Wachet Auf: The King’s Consort At The Wigmore Hall, 9 December 1999

“Wachet Auf” means “Wake Up!”, which was possibly an early call for wokery back in the Baroque period…or possibly not. In any case, I wouldn’t recommend English speakers barking this German language expletive after a couple of G&Ts – it might be misunderstood.

We rated this gig “very good”. Some lesser known works by Bach’s lesser known contemporaries, sandwiched between a bit of Telemann and a bit of Bach:

  • Ouverture “Perpetuum Mobile”, Georg Philipp Telemann
  • Balletti Lamentabili a 4, Heinrich Ignaz Franz von Biber
  • O Heilige Zeit, Johann Kuhnau
  • Sinfonia No 2 in C Minor, Johann Ludwig Krebs
  • Wachet Auf, Ruft Uns die Strimme Cantata BWV 140, Johann Sebastian Bach

Here is O Heilige Zeit performed by Solomon’s Knot:

Here is the Krebs Sinfonia, performed by Capella jenensis:

Here is a recording of Wachet Auf by the Amsterdam Baroque Orchestra under Ton Koopman…

…whom we saw 25 years later performing Telemann sonatas and Tafelmusik at The Wig:

Wigmore Hall Concert With Sonnerie, 23 September 1999

Excellent concert, this. Sonnerie was a superb but fluid ensemble, led by the indomitable Monica Huggett.

On this occasion they comprised Monica Huggett, Gary Cooper, Wilbert Hazelzet, Pamela Thorby, Catherine Latham, Katherine McGillivray, Catherine Martin, Emilia Benjamin, Alison McGillivray and Sarah Groser.

Here is the playlist from the gig:

  • Jean-Philippe Rameau – Pieces de clavecin en concerts No 3 in A major
  • Georg Philipp Telemann – Concerto for Flute, Oboe d’amore, Viola d’amore, Strings and Continuo in E major
  • Antonio Lucio Vivaldi – Concerto for Violin, Strings and Continuo in D major (“Il Grosso Mogul”) RV208
  • Georg Philipp Telemann – Concerto for Flute, recorder, Strings and Continuo in E minor
  • Johann Sebastian Bach – Sonata No 1 for Violin and Harpsicord in B minor BWV 1014
  • Johann Sebastian Bach – Concerto for Harpsicord, 2 Recorders, Strings and Continuo in F major BWV 1057

Here is a clip from an earlier but lovely recording of the E major Telemann piece, which includes Monica Huggett with the Academy of Ancient Music

While here is a lovely video of Ensemble Odyssee playing the Bach concerto we heard that evening:

We both went straight from work and both had early starts the next morning, so I guess we supped light at Sandall Close after the gig.

Kontrabande At The Wigmore Hall, 6 January 1999

25 years ago, Janie and I decided to party like it’s 1999 at the start of 1999. What better to do that than a concert of baroque music at The Wigmore Hall.

These are the pieces we heard/saw:

  • Cantata “Cessate Omai Cessate”, Antonio Lucio Vivaldi
  • Sinfonia to Cantata BWV 49, Johann Sebastian Bach
  • Concerto for Oboe d’Amore BWV 1055 (also transcribed Harpsicord), Johann Sebastian Bach
  • Cantata BWV 82 “Ich Habe Genug”, Johann Sebastian Bach
  • Concerto for Viola da Gamba and Recorder in A Minor, Georg Philipp Telemann
  • Cantata BWV 170 “Vergnugte Ruh”, Johann Sebastian Bach.

The Standard previewed the concert thusly:

Standard Kontrabande 6 Jan 1999Standard Kontrabande 6 Jan 1999 06 Jan 1999, Wed Evening Standard (London, Greater London, England) Newspapers.com

Perhaps there was a change of programme or perhaps my notes missed out the Handel by mistake. I’ll check back to the programme when next I can face the thought of an archaeological dig into my programme collection.

For sure we saw the small chamber ensemble, Kontrabande, with Charles Humphries doing the counter-tenor bit and Clare Salaman on the baroque violin. Sadly, I learn that Clare, who was an expert on strange and ancient instruments, didn’t make it to the 25th anniversary of this Kontrabande concert.

Here’s a video of Clare playing a strange and ancient instrument – the nyckelharpa – I don’t believe I have ever seen this instrument played live:

Here is an audio YouTube of Charles Humphries singing one of the Bach arias we heard, vergnugte Ruh, accompanied by Kontrabande:

While here is the Bremer Baroque Orchestra (similar scale to Kontrabande if I remember correctly) playing the very Telemann concerto we heard back then: