Tag: George Ellerington

The Secret Rapture by David Hare, Lyttelton Theatre, 11 February 1989

Superb cast and crew, as listed on Theatricalia – click here.

No on-line reviews of the late 1980’s production we saw, of course, but here is a Michael Billington job on a revival some 15 years later.

Below is a clipping of Michael Billington’s review of the original production we saw:

Billington on Secret RaptureBillington on Secret Rapture Thu, Oct 6, 1988 – 25 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review:

Ratcliffe on RaptureRatcliffe on Rapture Sun, Oct 9, 1988 – 43 · The Observer (London, Greater London, England) · Newspapers.com

David Hare plays have a tendency to irritate me, especially those plays that seem to come at moral and/or political issues with some preachy certainty – even if I agree with Hare’s position, which often I do.

I recall The Secret Rapture having enough moral dilemma and ambiguity about Thatcherism to keep the thought and concentration going throughout the play and for some time afterwards too.

A synopsis can be found by clicking here.

They made a movie of this play a few years later…mostly different cast…

…I don’t really recognise the play I saw from this trailer at all:

In short, I remember thinking the play/production that we saw was very good. I went with Bobbie.

I’m not sure what we did afterwards; perhaps we ate out or perhaps I prepared some food for afterwards, as I was in the mode to do that in those early days at Clanricarde Gardens.

Tis Pity She’s A Whore by John Ford, Olivier Theatre, 16 April 1988

A superb run of seeing amazing productions started to break down just a little with this one.

Again a Saturday evening, again with Bobbie. My log says the production was good. It also says:

Suzan Sylvester was indisposed that day, so we saw Michelle Evans understudy the lead

Tis pity that, as I think Suzan Sylvester must have been a very good Annabella opposite Rupert Graves as Giovanni. I do remember Bobbie and I feeling that the understudy did well, though.

My friend Michael Simkins was also in it, as Soranzo. Coincidental at the time of writing, in early 2019, as we saw Michael at the Hampstead Downstairs just a couple of weeks ago:

Eden by Hannah Patterson, Hampstead Theatre Downstairs, 16 February 2019

Here is the Theatricalia entry for this production.

Alan Ayckbourn directed the production – there is some additional information about it on his site – click here.

It’s not a happy story and matters unsurprisingly…spoiler alert…do not end well for the protagonists. The Wikipedia entry gives a good synopsis.

In those days I think we were quite partial to some Jacobean blood and gore. It’s only latterly that I’ve gone all snowflake.

Below is Michael Radcliffe’s review from The Observer:

Tis Pity RadcliffeTis Pity Radcliffe Sun, Mar 6, 1988 – 40 · The Observer (London, Greater London, England) · Newspapers.com

Michael Billington in The Guardian found this production “too tasteful”:

Tis Pity BillimgtonTis Pity Billimgton Sat, Mar 5, 1988 – 16 · The Guardian (London, Greater London, England) · Newspapers.com

Pravda by Howard Brenton & David Hare, Olivier Theatre, 28 February 1986

Bobbie & I caught this one just before it came off and I am so glad we did. I sense that it was Bobbie’s barrister crowd – she was still doing her pupillage at that time, who had persuaded her (and me through Bobbie) that you HAD to see this play before it comes off.

The last Friday evening – probably all that was available that last weekend of the run.

Gosh this play and production was good.

Here is the Theatricalia entry for this production.

Anthony Hopkins was predictably strong as the barely disguised Rupert Murdoch-type figure, Lambert Le Roux. Ah, South African, not Australian, so couldn’t possibly be about Murdoch, m’Lud.

Super supporting cast too: probably my first sighting of a young Bill Nighy, plus Tim McInnerny, Kate Buffery, Peter Blyth…

Milton Shulman enjoyed the fun but didn’t much like the play in The Standard:

Pravda Shulman Standard Pravda Shulman Standard 3 May 1985 Evening Standard (London, Greater London, England) Newspapers.com

Similarly, John Barber in The Telegraph thought the play should have focussed a bit more on the ethics and a bit less on the boistrous fun:

Pravda Barber Telegraph Pravda Barber Telegraph 3 May 1985 The Daily Telegraph (London, Greater London, England) Newspapers.com

Even Michael Billington sort-of agrees – the play offers little insight into what might be a more ethical Fleet Street – but still the play/production was highly entertaining:

Pravda Billington Gradian Pravda Billington Gradian 3 May 1985 The Guardian (London, Greater London, England) Newspapers.com

Heck, we were kids. (Early 20s). We loved it. I remember that evening at the theatre fondly.

According to my diary, Bobbie and I went on for a “Turkish meal after, very nice”. I suspect that must have been Capital Kebab House, which was pretty much the only Turkish show in that part of town in those days. Astonishingly, that place is still there, decades later, in The Cut. I must try it again some time.