Tag: John Titcombe

Feelgood by Alistair Beaton, Hampstead Theatre, 26 January 2001

We had a very entertaining weekend at the end of January that year, seeing Feelgood on the Friday and then Entertaining Mr Sloane on the Saturday…

Entertaining Mr Sloane by Joe Orton, The Arts Theatre, 27 January 2001

…just before heading off for a wonderful holiday in South-East Asia.

Cambodia Laos and Thailand, Placeholder and Links, 4 February to 27 February 2001

On the Friday evening, we saw Feelgood. We would have eaten at Harry Morgans before the show. I remember this play having a superb cast: Jeremy Swift, Henry Goodman, Amita Dhiri, Nigel Planer, Pearce Quigley, Sian Thomas, Nigel Cooke and Jonathan Cullen (according to my log), and being lots of fun. Max Stafford-Clark directed it. It transferred to the Garrick with a slightly different cast – Peter Capaldi taking Jeremy Swift’s place. Here’s the Theatricalia entry for that one.

Nicholas de Jongh really liked it in The Standard, especially heaping praise on Henry Goodman’s performance:

Feelgood, de Jongh Standard Feelgood, de Jongh Standard 1 Feb 2001 Evening Standard (London, Greater London, England) Newspapers.com

Charles Spencer in the Telegraph gave it a short but positive review too:

Feelgood Spencer Telegraph Feelgood Spencer Telegraph 10 Feb 2001 The Daily Telegraph (London, Greater London, England) Newspapers.com

Our friend Michael Billington covered Feelgood in a general piece about political theatre at the start of 2001:

Feelgood plus, Billington Guardian Feelgood plus, Billington Guardian 17 Feb 2001 The Guardian (London, Greater London, England) Newspapers.com

Billington concludes that article with a statement that seems oh so apposite as I write 25 years later:

…theatre is a place of information as well as entertainment and the more it cuts itself off from society – and relies on a mixture of anodyne musicals and Hollywood-star casting, the more it is doomed to glamorous irrelevance.

Ancient Lights by Shelagh Stephenson, Hampstead Theatre, 23 December 2000

Janie and I rated this one:

Very good indeed…

…yet it fails to register in my usual lookup places (Wikipedia, Theatricalia) on lists of Shelagh Stephenson’s work.

It looks as though Janie booked this one almost as an afterthought. Perhaps she thought we’d have no time before the Christmas madness and then felt ready and at a loose end just ahead of the Saturday. She’s written:

A9 & 10, £40.35 Joanna Pearce playing Bea.

Perhaps a client recommended it to her.

Let’s see what the critics said. Our friend, Michael Billington, liked it despite its flaws:

Ancient Billington Guardian Ancient Billington Guardian 7 Dec 2000 The Guardian (London, Greater London, England) Newspapers.com

Nicholas de Jongh gave it the dreaded Standard blob as its rating:

Ancient de Jongh Standard Ancient de Jongh Standard 7 Dec 2000 Evening Standard (London, Greater London, England) Newspapers.com

But then again, Charles Spencer really liked it:

Ancient Spencer Telegraph Ancient Spencer Telegraph 8 Dec 2000 The Daily Telegraph (London, Greater London, England) Newspapers.com

I must say the scenario looks like the sort of play we would actively avoid now, so my guess is that it is well writ and was very well acted by an excellent cast, not least Dermot Crowley & Joanne Pearce.

The Good Samaritan by David Haig, Hampstead Theatre, 25 August 2000

Neither Janie nor I remember much about this play/production. Nor did I write any comments about it in my log – just the details of the visit.

The play is about a Samaritan helping a desperate young woman and the Samaritan becoming emotionally entangled with her. Janie would doubtless look on the whole thing very differently 25 years on, having been a Samaritan since the pandemic – i.e. for over five years at the time of writing.

The leads were played by Julian Wadham and Claudie Blakely, both of whom we rate highly. I do recall that I had been to see Julian Wadham perform more than once “back in the day” with Bobbie and her work colleagues from the law reports, as Julian’s sister, Sarah, worked with them. I also recall that this theatre visit came up in conversation at Bobbie’s place a few day’s before we went to see this play, when Janie and I visited her for dinner the previous Saturday.

Bobbie’s place… Jim Linwood, CC BY 2.0

Thank goodness for some good theatre reviews, to stop me from waffling and to inform the passing reader about the theatrical event itself.

Michael Billington in the Guardian wrote pretty well of the piece:

Samaritan Billington Guardian

Article from 13 Jul 2000 The Guardian (London, Greater London, England)

Charles Spencer thought the piece worthy but flawed:

Samaritan Spencer Telegraph

Article from 21 Jul 2000 The Daily Telegraph (London, Greater London, England)

Paul Taylor in the Independent

Samaritan Taylor Indy

Article from 22 Jul 2000 The Independent (London, Greater London, England)

Enough said.

Burning Issues by Ron Hutchinson, Hampstead Theatre, 19 May 2000

I recall this play/production doing less for me than I had hoped. I was expecting something quite visceral from the author of Rat In The Skull, which I had read with wide-mouthed interest back in the day.

We were keen Hampstead goers, even back then when the venue was still a portacabin down the road from the current high-class venue.

We dined at Harry Morgan’s ahead of the show, getting a fix of Jewish deli grub in St John’s Wood on our way to Swiss Cottage, as was our occasional wont back then.

The cast comprised John Gordon Sinclair, Miranda Pleasence, Andrew Woodall, Rob Spendlove, William Chubb and Kenneth Colley. The actor Denis Lawson directed the production.

Nicholas de Jongh in The Standard panned it.

Burning de Jongh StandardBurning de Jongh Standard 26 Apr 2000, Wed Evening Standard (London, Greater London, England) Newspapers.com

Paul Taylor in The Independent also panned it:

Burning Taylor IndependentBurning Taylor Independent 26 Apr 2000, Wed The Independent (London, Greater London, England) Newspapers.com

Whereas my friend Michael Billington…in truth, also panned it:

Burning Billington GuardianBurning Billington Guardian 27 Apr 2000, Thu The Guardian (London, Greater London, England) Newspapers.com

I didn’t think about this play when I saw Giant by Mark Rosenblatt, but reflecting on it now, I can see how Rosenblatt managed to make similar subject matter come alive…

Giant by Mark Rosenblatt, Royal Court Theatre, 21 September 2024

…whereas Burning Issues by Ron Hutchinson, a playwright who had proved that he could write good plays on tough topics, somehow couldn’t make this subject matter fizz.

A rare Hampstead dud for us.

Peggy for You by Alan Plater, Hampstead Theatre, 27 December 1999

Our last show of the old millennium.

We rated the play/production “good”.

What was not to like? Maureen Lipman as Peggy Ramsey, with sound support from Tom Espiner, Selina Griffiths, Richard Platt and Crispin Redman, all ably directed by Robin Lefevre.

Here is a link to the Theatricalia entry for this play/production.

Yes, the show was a bit of a luvvy-fest but what else might you expect in the circumstances?

Susannah Clapp in The Observer preferred Mnemonic:

Mnemonic & Peggy Susannah ClappMnemonic & Peggy Susannah Clapp 28 Nov 1999, Sun The Observer (London, Greater London, England) Newspapers.com

Our friend, Michael Billington really liked it:

Peggy Billington GuardianPeggy Billington Guardian 24 Nov 1999, Wed The Guardian (London, Greater London, England) Newspapers.com

Paul Taylor in The Independent was entertained but thought that Maureen Lipman as Peggy was a case of miscastology…so at least Maureen got an ology I suppose and for sure she spent a lot of time during the play on the phone.

Peggy Taylor IndependentPeggy Taylor Independent 24 Nov 1999, Wed The Independent (London, Greater London, England) Newspapers.com