That Face, Polly Stenham, Royal Court Theatre Upstairs, 19 May 2007

This turned out to be one of the hottest tickets in town for a while.  We didn’t realise it when we booked it.  We see a lot of productions upstairs and often enjoy plays there by young/as yet unknown playwrights.

Indeed, we normally see them early in a run, but nephew Paul had arranged to stay and said he’d like to go to the theatre with us, so we chose this play as “youthfully suitable” and so booked for a few weeks into the run.  Thus, by the time Paul came down to stay, he knew we’d got him a surprisingly hot ticket.

That Face – for Royal Court stub including several reviews click here – really is a super play and this was an excellent production.

Polly Stenham is a very talented young writer, although we now have the hindsight to wish that she had moved on from this “chamber play about dysfunctional families and damaged youngsters” genre – her subsequent plays so far (several years on) have all been echoes of similar. Still, this one subsequently transferred to the West End making Polly, at 21 by then, the youngest West End debutant since…maybe ever.  Michael Billington gushed – click here.

The whole cast was brilliant, but Lindsay Duncan stole the show, as you might expect.

Nephew Paul was very taken by the whole thing.  We had to explain that we don’t always pick quite such winners, especially when we go for the smaller stages and unknown writers.

 

The Homecoming by Harold Pinter, RNT Lyttelton Theatre, 5 April 1997

We celebrated our homecoming from the Middle East with a visit to the theatre to see this wonderful production of, coincidentally, Pinter’s The Homecoming.

What a cast. Lindsay Duncan, Michael Sheen, Eddie Marsan, Keith Allen & David Bradley. Roger Michell directed it.

Here is a link to the Theatricalia entry.

Janie and I were both really taken with the play and the production.

Paul Taylor in the Independent really didn’t like it:

Paul Taylor Homecoming IndyPaul Taylor Homecoming Indy 25 Jan 1997, Sat The Independent (London, Greater London, England) Newspapers.com

Nicholas de Jongh in The Standard was not too sure either:

Nicholas de Jongh Standard HomecomingNicholas de Jongh Standard Homecoming 24 Jan 1997, Fri Evening Standard (London, Greater London, England) Newspapers.com

Charles Spencer in The Telegraph seemed more or less to “get it” in the way we got it:

Homecoming Spencer TelegraphHomecoming Spencer Telegraph 24 Jan 1997, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

While my friend Michael Billington in the Guardian got it:

Billington Guardian HomecomingBillington Guardian Homecoming 24 Jan 1997, Fri The Guardian (London, Greater London, England) Newspapers.com

Hedda Gabler by Henrik Ibsen, Hampstead Theatre, 18 October 1988

Everyone remembers their first time and I was lucky enough to have my first experience with the wonderful actress, Lindsay Duncan.

Seeing Hedda Gabler, I’m talking about – what did you think I meant?

This was another midweek theatre visit with Bobbie, during that brief period of a few months when I was between qualifying and moving on to my next, fully-fledged career.

I rated this experience as “very good” in my log and why not? Lindsay Duncan as Hedda, Jonathan Coy as Tesman, Dermot Crowley as Lovborg…

here is a link to the Theatricalia entry for this production.

Most unusually, I have been to see this play with Janie on (at the time of writing) three further occasions. I guess that Lindsay Duncan as Hedda is a bit like a highly addictive drug – you keep chasing that first high, hoping to experience it again. In truth, it did take us a while to land a really good production; the one at the Almeida in 2005 – all to be written up in future Ogblogs.

But back in October 1988, I was already a bit of an Ibsen fan and for sure was really taken with this production. Trevor Nunn had a hand in it, apparently…

..who’d have thought, back then in 1988, that I’d end up meeting Trevor Nunn socially a few years later? Another matter for another Ogblog piece.

Below is Nicholas de Jongh’s Guardian review:

de Jongh on Heddade Jongh on Hedda Mon, Oct 17, 1988 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s short review in the Observer:

Ratcliffe on HeddaRatcliffe on Hedda Sun, Oct 23, 1988 – 40 · The Observer (London, Greater London, England) · Newspapers.com

Cat On A Hot Tin Roof by Tennessee Williams, Lyttelton Theatre, 12 March 1988

Bobbie and I were on a bit of a roll, theatre-wise, at the start of that year, seeing some great productions. This was certainly one of them.

Lindsay Duncan was a most memorable Maggie The Cat and Ian Charleson was superb as Brick; tragically Charleson died just a couple of years after this production. The cast also included Eric Porter, Alison Steadman, Henry Goodman…plus many other fine performers. Howard Davies directed.

Here is the Theatricalia entry for the production.

The Lyttelton is not my favourite place for this sort of play, but somehow this one seemed to work in that space. I seem to recall it received superb notices and for good reason.

Michael Billington loved this production – his review clipped below:

Billington On CatBillington On Cat Fri, Feb 5, 1988 – 18 · The Guardian (London, Greater London, England) · Newspapers.com

Clearly Michael Ratcliffe liked it too:

Michael Ratcliffe On CatMichael Ratcliffe On Cat Sun, Feb 7, 1988 – 26 · The Observer (London, Greater London, England) · Newspapers.com

There’s little on-line about this particular production, given its antiquity, but if you have no idea even what the piece looks/feels like, here is a clip of Paul Newman and Elisabeth Taylor from the 1950’s film version:

…while the following clip is from a subsequent National theatre production of Cat:

https://youtu.be/GobBM0Tt0j4

Anyway, the Lindsay Duncan & Ian Charleson version will live long in my memory. Bobbie’s too, I’ll guess. I’d better ask her.