Evening and Morning, Vox Luminis, Wigmore Hall, 25 October 2015

This Sunday evening concert was part of the Henry Purcell season at the Wigmore Hall. Vox Luminis, under the direction of Lionel Meunier, treated us to 17th century English choral works.

Here is the Wigmore Hall stub for the concert, which tells you everything you might possibly want to know about the artists and the works performed.

We had arranged to take the next day off and this concert was just what the doctor ordered for us at the end of a busy weekend.

Don’t take our word for it; David Truslove of bachtrack.com gave the concert a rave review – here.

I was fascinated by these instruments, so Janie took a picture of them during the interval:

Below is an example of Vox Luminis performing one of the John Blow pieces we heard:

Below is a full concert video of a similar Vox Luminis concert at an early music festival from a few week’s earlier – no Blow, but Purcell and Morley:

Lovely stuff.

Deni & Tony’s Wedding, 24 October 2015

This was our first experience of a gay wedding.

The venue was Chiswick Town Hall, but despite the proximity there was no time for a game of tennis before getting into our glad rags and allowing an hour to travel a couple of miles down the road.

Yes, we were there ludicrously early but that gave us the chance to get to meet some of the other guests.

The service was very pleasant. Toni Friend was there; son John kindly came to the town hall after the ceremony to take Toni (and us) to the house for the reception and wedding breakfast; I suppose walking a mile or so in “such shoes” is off limits.

The reception and wedding breakfast were both delightful. First time I have ever been to such an event in a house rather than a function room; it worked really well for this size of group. We met some very pleasant people and enjoyed ourselves thoroughly.

A link to the few pictures we took – here.

Frank Auerbach and Barbara Hepworth, Tate Britain, 12 October 2015

This was another evening opportunity to see a preview of a Tate exhibition – in this instance the new Frank Auerbach exhibition.

Janie and I were both working that day and arranged to meet at the Tate Britain itself – I got there well early and was glad of the good weather for hanging around early evening outdoors.

Although our main purpose was the Auerbach, we judged that those rooms would be quite busy at first, so went and looked at the Barbara Hepworth first, which we both enjoyed very much.

Indeed the early part of the Auerbach seemed very dark after the Hepworth, but Auerbach is one of those artists who (in my view) got more interesting as he matured, so the exhibition grew on me as we went through the rooms.

We enjoyed a drink and some nibbles in the members’ room after we’d had our fill of exhibits. Well worthwhile, both exhibitions.

A good, informative Tate stub on Barbara Hepworth – here…

…and similarly a good stub on the Auerbach – here.

Hangmen by Martin McDonagh, Royal Court Theatre, 10 October 2015

We were really looking forward to this. While we were unsure about McDonagh’s earlier work, such as The Cripple of Inishman, we absolutely loved The Pillowman and had been hoping to see another new play by him.

We certainly were not disappointed by this play/production. It had us gripped from the start. It is a shocking, at times hilariously funny black comedy about the last hangmen in the UK. The mixture of cunning plot twists and traditional comedic devices works brilliantly. Great cast, great production, what’s not to like?

The Royal Court stub – here – covers more or less all you need to know, including links to the myriad of rave reviews this production justifiably received. 

The production earned a major west end transfer, deservedly.

 

Ai Weiwei Exhibition, Royal Academy of Arts, 9 October 2015

As Kim had so kindly joined Janie up to the Tate and the V&A, I thought it was the least I could do to join her up to the RA.

This was to be our first opportunity to take advantage of that membership; so we knocked off work early that Friday and enjoyed an early evening viewing of this exhibition.

We found it very interesting. Some of the works are more challenging than enjoyable to view; others are fascinating and attractive. Ai Weiwei is an intriguing artist.

The RA stub explains it all – here, saving me much effort.

Janie and I enjoyed a drink and some nibbles in the members cafe afterwards. We are looking forward to the new improved version of same promised for next year, much as the V&A and Tate are similarly promising! We join and each of these places vastly increase their bar/cafe facilities…?

 

Canvey Island, Leigh-On-Sea, Westcliffe & Southend to See Garry & Janice Steel, 3 October 2015

Cousins Garry & Janice were very devoted visitors to mum over the years, especially given the distances involved, whereas I hadn’t been out their way (apart from the occasional funeral) for decades. Janie and I agreed that should change, so we arranged a short trip to the Essex Riviera.

Having enjoyed the movie, The Ecstasy of Wilko Johnson – click here, so much, Janie was keen to see Canvey Island along the way.

Garry was not so sure:

Me finks (sic) you’ll be disappointed with Canvey. There may be nothing open after 5:30pm other than a few haunted bars. Brighton is a paradise in comparison. Don’t forget your passport.

Actually our plan was to get to Canvey by 15:00 and visit the Steels that afternoon for the guided tour of Leigh, both of which we did.

Canvey was more interesting than Garry suggested – the mural on the sea wall was a highlight, as was the sight of many locals taking the last remains of the summer sun on what turned out to be a glorious September afternoon.

The Leigh stroll with Garry and Janice was also interesting. I had never been down to Old Leigh before; it is really rather quaint and charming; probably more so for seafaring types than land-lubbers like me and Janie, but still good to see and a nice chance to catch up with Garry and Janice while strolling.

Then back to get our car and then Janie & I checked in to the Westcliffe Hotel – not bad. Later, Garry and Janice picked us up at the hotel and we walked down the road to the Piccolo Italian Restaurant, where they had celebrated their silver wedding anniversary some years ago.

The Steels very kindly insisted that the meal was on them, but I was able to persuade them that I’d like to sponsor a bottle of fine wine, spotting a Brunelli on the menu at (I realised having just been to a Mousse Wine tasting on that very subject) a very low price for such a vintage wine. The proprietor was very impressed that I recognised the wine and the good value – he’d been buying those in their infancy for years. “Game over now” (he told me ruefully).

A very enjoyable afternoon and evening with Garry and Janice.

In the morning, after breakfast and on our way out of town, we diverted a few hundred yards into Southend proper so I could take a look at the house where Jack, Sybil and Norman had lived up on that cliff. Smashing view – a more salubrious-looking property now.

Firebird by Phil Davies, Hampstead Theatre Downstairs, 2 October 2015

This was a very harrowing short piece, brilliantly done. Deservedly, this one got a transfer to Trafalgar Studios, so there is a good stub to be found with the production details, some interviews etc. We saw the original version at the Hampstead Downstairs, but it looks as though it was a straight transfer, same cast, same production team.

The play is basically about a young girl in Rochdale who is befriended and groomed by an older, Asian man with debts and bad friends. The Children’s Society collaborated on the work, by all accounts.

We saw it on a Friday evening after a poor early evening meal at Harry Morgans. We were talking about it all weekend; it raised such startling issues and was so well acted.

Ed Hall himself directed this one – unusually for a downstairs production – top quality stuff.

Here is the trailer:

There were also reviews post transfer:

Many more reviews can be found if you google for them using Trafalgar rather than Hampstead.

Mousse Wine Tasting, Rossi & Brunelli di Montalcino, 28 September 2015

About a week ahead, I was invited to a wine tasting by Helen Baker, a friend of Gerry Goddin who was thinking through setting up independently in the wine business:

I was wondering if you would be able to make it to a tasting?  This is the first of a series of four to be held fortnightly on a Monday, starting at 5.30 pm/6.00 pm. These first four will concentrate on Rosso/Brunello and Langhe Nebbiolo/Barolo.  I have a few older vintages and interesting comparisons, so it should be fun as well as interesting and all the wines are top notch.

As luck would have it, I was in the City that day and had no evening engagement planned, so it would have seemed churlish to turn down a chance to try some amazing wines.

I met some interesting people and tasted some superb wines at this tasting. A list of the wines we tasted is linked here: Mousse Montalcino Tasting 28 09 15

Helen very kindly let me take a couple of half-finished bottles home with me, warning me though, that the really fine Brunelli would not be at its best for much more than 24 hours.

When I told Janie what she had missed, she made a point of popping in to the flat on the Tuesday and having a quick slurp. She enjoyed both the Rossi and the Brunelli but agreed that the Brunelli was especially fine.

This new found understanding of Brunelli came in handy just a few days later in Southend-on-Sea – I kid you not. Once I have written up that visit (3 October), there should be a link below…now there is!

Canvey Island, Leigh-On-Sea, Westcliffe & Southend to See Garry & Janice Steel, 3 October 2015

Medea by Euripides, a new version by Rachel Cusk, Almeida Theatre, 26 September 2015

This was a very powerful modern adaptation of Medea, wonderfully acted, directed and produced.

Kate Fleetwood was superb as the increasingly crazed Medea; so was Justin Salinger as the creepy, unreasonable Jason.

Of course, this was a modern adaptation, so it doesn’t quite end as the bloody original, but it does naturally end in tears.

Both of us were really struck by the power of this production; Janie has a natural aversion to ancient works but this modern adaptation did enough to keep her engrossed.

As always these days, an excellent Almeida stub with all the details and resources you might want if you want to know more, including links to pretty much all the reviews as it was universally heaped with praise – click here.

So I need say no more.

F*ck The Polar Bears by Tanya Ronder, Bush Theatre, 12 September 2015

This play/production at the Bush Theatre made for a very good evening.

The communications head for a giant energy company faces issues of climate change in the discomfort of his own increasingly dysfunctional household. This sort of play is fun but it also makes you think. The Bush does this sort of play well.

Click here for the excellent Bush stub with all the information you might want about the play/production.

It didn’t get fabulous reviews, despite the fact that we really liked it:

Oh well. We did.