Tag: Angela Fairclough

Blinded By The Sun by Stephen Poliakoff, Cottesloe Theatre, 31 August 1996

I wrote in my log:

Yes, we saw it before it opened. Yes, it was very good.

Press night was early the following week.

I was always partial to a bit of Poliakoff, so this will have felt like a bit of a birthday treat, opening at that time of year.

In fact, we had been due to go to the Proms on my actual birthday that year, but “Proms 7:30” is scribbled out in my diary for the preceding Wednesday. Not sure what went wrong there – probably we simply failed to get tickets (Claudio Abbado & The Berlin Phil doing Brahms – very popular).

But I digress.

Stellar cast for this one – as was the way back then with Poliakoff at the National or the RSC: Douglas Hodge and Frances de la Tour the biggest names; Graham Crowden & Hermione Norris also standout performers. Here is the Theatricalia entry for this production.

This is Lyn Gardner’s review from The Guardian:

Blinded Lyn Gardner GuardianBlinded Lyn Gardner Guardian 04 Sep 1996, Wed The Guardian (London, Greater London, England) Newspapers.com

Here is Michael Coveney’s Observer review:

Blinded Coveney ObserverBlinded Coveney Observer 08 Sep 1996, Sun The Observer (London, Greater London, England) Newspapers.com

Paul Taylor in the Independent also liked it a lot:

Blinded Paul Taylor IndyBlinded Paul Taylor Indy 05 Sep 1996, Thu The Independent (London, Greater London, England) Newspapers.com

The Designated Mourner, Wallace Shawn, Cottesloe Theatre, 1 June 1996

What an amazing piece of theatre this was.  The late great Mike Nichols, better known as a director of course, acted brilliantly, with Miranda Richardson and David de Keyser, all wonderful.

David Hare, better known as a playwright but also a talented director, did a grand job with the piece.

Wallace Shawn, perhaps better known as an actor than as a playwright, although also a very talented playwright, wrote it.  Not his best known; indeed possibly not his best piece, but, an excellent play.

Here is the Theatricalia entry for this play/production.

Despite all that role rotation, it came off superbly well for us.

Janie and I recognised the unmistakable back of Wallace Shawn’s head just in front of us that night.  A few years later, we chatted with Wallace Shawn at the Almeida when he turned up to see Miranda Richardson in Aunt Dan and Lemon; he waxed lyrical about how wonderful he thinks she is, seemed genuinely self-effacing about his writing and genuinely delighted that we had been inspired to seek out his plays by seeing this piece and of course My Dinner With Andre, one of my favourite films ever.

Wikipedia explains the plot – click here.

Bit early in the life of the web for on-line reviews, but I found this rather informative thing – click here.

Michael Billington was very taken with the play and production in the Guardian:

Billington on MournerBillington on Mourner Thu, Apr 25, 1996 – 2 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney seemed less sure but still speaks well of it:

Coveney on MournerCoveney on Mourner Sun, Apr 28, 1996 – 65 · The Observer (London, Greater London, England) · Newspapers.com

We were really taken with it; discussing the issues for the rest of the weekend and beyond.

Stanley by Pam Gems, Cottesloe Theatre, 13 February 1996

My log and indeed my memory is unequivocal about this one:

Quite outstanding. One of the very, very best.

A rare visit to the theatre midweek, I’m guessing that our impending trip to Thailand & Vietnam restricted our choices of dates for this one. Such was our desire to see it, we booked a midweek evening to be sure of seeing the production.

Both Antony Sher and Deborah Warner were superb in their roles, as indeed was the whole supporting cast.

Here is the Theatricalia entry for this play/production.

In truth, Stanley Spencer’s art is not really my bag, but his story is strange and peculiarly touching, certainly as told in this excellent play by Pam Gems.

Strangely, I cannot find a Guardian review for this one, but Michael Simons previewed it:

Michael Simons Previews StanleyMichael Simons Previews Stanley Mon, Jan 22, 1996 – 57 · The Guardian (London, Greater London, England) · Newspapers.com

Paul Taylor gave the play & production rich praise in The Independent.

Michael Coveney in The Observer agreed the play was excellent and enjoyed the production too:

Coveney On StanleyCoveney On Stanley Sun, Feb 4, 1996 – 68 · The Observer (London, Greater London, England) · Newspapers.com

It picked up awards and stuff, did Stanley. But there’s no praise higher than the Ged & Daisy accolade quoted at the top of this piece.

The Recruiting Officer by George Farquhar, Olivier Theatre, 27 June 1992

I have carried a fondness for this play with me for as long as I can remember, despite it not really being my type of play.

Revisiting my first encounter with it for Ogblog, some 25 years later (August 2017) I can understand why. This was one heck of a good production.

The Theatricalia website has recorded all the cast and crew details, mercifully, so I don’t have to – click here – then gasp in awe and wonderment. What a cast, what a production team.

Photostage has some photos, which you can peruse if you wish – here.

All my notes say is that I went with Bobbie Scully and that we thought it was very good.

I remember thinking Ken Stott was superb – I don’t think I had seen him before. It might have been my first encounter with the excellent Alex Jennings. Des Barrit was also a standout performer, as usual. But in truth the whole cast was good and you can see many names on the list who went on to do bigger and bolder things.

There are no on-line reviews to be found – until now – my one right here – yay!

I’m not sure what Bobbie and I did about eating afterwards, but in those days we would sometimes eat at the RNT itself – we might well have done that – or sometimes we’d go to The Archduke or somewhere of that ilk nearby.

 

Below is Michael Coveney’s Observer review:

Coveney on RecruitingCoveney on Recruiting Sun, Mar 15, 1992 – 60 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michael Billington’s review:

Billington on RecruitingBillington on Recruiting Sat, Mar 14, 1992 – 30 · The Guardian (London, Greater London, England) · Newspapers.com

The White Devil by John Webster, Olivier Theatre, 6 July 1991

My log from the time simply says:

Josette Simon was indisposed the night we went, which was a real shame.

I can now exclusively reveal that the understudy we saw instead was Souad Faress. I subsequently did get to see Josette Simon; in The Maids, a few years later. Bobbie might not have been so lucky.

I’m not sure I was wild about the play either. Jacobean tragedies don’t always float my boat and I have a feeling that I sensed that this one wasn’t entirely my cup of tea. The White Devil is heavy on courtly intrigue and light on laughs.

Fine cast as always with a National production, with Eleanor Bron and Denis Quilley as the big draw names along with Josette Simon. Philip Prowse directed. Here is the Theatricalia entry for this production.

Michael Billington was not so keen on this one, claiming that it wasted the actors:

Billington on White DevilBillington on White Devil Thu, Jun 20, 1991 – 23 · The Guardian (London, Greater London, England) · Newspapers.com

Whereas Michael Coveney loved the production:

Coveney on White DevilCoveney on White Devil Sun, Jun 23, 1991 – 61 · The Observer (London, Greater London, England) · Newspapers.com

The Shape Of The Table by David Edgar, Cottesloe Theatre, 10 November 1990

Lots of memories from this one.

It was my “get out of jail” weekend. Michael Durtnall (my chiropractor) had insisted that I “lock down” for a month to enable my back to start healing – otherwise he wouldn’t treat me. More on that elsewhere, but basically this weekend was the end of my confinement and boy did I make the most of it with Bridge on Friday, this theatre visit on Saturday and a wedding on the Sunday.

I am very keen on David Edgar so we (me & Bobbie) will have long before booked to see this just after press night. I was very pleased to have negotiated my way out of lockdown to see this.

All I wrote in my log is:

Very good. Neil Kinnock and his entourage were there the night we went.

At the time Neil Kinnock was leader of the opposition. I don’t know whether he and/or his entourage took notes during this paly, but it was a political drama to be sure.

It is set in an unspecified former communist country that resembles the former Czechoslovakia.

Excellent cast; Karl Johnson, Stratford Johns and Katrin Cartlidge standing out in my mind.

Here is the Theatricalia entry for the production.

Michael Billington spoke highly of it in the Guardian:

Billington on The TableBillington on The Table Sat, Nov 10, 1990 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney in the Observer was also impressed:

Coveney on tableCoveney on table Sun, Nov 11, 1990 – 62 · The Observer (London, Greater London, England) · Newspapers.com

Speed-the-Plow by David Mamet, Lyttelton Theatre, 4 March 1989

I liked this play/production a lot. I don’t think I’d seen Alfred Molina before and was very taken with his acting. Colin Stinton was excellent too, as was Rebecca Pidgeon.

It’s a play about the movie business. As is often the case with Mamet plays about the world of work, Mamet captures the pressure-cooker atmosphere of the work place extremely well – an aspect that is often lacking in plays – perhaps because playwrights haven’t spent much of their lives in the actual hard-nosed world of work.

Theatricalia has an entry for this one – click here.

Wikipedia explains the play’s synopsis and it’s run history. Madonna played the female lead in the original Broadway production just a few months before this National production – who knew?

There are some #MeToo elements to this play that, obviously, weren’t perceived as #MeToo at the time because #MeToo hadn’t been invented – although movie business males belittling movie business females had been invented.

Below is Michael Ratcliffe’s Observer review:

Ratcliffe on PlowRatcliffe on Plow Sun, Jan 29, 1989 – 45 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michael Billington’s Guardian review:

Billington on PlowBillington on Plow Thu, Jan 26, 1989 – 24 · The Guardian (London, Greater London, England) · Newspapers.com

Anyway, point is, this was an excellent Saturday evening of theatre with Bobbie…

…by which I mean Bobbie Scully, not Bobby Gould, the lead character in the play…

…well, actually an excellent Saturday evening with both Bobbies, now I come to think of it.

The Secret Rapture by David Hare, Lyttelton Theatre, 11 February 1989

Superb cast and crew, as listed on Theatricalia – click here.

No on-line reviews of the late 1980’s production we saw, of course, but here is a Michael Billington job on a revival some 15 years later.

Below is a clipping of Michael Billington’s review of the original production we saw:

Billington on Secret RaptureBillington on Secret Rapture Thu, Oct 6, 1988 – 25 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review:

Ratcliffe on RaptureRatcliffe on Rapture Sun, Oct 9, 1988 – 43 · The Observer (London, Greater London, England) · Newspapers.com

David Hare plays have a tendency to irritate me, especially those plays that seem to come at moral and/or political issues with some preachy certainty – even if I agree with Hare’s position, which often I do.

I recall The Secret Rapture having enough moral dilemma and ambiguity about Thatcherism to keep the thought and concentration going throughout the play and for some time afterwards too.

A synopsis can be found by clicking here.

They made a movie of this play a few years later…mostly different cast…

…I don’t really recognise the play I saw from this trailer at all:

In short, I remember thinking the play/production that we saw was very good. I went with Bobbie.

I’m not sure what we did afterwards; perhaps we ate out or perhaps I prepared some food for afterwards, as I was in the mode to do that in those early days at Clanricarde Gardens.

Mrs Klein by Nicholas Wright, Cottesloe Theatre, Followed By Dinner at RSJ, 19 November 1988

The diary is quite clear about this one:

I rated the play/production very good indeed at the time. I am pretty sure that Bobbie rated this highly too.

Here is a link to the Theatricalia entry for this production. Some cast: Gillian Barge, Francesca Annis and Zoe Wanamaker. Peter Gill directed.

There is a page about this production on Zoe Wanamaker’s website – here.

Below is Michael Billington’s Guardian review:

Billington on Mrs KleinBillington on Mrs Klein Fri, Aug 12, 1988 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael ratcliffe’s Observer review:

Ratcliffe on Mrs KleinRatcliffe on Mrs Klein Sun, Aug 14, 1988 – 37 · The Observer (London, Greater London, England) · Newspapers.com

More than 20 years later, Janie and I went to see the revival of this play at the Almeida – which I also rated highly:

Mrs Klein by Nicholas Wright, Almeida Theatre, 24 October 2009

Bobbie and I went to RSJ’s after seeing the 1988 production. RSJ was one of our favourite places back then. I recall Janie liking that place too. It is still there in 2018 but apparently with a different formula.

That was a top notch evening back in November 1988.

Cat On A Hot Tin Roof by Tennessee Williams, Lyttelton Theatre, 12 March 1988

Bobbie and I were on a bit of a roll, theatre-wise, at the start of that year, seeing some great productions. This was certainly one of them.

Lindsay Duncan was a most memorable Maggie The Cat and Ian Charleson was superb as Brick; tragically Charleson died just a couple of years after this production. The cast also included Eric Porter, Alison Steadman, Henry Goodman…plus many other fine performers. Howard Davies directed.

Here is the Theatricalia entry for the production.

The Lyttelton is not my favourite place for this sort of play, but somehow this one seemed to work in that space. I seem to recall it received superb notices and for good reason.

Michael Billington loved this production – his review clipped below:

Billington On CatBillington On Cat Fri, Feb 5, 1988 – 18 · The Guardian (London, Greater London, England) · Newspapers.com

Clearly Michael Ratcliffe liked it too:

Michael Ratcliffe On CatMichael Ratcliffe On Cat Sun, Feb 7, 1988 – 26 · The Observer (London, Greater London, England) · Newspapers.com

There’s little on-line about this particular production, given its antiquity, but if you have no idea even what the piece looks/feels like, here is a clip of Paul Newman and Elisabeth Taylor from the 1950’s film version:

…while the following clip is from a subsequent National theatre production of Cat:

https://youtu.be/GobBM0Tt0j4

Anyway, the Lindsay Duncan & Ian Charleson version will live long in my memory. Bobbie’s too, I’ll guess. I’d better ask her.