If I Had A…, NewsRevue Running Gag Of Quickies (Unused), 25 February 1993

I can’t imagine why these weren’t used…

…oh, all right, I can imagine why they weren’t used.

At least they don’t exactly date.

                                                  IF I HAD A …..

(A running gag of quickies to the Tune of “If I had a Hammer”)

Guitarist gently strums the pleasant riff from this song.

He encourages the audience to sing along with him on the oohh oohhs each time.

 

QUICKIE 1 – STAMMER

Oohh oohh, oohh, oohh, oohh oohh, oohh, oohh,

Oohh oohh, oohh, oohh, oohh oohh, oohh, oohh;

If I had a stammer,

I’d stammer in the morning,

I’d s s s s s s;

 

QUICKIE 2 – HAMMOCK

Oohh oohh, oohh, oohh, oohh oohh, oohh, oohh,

Oohh oohh, oohh, oohh, oohh oohh, oohh, oohh;

If I had a hammock,

I’d (snorrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr)

 

QUICKIE 3 – WHAMMER (not for children or people of a nervous disposition)

Oohh oohh, oohh, oohh, oohh oohh, oohh, oohh,

Oohh oohh, oohh, oohh, oohh oohh, oohh, oohh;

If I had a whammer,

I’d (makes wanking gesture) in the morning,

I’d (makes wanking gesture) in the evening,

All over this hand.

 

QUICKIE 4 – HUMMER

Oohh oohh, oohh, oohh, oohh oohh, oohh, oohh,

Oohh oohh, oohh, oohh, oohh oohh, oohh, oohh;

If I were a hummer,

I’d hm, hm, hm, hm, hm, hm,

Hm, hm, hm, hm, hm, hm, hm,

Hm, hm, hm, hm, hm.

 

QUICKIE 5 – GRAMMAR

Oohh oohh, oohh, oohh, oohh oohh, oohh, oohh,

Oohh oohh, oohh, oohh, oohh oohh, oohh, oohh;

If I had no grammar,

I’d in the morning grammar,

I’d evening in the grammar…..(ends in confusion)

 

THAT’S ENOUGH “IF I HAD A…..” QUICKIES

Here and below is Trini Lopez singing If I Had A hammer – click through here to see the lyrics too:

Top Of The Pops Finance Medley, NewsRevue Lyrics, 21 February 1993

I seem to remember this one doing rather well in NewsRevue, but more in terms of its component parts being recycled than as a coherent whole…

…perhaps that’s because the medley is not much of a coherent whole, while the component parts are pretty good:

                                TOP OF THE POPS FINANCE/BUDGET SPECIAL

(A medley of songs and chart rundown for the 1993 Economy)

 

GORDON BROWN

(To the Tune of “Golden Brown”)

VERSE 1

Gordon Brown, Labour’s first son,

Scottish brogue, like a Glasweigan;

Throughout the weeks, talks through his cheeks,

Speaker may drown, with Gordon Brown.

VERSE 2

Gordon Brown, shadow finance,

Hates Lamont’s monetary stance;

Don’t reinflate, low interest rate,

Uniform pound, from Gordon Brown.

VERSE 3

Gordon Brown, thick wavy hair,

Don’t confuse, him with Tony Blair;

Fat cheeks and jowls, he always scowls,

‘cept when he frowns, that’s Gordon Brown.

(Optional fade out, as in original, “Never a clown, with Gordon Brown”)

 

CHART RUNDOWN – (CHOOSE YOUR OWN DJ)

What a simply sensational sound that is, at number seven, the Economic Stranglers with Gordon Brown.  And now, here is the rundown of the rest of this week’s Top of The Pops Finance/Budget charts:

At number 6 we have a double A side from Shalamar, “Take That to the Bank of England” and “I owe you one-hundred-billion”

Down to number 5 we have “Money’s Too Tight To Mention” from Simply In The Red

Still moving up, at number 4 is “Busy Doing Nothing” by over three million people and rising

For the 30th week running at number 3 “Float on” by E.R.M.

Still at number 2 (but only just) is “You Won’t Find Another Fool Like Me” by Norman Lamont

And this weeks new number one is Jolted John by Jolted John Major

 

JOLTED JOHN

(To the Tune of “Jilted John”)

VERSE 1 – JOHN MAJOR

I’ve a podgy thick chancellor, his name is Norman,

Has a face that could crack glass, just like Teressa Gorman.

(And this is what he said)

VERSE 2 – JOHN MAJOR

He said listen John, we’ve fucked up, I can’t get no more money,

We can’t put up income tax, so we must raise more VAT.

(I asked him some considerably difficult questions at this juncture)

VERSE 3 – JOHN MAJOR

Who won’t lend us money? “IMF” was his reply,

“Not more cuts” I said dismayed, “Yes, we’ll need more cuts” he cried.

(He’s more of a heartless bastard than I’ll ever be, I was not inconsiderably upset, oh yes)

VERSE 4 – JOHN MAJOR

I was so upset that I cried all the way to the parliament,

When I came out there was Gordon standing on the pavement.

(That’s Gordon Brown, the shadow chancellor.  And guess who was with him?  Yeh, Margaret Beckett.  And they were both laughing at me.)

VERSE 5 – GORDON BROWN AND MARGARET BECKETT (perhaps with audience participation)

Oh you are dumb and spineless, to not pack in Norman,

Just cos you’ve no-one better than he, just cos you both are friendly.

But we know he’s a moron, (Norman is a moron, Norman is a moron, Norman is a moron).

Click here or watch below a video with Golden Brown by the Stranglers. If you click here, you can read their lyrics too:

Click here or below for a video of Jilted John:

If you want the lyrics for Jilted John – click here.

The Game Of Love And Chance by Pierre Marivaux, Cottesloe Theatre, 20 February 1993

The Theatricalia entry for this production can be found here.

What a cast: Maggie Steed, Trevor Baxter, Caroline Quentin, Peter Wingfield, Stefan Bednarczyk, Marcello Magni. Joint directors Mike Alfreds and Neil Bartlett.

No wonder I was keen to see it.

Still, I don’t think Janie and I were wild about this one. I was fast learning that Janie doesn’t like classics as much as she likes modern pieces, nor does she like farce. Marivaux was never likely to float Janie’s boat.

Yet worse, from a “what Janie does and doesn’t like” point of view, this production had re-located the piece in the 1930’s, adding a Cowardesque flavour to it that didn’t go down well with the reviews that are currently ( as I write in 2019) on-line/clippable.

Despite that, the sheer weight of talent on show carried the day for us, as we both found the production entertaining and could not question its quality of production.

Below is Michael Billington’s review from the Guardian:

Billington Game Of LoveBillington Game Of Love Wed, Jan 13, 1993 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Coveney’s review from the Observer:

Coveney Game Of Love & ChanceCoveney Game Of Love & Chance Sun, Jan 17, 1993 – 47 · The Observer (London, Greater London, England) · Newspapers.com

DJ At His House, 19 February 1993

Neither Janie nor I recall a great deal about this particular evening. I think it was the only time I went to DJ’s place in Steeles Mews for dinner and I think there were a fair few of us there.

I can see from the diaries that Janie and I had arranged to stay at my place for the weekend, not least because we had theatre at the National the next day:

I’m pretty sure we ate and drank well at DJ’s that evening – that much I do remember.

I Don’t Care ‘Bout My Baby, NewsRevue Lyric, 16 February 1993

The papers were full of the story of actress Yasmine Gibson swanning off to the Costa del Sol, leaving her daughter Gemma home alone.

This link term – click here – finds what little can still be found on-line on the news story. Click here for an interesting take on the story, by Lynn Barber, which suggests that the tabloid press intervention might have done more harm than good. Even 25 years ago this stuff about press freedom and intrusion was debated.

As I write 25 years later, I recalled my lyric and the performance of it far more vividly than the news story itself. Victoria Jeffrey was the actress who performed it in NewsRevue and I remember her slovenly-looking, sangria-swilling, belting performance, as the mothervividly. It went down a storm.

Here’s the lyric. Strong lyric, but weak ending – perhaps the cast improved on that.

I DON’T CARE ‘BOUT MY BABY

(To the Tune of “Take Good Care Of My Baby”)

 

INTRO – YASMINE

My tears are falling cos the papers cause me pain,

But tho’ they’ve really hurt me so, I’m glad I’m here boozing in Spain.

 

CHORUS 1 – STILL YASMINE

I don’t care ’bout my baby, I’m not as kind as mums should be;

The tabloids say I fail her, some loony may impale her,

While I’m out quaffing G&T.

 

CHORUS 2 – LITTLE JEMMA

I don’t care if my mummy, will ever reappear from Spain;

Newspapers all tell fibs on, the state of Jemma Gibson,

While mum is knocking back Champagne.

 

MIDDLE BIT 1 – STILL LITTLE JEMMA

Once up a time, my freedom wasn’t crime,

Now mum has flown, the papers say I’m home alone, so

 

CHORUS 3 – YET MORE LITTLE JEMMA

I’m in care since my mummy, has left me in the house for weeks;

I entertained all my friends, held parties on the weekends,

That’s stopped now we’ve been shopped by tabloid sneaks.

 

CHORUS 4 – BACK TO YASMINE

I don’t care ’bout my baby, I like to go out for some fun;

I know I’m not a has-been, you’ve now all heard of Yasmine,

Front page of Mirror, Star and Sun.

 

MIDDLE BIT 2 – STILL YASMINE AGAIN

My good name’s been stained, since little Jemma claimed,

Reckless abandon, and I don’t have a leg to stand on, cos

 

CHORUS 5 – YASMINE CONCLUDES

I don’t care ’bout my baby, but she’s a cow to grass on me;

I’ll keep her in the kitchen, one day I’ll do that bitch in,

And eat my baby up whole for tea.

Here’s a charming video of Bobby Vee singing “Take Good Care Of My Baby” with a gratuitous crowd of young women in short skirts clapping out of sync with each other and even more out of sync with the beat of the tune. Honestly my dad’s home vids back then (c1961) were better quality cinematography than this:

Also, here is a link to Carole King’s charming lyrics to Take Good Care Of My Baby.

I wrote a Version 2 of this lyric in August 1993 for a chorus of slovenly holiday-making mothers:

WE DON’T CARE ‘BOUT OUR BABIES

(To the Tune of “Take Good Care Of My Baby”)
 
INTRO – NEGLIGENT MOTHERS
 
Our tears are falling cos the papers cause us pain,
But tho’ they’ve really hurt us so, we’re glad we’re here boozing in Spain.
 
VERSE 1 – NEGLIGENT MOTHERS
 
We don’t care ’bout our babies, we’re not as kind as mums should be;
The tabloids say we fail ’em, some loony may impale ’em,
While we’re out quaffing G&T.
 
VERSE 2 – SPROGS
 
We don’t care if our mummies, will ever reappear from Spain;
We don’t think they are sinful, we too shall have a skin full,
While they’re out knocking back Champagne.
 
Once up a time, our freedom wasn’t crime,
Now they have flown, the papers say we’re home alone, so
 
We’re in care since our mummies, have left us in the house for weeks;
We entertained all our friends, held parties on the weekends,
That’s stopped now we’ve been shopped by tabloid sneaks.
 
VERSE 3 – BACK TO THE EVIL MUMS
 
We don’t care ’bout our babies, we like to get away for fun;
Newspapers all are stalking, the evil mums of Dorking,
Front page of Mirror, Star and Sun.
 
Our good names are stained, since Britain’s papers claimed,
Reckless abandon, and we don’t have a leg to stand on, cos
 
We don’t care ’bout our babies, but we’re not as bad as all that,
Those kids had us arrested, ‘tho’ they were not molested,
Once we get out again we’ll kill those brats.

Meet Rita & Tony For Dinner, Sandall Close, 13 February 1993

This was not one of the more successful evenings. In some ways it was a reprise of the charming Kim & Micky & ossobuco evening which helped cement me and Janie together…but a sort-of dystopian version of it.

It was not dustopian because of the food. Oh boy, the food was terrific. Janie’s Friday diary reads…

…collect ossobuco & Langues de chat biscuits & mascarpone [from La Pasena]

Osso Bucco – picture by Stu Spivack via Wikimedia Commons
Vegan Langue de chat (4708495681)

It was the company that made the evening dystopian.

Rita is one of Janie’s colleagues – even 25+ years later Janie still refers work to Rita when appropriate.

Now don’t get me wrong, I liked Rita. Rita is absolutely fine.

The problem at that time was that Rita was with a chap named Tony and Tony liked far right politics of the most venal kind. Rita and Tony as an item didn’t stand the test of time for all that long beyond this dystopian evening…

…nor indeed did Tony make it very deep into middle age. Stonk in the brain or something of that ilk. It isn’t ONLY the good who die young.

But the Rita and Tony partnership had, by then, lasted long enough to produce young Mark who was 10-12 years old. By all accounts, Mark has subsequently settled down but at that time he was a fully paid up member of the Tony-Loony-Tunes-Yoof and not averse to doling out a bit of lip.

None of the Mark and Tony shenanigans went down very well with me and Micky. I don’t think it went down too well with Rita either when the extent of the mismatch inevitably spilled over into the evening.

I seem to recall Kim subsequently finding it all rather amusing; she rather thrives on conflict in a funny way. Not to say that she found it acceptable; just that she preferred to laugh it off afterwards while Micky and I sought solace in incredulity.

That particular evening grouping was a one-off.

The food was terrific though.

A Submission Sheet Titled “Randall”, NewsRevue, 11 February 1993

Less than a month into Mark Bowden’s run, I was submitting material for Terry Randall’s run, which was due to start in early March 1993.

I don’t remember Terry Randall well – but I’m pretty sure he is this guy – click here...or if you prefer, click here.

He wasn’t as wild about my material as Mark Bowden nor one or two directors who soon followed. I think he might have written a fair bit of material himself and with his cast.

Anyway, this submission sheet at least shows the material that Mark Bowden and the preceding cast had been using – even more than I remembered!

LIST OF SONGS SUBMITTED AND TAPE TRACK LISTING

TERRY RANDALL MARCH-APRIL 1993 RUN

 

          Song Title Original Title/

 

Artist on Tape

Aprox. No. of Performances
       7+ 4-6   1-3 New/Nil
Inside A Femidom Under The Moon Of Love/Curtis Lee   Y    
Slobidan’s Army Oliver’s Army/Elvis Costello   Y    
White House Our House/Crosby Stills Nash & Young   Y    
My Genitalia My Generation/The Who       Y
I Gatt Round I Get Around/Beach Boys       Y
Better Face Heal The World/Michael Jackson   Y    
So Long Ma’am So Long Mom/Tom Lehrer       Y
Midnight Plane to Jordan Midnight Train to Georgia/Gladys Knight & Pips       Y
Coal Diggers Goldfinger/Shirley Bassey Y      
Closed to You Close to You/Carpenters   Y    
Snatchbroker Snatchbroker Matchmaker Matchmaker/Fiddler on the Roof Cast     Y  
Designer Delilah/Tom Jones       Y
Mad Mullah Moonshadow/Cat Stevens       Y
Mating A Bull With A Heffer Stairway To Heaven/Led Zeppelin     Y  
Don’t Leave Us This Space Don’t Leave Me This Way/Thelma Houston       Y
Marje Proops High Hopes (no recording – sorry)       Y
Standing On The Dole Queue Lambeth Walk (no recording – sorry)     Y  

 

Over At Janie’s For The Weekend, 5 to 7 February 1993

We’d got to the stage, by the end of 1992, that most of our getting togethers didn’t get specific mention as “Jane” or “Ian” in our respective diaries.

Yet this particular weekend, 5th to 7th February, is marked in Janie’s diary:

Ian over for weekend…

…and marked in mine…

Jane [with an arrow and a line through the weekend]

The significance of this, I think, is that we had not, untilt hat point or slightly beyond that point, considered spending the whole weekend together as a given. In fact, with Janie still taking a fair bit of weekend work and with me spending some weekend time writing the book with Michael etc, we rarely spent several days together.

Clearly we blocked this one out to spend the whole weekend together.

Janie also wrote:

Arab party?…

…in the Saturday, but I don’t think that happened. I think the New Years Eve party with lebanese food…

…became that party instead – probably because most of Janie’s lot used to go off skiing in the early weeks of the year.

There are some notes on Janie’s Friday page about food:

Strips of top side or buttock flattened out for beef olives…

…sounds like we ate well at Janie’s fair hand.

Rinderroulade-zutaten-02

Don’t Leave Us This Space, NewsRevue Lyric, 7 February 1993

Some Hamas forces got stuck out on some Lebanese hills on the borders with Israel…

…I know what you are thinking…this is not an easy subject for comedy. You are right and I was wrong.

But I had a reasonable go at it and it has balance. Writing now, 25 years later, I am proud of this lyric, even though it didn’t make the show. I remember Janie really liked it at the time…that mattered.

DON’T LEAVE US THIS SPACE

(To the Tune of “Don’t Leave Me This Way”)

 

INTRO – SUNG “MECCA” STYLE

Ay, ay ay ay ay ay ay, ay ay ay ay ay, ay ay

 

VERSE 1

Don’t leave us this space,

We can’t survive, can’t stay alive,

In Lebanon;

Don’t leave us this place,

We can’t exist, fundamentalist, Islamisists,

Don’t leave us this space.

 

CHORUS 1

Haaaaaaaaaaaaaaaaaaa-amas,

Israeli soldiers burst in to grab us,

Cos they believe we’re causing Arab fuss,

They exiled us out to South Lebanon,

They say Israel has got a Jihad ban on,

So listen to Abdul Aziz Rantisi,

Now only Yizhak Rabin can set us free, {set us free, set us free}

 

VERSE 2

Don’t leave us this space,

We just can’t stand, this no man’s land,

With ice and breeze;

Don’t leave us this place,

In these harsh climbs, Sir Ranulph Finnes,

Would also freeze,

Don’t leave us this place.

 

CHORUS 2

Aaaaaaaaaaaaaaaaaaaaa-shwari,

Has won around Boutros Boutros-Ghali,

She’s the Palestinian Mata-Hari,

Four hundred of us want reparations,

With the help of the United Nations,

But Israel won’t return us to Palestine,

Despite Resolution 799 {799, 799}.

 

OUTRO – DANCE OFF STAGE SINGING

Please let my people go, let my people go.

Here is a vid of Themla Houston belting Don’t Leave Me This Way:

…and here is a link to Thelma’s lyrics.

Mating A Bull With A Heffer, NewsRevue Lyric, 31 January 1993

Genetic engineering has been in the news, on and off, for a heck of a long time. e.g. 25 years ago at the time of writing (February 2018).

I wrote this very ambitious lyric for NewsRevue back then.

I mistakenly didn’t think it had been used – the show was chock full of my songs at that time anyhow and I wrote this early in a new run.

Normally a song needed to be spectacularly good to displace established material.

I don’t think this is spectacular, but there are some good lines in there, though I say so myself…

…and Mark Bowden and his cast seemed to like my stuff a lot. Anyway, you can judge for yourselves:

 

MATING A BULL WITH A HEFFER

(To the Tune of “Stairway to Heaven”)

 

VERSE 1

There are breeders who show X and Y Chromosomes,

And they’re mating a bull with a heffer;

The sperm’s sex they confirm just by dying the sperm,

And dividing a pair with electrons.

Ooohhh, ooohhh, and they’re finding a fair way to sex them.

 

VERSE 2

Now the ladys who know fertilise in vitro,

With a polymerase chain reaction;

The girls check on the sex of the sprog that’s due next,

But their fellows miss out on the action.

Ooohhh and it makes me wonder, whooohhh is going to fund ‘er?

 

MIDDLE BIT ONE

Once they have dyed and charged the sperm up, in a tea cup,

I’m gonna put my new blue genes on;

But this genetic engineering has me fearing,

If this world is still where I belong.

Ooohhh and it makes me wonder, ooohhh suppose they blunder:

 

MIDDLE BIT TWO

They’ll cross a mussel with a hedgehog, you’ll hear alarm bells,

Now Sonic plays DNA games;

Led Zeppelin’s lyrics are pretentious, and if you’re drunk,

You may imagine that their words rhyme.

 

CLIMAX

And once they’re further down the road,

Geneticists will write a tome,

Then buy and sell genetic code,

Cos they will know human genome,

And once the scheme of youth is sold,

We’ll live to be ten thousand old,

And once our aging process’ slowed,

We’ll spawn a twenty legg-ed toad,

French restaurants will buy a load.

And they’re breeding a pear with a head on.

(Lead singer holds up a grotesque effigy which is a talking doll covered with a large plastic pear.  The doll says “Mama” and the lights blackout)

Here is a vid of Led Zeppelin performing Stairway To Heaven, with lyrics: