Othello by William Shakespeare, Cottesloe Theatre, 2 August 1997

I don’t think Othello & I get on.

I was underwhelmed when I saw this play for the first time, with Bobbie, in 1989.

Again, this time with Janie, we saw a stellar cast and the work of a fine director (Sam Mendes rather than Trevor Nunn).

My log says:

Sadly, Janie hated it and I had pulled my neck, so we bowed out gracefully at half time. (Well, Janie bowed, I couldn’t bow of course).

My neck condition was doubtless not improved by Janie’s manifest disquiet and the length of the play. Perhaps I had overdone it the previous weekend at Andrea’s BBQ party on the Saturday and Kim & Micky’s evening do the next day.

Apologies to the fine cast who had to do without us for the second half of that evening; Simon Russell Beale, David Harewood & Claire Skinner leading the pack. Trevor Peacock, Colin Tierney, Indira Varma and others supporting well no doubt. It’s either me, or the play, or me & the play…it’s not you, loves. The Theatricalia entry gives you chapter and verse on the cast and crew.

There was a hoo-ha in the press that summer about whether or not Othello could or should be played by a white actor. Having seen Willard White in 1989 and David Harewood in 1997, I was not really party to the phenomenon that Othello is usually played by a white actor and that the play is increasingly rarely performed because some people are uncomfortable about skin colour with regard to that part.

Janie and I saw a preview long before the press night of this production – indeed before most of that press hoo-ha kicked off, which made the hoo-ha seem even more weird to us.

Anyway, Charles Spencer seemed very impressed with the production once press night came around:

Othello Spencer TelegraphOthello Spencer Telegraph 18 Sep 1997, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

Nicholas de Jongh seemed to quite like it in The Standard

Othello de Jongh StandardOthello de Jongh Standard 17 Sep 1997, Wed Evening Standard (London, Greater London, England) Newspapers.com

Our friend Michael Billington found it “brilliant” in the Guardian:

Othello Billington GuardianOthello Billington Guardian 18 Sep 1997, Thu The Guardian (London, Greater London, England) Newspapers.com

I am happy to concede that the critics were right and/but this simply isn’t a play for Janie and probably (even though i am far more partial to Shakespeare than she) not for me either. A pain in the neck is how I remember it.

Arcadia by Tom Stoppard, Lyttelton Theatre, 17 April 1993

I liked this play and production far more than Janie did. Where I liked the intellectual aspects of the content, Janie found them pretentious and at times confusing.

Wikipedia gives a decent synopsis of the play – here.

Janie has never much liked plays that jump backwards and forwards in time, although, coincidentally, we saw Emma Fielding in a similarly time-shifting play recently (autumn 2019) which Janie really liked.

Michael Coveney revewed it the day after we saw it:

Sun, Apr 18, 1993 – 57 · The Observer (London, Greater London, England) · Newspapers.com

I think that’s one-nil to Janie in the “confusing rather than clever” stakes.

Michael Billington liked it more, I think:

Wed, Apr 14, 1993 – 26 · The Guardian (London, Greater London, England) · Newspapers.com