Richard II by William Shakespeare, Almeida at Gainsborough, 20 May 2000

We were still at the stage that I thought Janie might just be converted on to Shakespeare, so I booked a couple of Bard productions that spring: Ralph Fiennes playing the title role in this one and Tony Sher playing the title role in the Scottish one.

The idea didn’t really work on Janie – especially Richard II, which she found long and dull, despite a great cast and very solid production.

If I remember correctly, Gainsborough was a pop up theatre on the site of a disused film studio in Hoxton. This was one of the Almeida’s homes for a while, during which time the theatre was being poshed-up a bit.

Ralph Fiennes was a nodding acquaintance of mine back then – one of several actors who frequented Lambton Place in those days. This I disclose in the interests of openness and transparency, not that nodding acquaintanceship might affect my judgment.

I thought this production was very good, but I have always had my doubts about Richard II as a play. It is one that I “studied” at school, as a precursor to Henry IV Part one being my ‘O’ Level text. If Michael Lempriere couldn’t make it interesting for me, even Ralph, Jonathan Kent directing and an excellent supporting cast were going to struggle.

Paul Taylor in The Independent liked it but was a little underwhelmed:

Richard Taylor IndependentRichard Taylor Independent 13 Apr 2000, Thu The Independent (London, Greater London, England) Newspapers.com

Nicholas de Jongh in The Standard was more impressed by the set than anything else:

Richard de Jongh StandardRichard de Jongh Standard 13 Apr 2000, Thu Evening Standard (London, Greater London, England) Newspapers.com

Even Charles Spencer in The Telegraph described it as “far from electrifying” and “dull”:

Richard Spencer TelegraphRichard Spencer Telegraph 14 Apr 2000, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

Not our greatest weekend of theatre, 19/20 May 2000. But you cannot win them all.

Danger: Memory! – I Can’t Remember Anything and Clara by Arthur Miller, Hampstead Theatre, 21 May 1988

The irony in the fact that I can hardly remember anything about this double bill of Arthur Miller plays is not wasted on me.

Nor is that irony likely to be wasted on Bobbie, with whom I saw this double bill at the Hampstead Theatre in 1988, but I’m guessing she remembers little about it. Nor on Janie, with whom I saw it all again at the Orange Tree in 2006.

There is a Theatricalia entry for this production – here.

I’m pretty sure this production was the UK premier of this double bill, which probably felt like an exciting prospect.

But I think we came away from the experience feeling that this was not top notch Miller.

This on-line review from the Guardian, of a subsequent London production, explains the synopses and supports my limited memory.

Here is a link to Frank Rich’s review of the original Lincoln Centre production in New York.

Below is Nicholas De Jongh’s Guardian review:

Nicholas De Jongh Danger: Memory!Nicholas De Jongh Danger: Memory! Fri, Apr 8, 1988 – 28 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Blake Morrison’s Observer review:

Blake Morrison on Danger: Memory!Blake Morrison on Danger: Memory! Sun, Apr 10, 1988 – 37 · The Observer (London, Greater London, England) · Newspapers.com

Who needs memory once you have subscribed to a Newspaper clippings service?