We’d made a bit of a tradition of going to the new years eve concert at the Wigmore Hall and see in the new year quietly at the flat if we liked the look of the concert. We certainly liked the look of this one when we booked it, many months before.
Between us booking it and the concert date, Robert King of the eponymous King’s Consort was jailed for indecent assault. Unaccustomed as we were to such occurrences in our favourite baroque ensembles, we wondered what might happen to our concert. It turned out that Matthew Halls, the harpsichordist, took over as the director temporarily and would lead our concert.
It all felt a bit odd and of course the programme was silent on the matter of Robert King’s absence, but still it was a good concert if I recall correctly. I can’t find any reviews and the Wigmore Hall archive stubs don’t go back that far. But they are a very accomplished group of musicians and they attract some top notch soloists, so the quality of the performances wasn’t really a surprise.
A pair of baroque concerts over that weekend – Friday evening and Saturday evening. We chose to go and see both. It was part of a series named “Bach & His Contemporaries”.
I logged that Janie and I both described the concerts as:
superb.
On the Friday evening we saw/heard:
Johann Sebastian Bach – Trio Sonata in G for violin, flute and continuo
Johann Caspar Ferdinand Fischer – Chaconne in D minor for solo harpsicord
Diderik Buxtehude – Sonata in B flat for violin and viola da gamba Op 1 no 4 BuxWV255
Johann Sebastian Bach – Sonata in B minor for flute and harpsicord, BWV 1030
Heinrich Ignaz Franz von Biber – Passacaglia for solo violin
Johann Sebastian Bach – Sonata in G minor for viola da gamba and harpsicord, BWV 1029
Johann Sebastian Bach – Trio Sonata from the Musical Offering, BWB 1079
On the Saturday evening we heard:
Georg Philipp Telemann – Suite in A minor for recorder and strings
Johann Sebastian Bach – Concerto in C for two harpsicords, BWV 1061
Johann Sebastian Bach – Sonata in G for violin and harpsicord, BWV 1019
Sylvius Leopold Weiss – Tombeau sur le mort de M Comte de Logy
Johann Sebastian Bach – Orchestral Suite no 2 in B minor
Trevor Pinnock, Rachel Podger and some of the others recorded the Bach trio sonatas that year. I have put together a playlist on YouTube Music which includes those lovely sonatas and some other pieces from the January 2000 weekend – click here to listen to that playlist. Don’t be put off by the strike through on the link – anyone can hear the playlist but you will get adverts if you are not yourself a YouTube Music subscriber.
If you prefer to just click the odd embed, here is one of the Bach sonatas we heard Trevor and Rachel play:
I wasn’t familiar with the work of JCF Fischer. Here’s Trevor Pinnock playing Fischer’s passacaglia, not the chaconne we heard. Still lovely:
Here are some other people playing (part of) the Telemann Overture/Suite that we heard:
The Weiss piece was a delicious listen. Here is Evangelina Mascardi giving it a go.
We heard William Carter play the Weiss at that January 2000 concert, long before Janie’s “mystery punter” evening at the same venue:
“Wachet Auf” means “Wake Up!”, which was possibly an early call for wokery back in the Baroque period…or possibly not. In any case, I wouldn’t recommend English speakers barking this German language expletive after a couple of G&Ts – it might be misunderstood.
We rated this gig “very good”. Some lesser known works by Bach’s lesser known contemporaries, sandwiched between a bit of Telemann and a bit of Bach:
Ouverture “Perpetuum Mobile”, Georg Philipp Telemann
Balletti Lamentabili a 4, Heinrich Ignaz Franz von Biber
O Heilige Zeit, Johann Kuhnau
Sinfonia No 2 in C Minor, Johann Ludwig Krebs
Wachet Auf, Ruft Uns die Strimme Cantata BWV 140, Johann Sebastian Bach
Here is O Heilige Zeit performed by Solomon’s Knot:
Here is the Krebs Sinfonia, performed by Capella jenensis:
Here is a recording of Wachet Auf by the Amsterdam Baroque Orchestra under Ton Koopman…
…whom we saw 25 years later performing Telemann sonatas and Tafelmusik at The Wig:
