Tag: Cottesloe Theatre

The Voysey Inheritance by Harley Granville-Barker, Cottesloe Theatre, 1 July 1989

I noted that this was a very good production and I’m sure that was true. Richard Eyre in charge of an infeasibly good cast in that intimate little Cottesloe Theatre.

Here is the Theatricalia entry for the production with so many top notch theatrical names on the list…

…David Burke, Michael Bryant, Jeremy Northam, Graham Crowden, Sarah Winman, Stella Gonet, Selina Cadell, Suzanne Burden, Wendy Nottingham… it was difficult to work out which names from the cast list to leave out from this highlights version of the list.

In truth I don’t think Granville-Barker is really for me. I find his plays stylised and very Edwardian – which is, after all, what they are.

This one is at least replete with interesting moral dilemmas but in truth it’s not Ibsen.

But I do recall really enjoying this particular evening in the theatre and I suspect that this is the best Granville-Barker experience I have ever had and ever will.

Below is Michael Billington’s Guardian review:

Billington on VoyseyBillington on Voysey Thu, Jun 29, 1989 – 24 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Kate Kellaway’s Observer review:

Kellaway on VoyseyKellaway on Voysey Sun, Jul 2, 1989 – 41 · The Observer (London, Greater London, England) · Newspapers.com

I don’t recall exactly what Bobbie thought of it but I think she, like me, was much taken with the production. I also don’t recall what we did (i.e. where we ate) afterwards. Bobbie might just remember.

Roots by Arnold Wesker, Cottesloe Theatre, 22 April 1989

My log suggests that we thought this production was good. I’m not a huge fan of Wesker’s plays; in fact this one sticks in my memory as probably the most interesting of all those I have seen and read.

Here is the Wikipedia entry for the play.

Here is the Theatricalia entry for the production Bobbie and I saw at the Cottesloe.

Good cast – Maria Miles as Beatie and Caroline Quentin as Jenny.

This sort of play works really well in a small house like the Cottesloe; I remember the production having a very intimate feel.

Bobbie might remember even more about it.

Below is Nicholas de Jongh’s Guardian review:

de Jongh on Rootsde Jongh on Roots Wed, Feb 8, 1989 – 46 · The Guardian (London, Greater London, England) · Newspapers.com

A Busy Weekend Socialising, Hoity-Toitying At The National Theatre And Setting Up My New Flat, 25 to 27 November 1988

Celebrated clinching the deal for the flat with Bobbie on the Friday evening, starting with an early evening visit to the National Theatre to see a platform talk about Kenneth Tynan. I think those Platform things were a new idea that autumn…an idea that is now more than 30 years old. Our first one had been Tony Sher some weeks earlier.

This Kenneth Tynan one was in the Cottesloe and was a really interesting, varied panel: Adrian Mitchell, Jonathan Miller, Edward Petherbridge, Kathleen Tynan and Irving Wardle.

As the diary says (if you can read it) we went on to the Archduke afterwards for dinner.

On the Saturday I collected the keys to Clanricarde Gardens and did some shopping. I remember spending more than a few bob in Tylers (which was up on Westbourne Grove back then) – I probably still have one or two of the items I bought that day – I’m pretty sure I am still on my first clothes horse, for example.

I also bought food for the Sunday, but the crowd that visited that day – John, Mandy, Ali Dabbs, Valerie and Bobbie would all have traipsed to Woodfield Avenue for that meal – I must have shlepped the grub from Notting Hill to Streatham Hill on the Saturday evening – the new flat was not yet fit for habitation.

What did I cook that day? Can’t remember. Bound to have been Chinese and/or South-East Asian food though…just possibly Southern Asian for that crowd. It would have been good, whatever it was, though I say so myself. I must have been knackered by the Sunday, though. What a week it had been.

Mrs Klein by Nicholas Wright, Cottesloe Theatre, Followed By Dinner at RSJ, 19 November 1988

The diary is quite clear about this one:

I rated the play/production very good indeed at the time. I am pretty sure that Bobbie rated this highly too.

Here is a link to the Theatricalia entry for this production. Some cast: Gillian Barge, Francesca Annis and Zoe Wanamaker. Peter Gill directed.

There is a page about this production on Zoe Wanamaker’s website – here.

Below is Michael Billington’s Guardian review:

Billington on Mrs KleinBillington on Mrs Klein Fri, Aug 12, 1988 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael ratcliffe’s Observer review:

Ratcliffe on Mrs KleinRatcliffe on Mrs Klein Sun, Aug 14, 1988 – 37 · The Observer (London, Greater London, England) · Newspapers.com

More than 20 years later, Janie and I went to see the revival of this play at the Almeida – which I also rated highly:

Mrs Klein by Nicholas Wright, Almeida Theatre, 24 October 2009

Bobbie and I went to RSJ’s after seeing the 1988 production. RSJ was one of our favourite places back then. I recall Janie liking that place too. It is still there in 2018 but apparently with a different formula.

That was a top notch evening back in November 1988.

The Father by August Strindberg, Cottesloe Theatre, 15 October 1988

Oh I do love a bit of Strindberg and this was an especially memorable production of one of Strindberg’s best plays. Not familiar with the play? – Wikipedia can help – click here.

A Saturday evening with Bobbie at the National.

I rated this one “very good indeed” in my log.

We saw a preview of this one. The press night is listed some 10 days after our preview, so we must have seen one of the first previews.

A fine cast – set out in Theatricalia.com if you click here. Alun Armstrong as The Captain. The late lamented Susan Fleetwood as Laura.

At the time of writing, strangely, I have recently seen Alun Armstrong again, I think for the first time in those 30 years, in The Cane at the Royal Court:

The Cane by Mark Ravenhill, Royal Court Theatre, 8 December 2018

But returning to the Father I remember the production and Armstrong’s performance clearly – both really were memorably good.

Below is Michael Billington’s Guardian review:

Billington on The FatherBillington on The Father Fri, Oct 28, 1988 – 35 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review:

Michael ratcliffe on The FatherMichael ratcliffe on The Father Sun, Nov 6, 1988 – 43 · The Observer (London, Greater London, England) · Newspapers.com

The Tempest by William Shakespeare, Cottesloe Theatre, 23 July 1988

This was a very good production of The Tempest at the National Theatre. Peter Hall directed it. Superb cast.

Here is the Theatricalia entry for this production.

Below is Michael Billington’s Guardian review of the Tempest

Billington On The TempestBillington On The Tempest Sat, May 21, 1988 – 17 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review of the Tempest and Cybeline:

Ratcliffe on Tempest & CybelineRatcliffe on Tempest & Cybeline Sun, May 22, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

It was part of repertory trio of productions of late Shakespeare plays, of which we also saw Cybeline a few months later:

Cymbeline by William Shakespeare, Olivier Theatre, With Bobbie, 15 November 1988

I rated this production very good. I think we benefited from seeing The Tempest in the intimate environment of the Cottesloe – certainly when compared with Cybeline at the Olivier.

Not sure what we did afterwards – the diary might have some info on that, which I shall add in the fullness of time if it does.

A Place With The Pigs by Athol Fugard, Cottesloe Theatre, 20 February 1988

I rated this play/production superb in my log – I remember it well and fondly.

Jim Broadbent and Linda Bassett were both outstanding – I think this might have been the first time I saw either of them in the theatre and it was, I think, my first experience of seeing an Athol Fugard play performed. If so, it was the first of many in all three cases.

Here is a link to the Theatricalia entry for this play/production.

No on-line reviews of the production we saw, of course, but there is an almost contemporaneous one from the Yale Rep in 1987, which you can read transcribed here.

Michael Billington didn’t much like it – below is his review clipped:

Billington On PigsBillington On Pigs Thu, Feb 18, 1988 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Ratcliffe didn’t much like it either – pearls before swine this play/production – Ratcliffe’s review clipped below

Ratcliffe On PigsRatcliffe On Pigs Sun, Feb 21, 1988 – 24 · The Observer (London, Greater London, England) · Newspapers.com

The play is about a Russian soldier hiding in a pig sty for many years after the war and possible recriminations for his desertion are over. No doubt it is meant to be a parable with relevance to the Afrikaner position in South Africa.

Frankly, I found it hard to engage too deeply with the parable at the time, but did think it was an interesting and entertaining play, especially in the hands of the talented cast.

Unusually for productions that please me so much, Fugard himself directed this one – I’m not keen on the idea of playwrights directing their own work and usually detect some untrammelled egotism in such productions, but I think Fugard might be an exception to the “don’t direct your own plays” rule of thumb.

Did Bobbie enjoy this one as much as I did? I think so, at the time, but whether it stuck so long in her memory as it did mine is a question I’ll have to ask her.