusty Springfield singing I Just Don’t Know What To Do:

Here’s a link to the lyrics of I Just Don’t Know What To Do.

City Of Birmingham Symphony Orchestra & Simon Rattle At The Proms, But Who, If Anyone, Accompanied Me?, Royal Albert Hall, 19 July 1992

One of the great mysteries of my diaries and logs. Normally I would leave a clue as to who accompanied me. This time, there are no clues. Did I book this one as a single ticket – so keen to see Simon Rattle and the CBSO I decided to go it alone? My electronic financial records don’t go back far enough for me to be able to tell.

OK, let’s round up the usual suspects. Jilly. Annalisa. Bobbie. (Were it anyone other than one of those three, I’m sure there would be clues in my diary/logs).

I had written the following NewsRevue piece, destined to be a hit, the day before this concert and would have been full of it that evening, if accompanied:

But I digress.

Here is a link to the BBC stub for the Prom concert.

I/we heard:

  • Roberto Gerhard – Don Quixote (complete ballet: 2nd version)
  • Leos Janáček – Glagolitic Mass

Here is a more recent Simon Rattle with the Berlin (rather than Birmingham) lot, doing a short extract from the Gerhard…

…and a short extract from the Glagolithic Mass:

If you want to see what Simon Rattle looked like in Birmingham in the 1990s, the following is his farewell gig there from 1998, with the CBSO & CBSO Chorus:

Edward Greenfield in the Guardian loved this concert:

Rattle Prom Greenfield GuardianRattle Prom Greenfield Guardian 22 Jul 1992, Wed The Guardian (London, Greater London, England) Newspapers.com

OK Jilly/Annalisa/Bobbie. A confession would be much appreciated if one of you remembers being there.

Come Back Labour, NewsRevue Lyric, 18 July 1992

A sadly prescient lyric – John Smith, European Union via Wikimedia Commons

I remember so clearly having a drink with this super cast; Jonathan Linsley, Dot Atkinson, Vanessa Peers and a spindly chap (was he named Paul?…update – no, he was named Peter Anthony Graham) who did Mick Jagger very well. Paula Tappenden was directing. The wonderful Dai Jenkins was the MD.

I asked them if they had any special requests.

Peter Anthony Graham aka “Spindly chap” wanted to sing a doo-wap song.

The girls wondered whether I could make a really taboo subject such as cancer amusing.

That weekend I attempted both. Only one worked.

This one worked and ran in the show for quite some time. I still like the song, although the line about John Smith possibly having a dicky heart went off as soon as he did actually have a massive heart attack and die. Kinda spoilt the joke.

COME BACK LABOUR

(To the Tune of “Come Back My Love”)

(You’ll have to supply most of the “do-wops” yourselves)

 

(John Smith is reading a boring speech about Labour Party policy – all the others are fidgeting and looking intensely uncomfortable)

 

SMITH:….once we’ve controlled unemployment, then we can concentrate on inflation and the balance of trade.

 

Clause Four of the Labour Party constitution has for many years been a vital issue……..

 

KINNOCK:John, for crying out loud.  This isn’t what Labour needs.  The people need a rallying cry to bring them back to the party.  A new vision, a new voice, a new tune.

 

SMITH:Och, Neil, maybe you’re right.

 

INTRO – JOHN SMITH ON LEAD VOCALS

Woh, oh, oh;

Come back Labour, don’t fade away,

Come back voters, come back to stay;

It’s our darkest hour, been so long without power,

We need to win so badly:

 

Wop {do,do,do} do de wang {do,do,do} do de wop, do de wang, do de wop.

 

CHORUS 1 – OTHER SINGERS START TAKING OVER (TO JOHN’S ANNOYANCE)

Oh won’t you come back Labour, don’t fade away,

We need new ideas, we need to pray;

We bicker too much and when we have a putsch,

The Liberals look happy.

 

Jim Callaghan, he was a man,

The British voters just couldn’t stand,

We failed in the South, put our Foot in our mouth,

And lost even more badly.

 

MIDDLE BIT 1 – JOHN IS BEING UPSTAGED

Now every party makes, some mistakes, in its choice of leader,

But Labour has a knack for, choosing an unelectable bleeder,

{Wo-ah, wo-ah, wo-ah}

 

CHORUS 2

Come back Wilson, whatcha leave for?

We last won elections in ’74,

We’ve floundered so much, we need your winning touch,

Cos since we’ve done so badly.

 

INSTRUMENTAL WITH LOTS OF “WOP A DO WOPS” AND THAT SORT OF THING

JOHN SMITH:Ladies and Gentlemen, let me introduce:

Neil Kinnock on keyboards,

Margaret Beckett on do-dos,

Harriet Harman on wop-bops,

David Blunkett on eye-drops,

And me, John Smith, on (pointedly) lead vocals.

 

MIDDLE BIT 2 – JOHN SMITH IS BRIEFLY BACK ON LEAD VOCALS

The papers spread the myth, that John Smith, isn’t up to the fast pace,

But in the Labour Party, they know that my heart is in the right place,

{CHORUS: and beating.}

 

CHORUS 3 – BUT IT WAS FUTILE, JOHN IS MARGINALISED AGAIN

Come back Kinnock, don’t go away,

We want you back, we want you to stay,

We all liked your style, tho’ you lost every while;

We’re used to doing badly,

{KINNOCK:Re-re-re-really?}

We keep on doing sadly,

{KINNOCK:You mean it?}

We want to win so badly.

 

OUTRO

KINNOCK:Oh, I can make one of my rabble rousing speeches, like the one in Sheffield.

ALL:Perhaps we’d better stick with John Smith for a while.

Here are Darts singing Come Back My Love.

…and the lyrics can be found here.