Tag: Carl Root

Blue Remembered Hills by Dennis Potter, Lyttelton Theatre, 25 May 1996

I’ve long been partial to a bit of Potter, as has Daisy.

I had seen the original TV film of this one and to some extent had my doubts about it, as I have never much enjoyed the conceit of adult actors playing the role of children.

Still, the chance to see a National production of a Potter won the day. Many members of this fine cast went on to bigger and bolder things. Steve Coogan, Nigel Lindsay, Debra Gillett, Geraldine Somerville. Patrick Marber directed it.

The Theatricalia entry for this play/production can be found here.

Michael Coveney in The Observer hated it:

Coveney on HillsCoveney on Hills Sun, May 5, 1996 – 65 · The Observer (London, Greater London, England) · Newspapers.com

Whereas Michael Billington wrote highly of it, finding it more translatable from screen to stage than most Potter and describing it as “Potter at his best”:

Billington on HillsBillington on Hills Sat, May 4, 1996 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

We were both ambivalent about it. It was clearly a fine production. It pleased me more than the TV version. But that “adults playing children” thing still didn’t really work for me.

Below is an excerpt from the original 1979 TV film:

Blue Remembered Hills _ Scene 1+2 from rob blake on Vimeo.

Mary Stuart by Friedrich von Schiller, Lyttelton Theatre, 20 April 1996

Frankly, Janie and I were not too much taken with this one. And how were we to know that, 10 years later, Anna Massey would become one of Janie’s regular clients? And that more than 20 years later both of us would have a go on Mary Stuart’s tennis court at Falkland Palace, which remarkably still plays?

Edinburgh Day Five: Falkland Palace Gardens And Tennis, 21 August 2018

But I digress.

A fine cast, not only Anna Massey but Isabelle Huppert, Tim Pigott-Smith and a fine collection of RNT regulars, directed by Howard Davies. The Theatricalia entry for this production can be found here.

It just didn’t really float our boat.

What did the critics make of it, I hear you cry?

Michael Billington described it as “far from perfect” but commendable. I’d go with that:

Billington on Mary StuartBillington on Mary Stuart Fri, Mar 22, 1996 – 2 · The Guardian (London, Greater London, England) · Newspapers.com

Paul Taylor in The Independent described it as a “far from unrewarding evening” – I can go with that too.

Michael Coveney, on the other hand, was absolutely taken with it:

Coveney on Mary StuartCoveney on Mary Stuart Sun, Mar 24, 1996 – 71 · The Observer (London, Greater London, England) · Newspapers.com

Rosencrantz & Guildenstern Are Dead by Tom Stoppard, Lyttelton Theatre, 30 December 1995

I liked this more than Janie did. I thought it was a very good production and I have long had an affection for the play.

Janie sees this as an example of Tom Stoppard being “a bit too clever for his own good”, a view I can understand but with which I don’t agree. Let’s just say that Janie does not remember this fondly.

Amazing cast, with Adrian Scarborough & Simon Russell Beale in the eponymous roles. Here is the Theatricalia entry for this one.

Michael Billinton is with Janie on the play and with me on the production:

Billington on RosencrantzBillington on Rosencrantz Sat, Dec 16, 1995 – 27 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney strangely liked the play but not so much the production.

Sun, Dec 17, 1995 – 60 · The Observer (London, Greater London, England) · Newspapers.com

La Grande Magia by Eduardo De Filippo, Lyttelton Theatre, 19 August 1995

Good. Had its moments.

That was the record in the log and that is faint praise. A superb cast including Alan Howard, Bernard Cribbins and Anne-Marie Duff . Richard Eyre directing. What’s not to like?

Here is the Theatricalia entry.

I think the play seemed a bit dated and cheesy to us.

Michael Billington loved it.

Billington on MagiaBillington on Magia Sat, Jul 15, 1995 – 28 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney also loved it. We must have been missing something.

Coveney on MagiaCoveney on Magia Sun, Jul 16, 1995 – 77 · The Observer (London, Greater London, England) · Newspapers.com

What the Butler Saw by Joe Orton, Lyttelton Theatre, 27 May 1995

I rated this “good” but frankly I rated it higher than Janie did. I have always been partial to a bit of Joe Orton, while Janie finds the farce element of Orton’s plays not to her taste.

This production pushed my Orton boundaries somewhat as Phyllida Lloyd certainly accentuated the farce aspect.

Still, it was a fabulous cast, with John Alderton, Nicola Pagett, Debra Gillett, David Tennant and Richard Wilson to name but five. Here is the Theatricalia entry for this production.

Michael Billington really liked it:

Billington on What the ButlerBillington on What the Butler Sat, Mar 4, 1995 – 28 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney also liked it:

Coveney on What the ButlerCoveney on What the Butler Sun, Mar 5, 1995 – 79 · The Observer (London, Greater London, England) · Newspapers.com

The Children’s Hour by Lillian Hellman, Lyttelton Theatre, 24 September 1994

Some rare long intervals between visits to theatre and concert hall that summer, all down to the dawning of my business Z/Yen, which took up ludicrous amounts of time including weekends.

So this was our first arty-evening since Arthur Miller’s Broken Glass at the same venue some six week’s before.

Broken Glass by Arthur Miller, Lyttelton Theatre, 13 August 1994

The Children’s Hour is a great play – Wikipedia describes it here.

The Lyttelton production we saw was very good. Super cast including Harriet Walter and Clare Higgins. Howard Davies directed it. Theatricalia sets out the cast and crew here.

No on-line reviews for the 1994 production that we saw…

…except I now have the odd clipping:

Billington On The Children's HourBillington On The Children’s Hour Sat, Sep 24, 1994 – 30 · The Guardian (London, Greater London, England) · Newspapers.com

…and this one from Michael Coveney:

Coveney On The Children's HourCoveney On The Children’s Hour Sun, Sep 25, 1994 – 81 · The Observer (London, Greater London, England) · Newspapers.com

But anyway you can take our word for it that this was a very good production.

Broken Glass by Arthur Miller, Lyttelton Theatre, 13 August 1994

The play is well described on Wikipedia here. We saw the UK premier at the RNT.

What a cast; Henry Goodman, Margot Leicester, Ken Stott…David Thacker directed it. Theatricalia has this record for the play/production we saw – click here.

Janie and I rated it “very good indeed” at the time. I do recall it being a very interesting play and the RNT production was top notch, as RNT productions were wont to be at that time.

Here is a link to a review of the original New York production of this play, a few months before the RNT production.

Here’s Michael Billington’s review:

Billington On Broken GlassBillington On Broken Glass Sat, Aug 6, 1994 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney hated it:

Coveney On Broken GlassCoveney On Broken Glass Sun, Aug 7, 1994 – 68 · The Observer (London, Greater London, England) · Newspapers.com

Lots of Olivier Awards for the RNT production, including BBC Best Play Award.

The Birthday Party by Harold Pinter, Lyttelton Theatre, 25 June 1994

We do like a bit of Pinter. I was especially keen to see this one. I’d never seen the play performed live; this 1994 production was the first London production since the West End production in the 1960s. But I had seen the wonderful 1980s TV version with Pinter himself as Goldberg.

I’d also previously seen excerpts from the play performed live; not least by my own school mates in the late 1970’s when Dan O’Neill was selected for the role of Goldberg ahead of me because he could do a much better Goldberg accent than me. I don’t bear grudges but I do retain a sense of unjust cultural appropriation to this day, not least because I still cannot do a Goldberg-style accent. I played Aston in The Caretaker instead, but I digress.

Here is the Theatricalia entry for the version Janie and I saw in June 1994. My log says we thought it was very good. A young, then little-known Sam Mendes directed it. Bob Peck was Goldberg, Anton Lesser was Stanley. Dora Bryan and Trevor Peacock were Meg and Petey.

Here is a contemporaneous review from Irving Wardle in the Independent in 1994.

Below is the Michael Billington review:

Billington On The Birthday PartyBillington On The Birthday Party Sat, Mar 19, 1994 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Here is Michael Coveney’s review:

Coveney On the Birthday PartyCoveney On the Birthday Party Sun, Mar 20, 1994 – 85 · The Observer (London, Greater London, England) · Newspapers.com

In truth, my memory for this play remains full of the wonderful BBC TV production from the 1980s…

…and Dan O’Neill’s Goldberg at school of course.

Les Parents Terribles by Jean Cocteau, Lyttelton Theatre, 4 June 1994

In theory this National theatre production should have been amazing. Alan Howard, Frances de la Tour, Sheila Gish, a young as yet little known Jude Law…

…but my log reads, “not bad. Not the greatest either”. That means we didn’t like it all that much.

Here is the Theatricalia entry for this production.

I think it was a little farce-like for our taste.

I cannot find any contemporaneous reviews for this one, so my vague memory will have to do…

..except that I do now have at least this Michael Billington clipping:

Billington On Les ParentsBillington On Les Parents Sat, May 7, 1994 – 28 · The Guardian (London, Greater London, England) · Newspapers.com

…and this Michael Coveney clipping…

Coveney On Les ParentsCoveney On Les Parents Sun, May 8, 1994 – 71 · The Observer (London, Greater London, England) · Newspapers.com

Our indifference to this production did not stop it from getting a West End transfer, nor did it stop Jude Law from winning “Outstanding Newcomer” awards for his performance, making this production seminal for him, if not necessarily all that special for us.

Arcadia by Tom Stoppard, Lyttelton Theatre, 17 April 1993

I liked this play and production far more than Janie did. Where I liked the intellectual aspects of the content, Janie found them pretentious and at times confusing.

Wikipedia gives a decent synopsis of the play – here.

Janie has never much liked plays that jump backwards and forwards in time, although, coincidentally, we saw Emma Fielding in a similarly time-shifting play recently (autumn 2019) which Janie really liked.

Michael Coveney revewed it the day after we saw it:

Sun, Apr 18, 1993 – 57 · The Observer (London, Greater London, England) · Newspapers.com

I think that’s one-nil to Janie in the “confusing rather than clever” stakes.

Michael Billington liked it more, I think:

Wed, Apr 14, 1993 – 26 · The Guardian (London, Greater London, England) · Newspapers.com