I rated this production very good and I remember it surprisingly well.
Howard Davies directed this one and gathered an excellent cast. Tom Wilkinson as John Proctor, Zoe Wanamaker as Elizabeth Proctor, Clare Holman as Abigail, plus a top notch RNT ensemble, as was the way at that time.
This production must have been very good, because it is quite a long play and I had “done my back” pretty dramatically the week before. Thus started a period when my back would tell me whether or not I was fully engaged in a theatrical production. For this one, I only recall the superb drama; I don’t recall the pain!
David Hare plays have a tendency to irritate me, especially those plays that seem to come at moral and/or political issues with some preachy certainty – even if I agree with Hare’s position, which often I do.
I recall The Secret Rapture having enough moral dilemma and ambiguity about Thatcherism to keep the thought and concentration going throughout the play and for some time afterwards too.
They made a movie of this play a few years later…mostly different cast…
…I don’t really recognise the play I saw from this trailer at all:
In short, I remember thinking the play/production that we saw was very good. I went with Bobbie.
I’m not sure what we did afterwards; perhaps we ate out or perhaps I prepared some food for afterwards, as I was in the mode to do that in those early days at Clanricarde Gardens.
Bobbie and I were on a bit of a roll, theatre-wise, at the start of that year, seeing some great productions. This was certainly one of them.
Lindsay Duncan was a most memorable Maggie The Cat and Ian Charleson was superb as Brick; tragically Charleson died just a couple of years after this production. The cast also included Eric Porter, Alison Steadman, Henry Goodman…plus many other fine performers. Howard Davies directed.
The Lyttelton is not my favourite place for this sort of play, but somehow this one seemed to work in that space. I seem to recall it received superb notices and for good reason.
Michael Billington loved this production – his review clipped below:
There’s little on-line about this particular production, given its antiquity, but if you have no idea even what the piece looks/feels like, here is a clip of Paul Newman and Elisabeth Taylor from the 1950’s film version:
…while the following clip is from a subsequent National theatre production of Cat:
https://youtu.be/GobBM0Tt0j4
Anyway, the Lindsay Duncan & Ian Charleson version will live long in my memory. Bobbie’s too, I’ll guess. I’d better ask her.