Tag: Juliet Stevenson

The Heretic by Richard Bean, Royal Court Theatre, 19 March 2011

After the previous evening’s debacle at Hampstead…

Ecstasy by Mike Leigh, Hampstead Theatre, 18 March 2011

…it was a very pleasant surprise that Janie felt better and confident enough to try the theatre the very next day.

A very interesting play about climate change, questioning orthodoxies and asking awkward questions about the links between the politics, science and personal beliefs around climate change.

A search term that finds the mostly good reviews and more besides can be found by clicking here.

Not sure what we did afterwards – probably got Janie home to bed pdq.

The Country by Martin Crimp, Royal Court Theatre, 10 June 2000

Janie and I were very taken with this creepy three-hander at the Royal Court. I remember us agreeing that it was Pinteresque at the time – without the influence of reviews I hasten to add.

I think this was our first sighting of a Martin Crimp play and for sure we were intrigued enough to seek out his work several times subsequently.

Owen Teale, Juliet Stevenson and Indira Varma, directed by Katie Mitchell. All people who had impressed us before and/or since.

My friend Michael Billington in the Guardian shared our fascination with this piece and also saw the Pinter parallels:

Billington on Crimp's The CountryBillington on Crimp’s The Country 17 May 2000, Wed The Guardian (London, Greater London, England) Newspapers.com

Charles Spencer in the Telegraph, on the other hand, adjudged the play “pastiche Pinter”, while applauding the acting and the production:

Spencer on Crimp's The CountrySpencer on Crimp’s The Country 18 May 2000, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

Clearly the photographers thought that Juliet Stevenson jiggling car keys in Owen Teale’s face was the memorable image of the production.

The Caucasian Chalk Circle by Bertolt Brecht, Olivier Theatre, 7 June 1997

We were tending to book RNT things in preview or very early in runs, so this was an unusually late visit to see this one – perhaps we couldn’t get the seats we wanted until later or perhaps we missed it in the first block of dates.

Anyway, we thought this was “very good”.

One of our favourite troupes, Théâtre de Complicité, was responsible for this one. Juliet Stevenson played the lead along with Simon McBurney who also directed. The Theatricalia entry can be found here.

This was the first of those “in the round” productions that the RNT did at The Olivier while it was being refurbished.

Nicholas de Jongh in The Standard was not too keen on it:

Caucasian de Jongh StandardCaucasian de Jongh Standard 22 Apr 1997, Tue Evening Standard (London, Greater London, England) Newspapers.com

Charles Spencer in the Telegraph imagined that his cordial loathing of this show would be a minority view:

Caucasian Spencer TelegraphCaucasian Spencer Telegraph 23 Apr 1997, Wed The Daily Telegraph (London, Greater London, England) Newspapers.com

Predictably, then, our friend Michael Billington loved it:

Caucasian Billington GuardianCaucasian Billington Guardian 23 Apr 1997, Wed The Guardian (London, Greater London, England) Newspapers.com

But Robert Butlet in The Independent didn’t much like it either:

Caucasian Butler IndyCaucasian Butler Indy 27 Apr 1997, Sun The Independent (London, Greater London, England) Newspapers.com

Oh well.