Greenwash by David Lewis, Orange Tree Theatre, 21 February 2009

We rather liked this one, although more form the point of view of it being a well acted interesting piece on an interesting subject than it being great drama or great comedy.

You can read all about it on the Orange Tree site – here.

Janie and I describe silly or farcical comedies as being “a bit Vincent Golightly” (don’t ask, long/fictional story) and this was a bit Vincent for sure. But we enjoyed our evening in the theatre and topped it off with some Spanish food at Don Fernando, as is our Richmond habit most times.

 

 

 

 

 

He Who Saw Everything by Robert Temple & Anon, Cottesloe Theatre, 14 May 1993

This piece was billed as:

fragments from The Epic of Gilgamesh…

…which made it rather interesting.

It was part of the Springboards thingie – we saw three of these studio pieces in two weeks – this was the third:

Daisy and I rated this one very good. Weird, though.

I don’t think the Observer reviewed this one, but the Guardian did – below is Michael Billington’s review of this piece.

Billio might choose to call his autobiography He Who Saw Everything, now I come to think of it.

Michael Billington He Who Saw Everything May 1993Michael Billington He Who Saw Everything May 1993 Sat, May 15, 1993 – 28 · The Guardian (London, Greater London, England) · Newspapers.com

Interesting stuff. It’s one of those nights at the theatre about which I remember little detail but it left a lingering impression on me nonetheless. I can still sort-of remember the sights, sounds and even smells of it.

Pravda by Howard Brenton & David Hare, Olivier Theatre, 28 February 1986

Bobbie & I caught this one just before it came off and I am so glad we did. I sense that it was Bobbie’s barrister crowd – she was still doing her pupillage at that time, who had persuaded her (and me through Bobbie) that you HAD to see this play before it comes off.

The last Friday evening – probably all that was available that last weekend of the run.

Gosh this play and production was good.

Here is the Theatricalia entry for this production.

Anthony Hopkins was predictably strong as the barely disguised Rupert Murdoch-type figure, Lambert Le Roux. Ah, South African, not Australian, so couldn’t possibly be about Murdoch, m’Lud.

Super supporting cast too: probably my first sighting of a young Bill Nighy, plus Tim McInnerny, Kate Buffery, Peter Blyth…

Milton Shulman enjoyed the fun but didn’t much like the play in The Standard:

Pravda Shulman Standard Pravda Shulman Standard 3 May 1985 Evening Standard (London, Greater London, England) Newspapers.com

Similarly, John Barber in The Telegraph thought the play should have focussed a bit more on the ethics and a bit less on the boistrous fun:

Pravda Barber Telegraph Pravda Barber Telegraph 3 May 1985 The Daily Telegraph (London, Greater London, England) Newspapers.com

Even Michael Billington sort-of agrees – the play offers little insight into what might be a more ethical Fleet Street – but still the play/production was highly entertaining:

Pravda Billington Gradian Pravda Billington Gradian 3 May 1985 The Guardian (London, Greater London, England) Newspapers.com

Heck, we were kids. (Early 20s). We loved it. I remember that evening at the theatre fondly.

According to my diary, Bobbie and I went on for a “Turkish meal after, very nice”. I suspect that must have been Capital Kebab House, which was pretty much the only Turkish show in that part of town in those days. Astonishingly, that place is still there, decades later, in The Cut. I must try it again some time.