We Had A World by Joshua Harmon, Hampstead Theatre Downstairs, 13 June 2026

Excellent play and production, not very accurately described in the blurb!

Janie and I were both really taken with this play/production. In some ways, not really our type of play. Indeed, had the Hampstead blurb for this production described the play more accurately, we might have chosen not to go, on the basis…

haven’t we seen enough of these Jewish families with grudges plays?…can get all that at home…not another narrator looking back at his family upbringing play…

…which would have been a terrible shame, because this one really is excellent, both as a play and a production. Well drawn characters – you end up caring about all of them – even the old dragon of an alcoholic, mischief-making grandmother.

Suzanne Bertish, Anna Francolini and Ryan Kopel all put in superb performances, ably directed by Josh Seymour.

The house was not full on the Saturday evening we attended. Perhaps the blurb, which made us imagine that the play was about modern art, attracted a smaller audience than a more accurate blurb might have done.

Who knows? In any case, it still has a couple of weeks to run at the time of writing and we would recommend this highly if there are still some tickets available when you read this.

I haven’t yet studied the formal reviews – click here for them – but sense that they, like us, were impressed.

The Billionaire Inside Your Head by Will Lord, Hampstead Theatre Downstairs, 20 September 2025

This was a really interesting and enjoyable evening at the theatre. We saw the second preview, so you might be reading this ahead of formal press night.

Janie and I highly recommend this play/production.

We are big fans of the Hampstead Downstairs, which rarely disappoints us.

There seems to be something about Anna Ledwich’s work as a director (which we have seen several times), when she works with Allison McKenzie, that attracts quirky people to sit next to us:

Differently quirky people this time – no drink spillage but very interesting chat before the show…unfortunately they were a pair who like to chat to each other during a show as well, but never mind.

Meanwhile Allison McKenzie as Voice/Nicole opened the piece by talking at us, the audience…and then did so again a few times during the play. Be prepared to be challenged in more ways than one!

The play is about OCDs and the voices/compulsive thoughts that some people have in their heads constantly. The character Nicole is the personification of that voice to Richie, Nathan Clarke’s character. He and Ashley Margolis, as Nicole’s son and the OCD-challenged young man’s hapless yet caring friend, riffed off each other extremely well. All three performers were excellent.

As is so often the case at the Hampstead Downstairs, the design team somehow manages to get a lot of theatre out of a small space through ingenuity and some pretty impressive choreographed movements by the performers.

Enough of me prattling on. If you haven’t booked it yet, Janie and I suggest that you book it before it sold out. Read all about it here.

And if you are one of the people who was lucky enough to be in the audience on Saturday and you work out who I am, you might, if superstitious, be relieved to know that I am writing this on the Monday after, so I didn’t die the day after we saw the show. No fictional voice in the head bullies me!

See the show. We’re not kidding!