This piece was billed as:
fragments from The Epic of Gilgamesh…
…which made it rather interesting.
It was part of the Springboards thingie – we saw three of these studio pieces in two weeks – this was the third:
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Daisy and I rated this one very good. Weird, though.
I don’t think the Observer reviewed this one, but the Guardian did – below is Michael Billington’s review of this piece.
Billio might choose to call his autobiography He Who Saw Everything, now I come to think of it.
Interesting stuff. It’s one of those nights at the theatre about which I remember little detail but it left a lingering impression on me nonetheless. I can still sort-of remember the sights, sounds and even smells of it.