…well this news story about a fatal accident when a Roll-on/roll-off ferry capsized had insufficient time distance to be made into comedy. Or possibly simply couldn’t ever be made into comedy.
I assigned the intellectual property rights to the RNLI for this one, but it never got that far. Still, they’ve had plenty of my dosh other ways since.
_ ROLLING ON, ROLLING OFF _
(To the Tune of “Knowing Me, Knowing You”)
CHORUS
Rolling on, rolling off, {ah-haaaaaa} Safety checks were not enough; Rolling on, rolling off, {ah-haaaaaa} The Baltic Sea is cold when you’re in the buff. {fucking cold when in the buff} Hyperthermia’s not freezing I know, But my blood won’t flow; We were all rolling off, Cos these ferries are duff.
Below is a video of Abba singing Knowing Me Knowing You with lyrics on the screen:
Another of my personal NewsRevue favourites. Another perennial. It was used a lot in NewsRevue in the mid 1990s.
OLD BOYS
(To the Tune of “Oh Boy”)
VERSE 1
All our class,
All our status,
The proletariat rightly hate us;
Old boys, we’re pals from school,
Old boys, I held your tool,
And now you scratch my back.
VERSE 2
All our lives,
We’ve been a-waiting,
For high class mutual….fund creating;
Old boys, jobs for our people,
Old boys, we don’t want equal,
Opportunities.
MIDDLE EIGHT
DTI say we’ve been a-stealing,
Because we’ve been insider dealing;
We buy shares when they’re low and sell them when they’re high,
With tip offs from chaps in our old school tie.
VERSE 3
All through our,
Fine education,
We learnt the best means of exploitation;
Old boys, we are a team,
Old boys, we take the cream,
And milk the country dry.
Old boys!!
We’ll put to one side the fact that I sort-of went to the “right” sort of school (Alleyn’s) myself. Suffice it to say that I personally neither indulged in the schoolboy behaviours nor the commercial behaviours described in the lyric. Nor am I aware of any such activity among my fellow alumni from Alleyn’s school.
It’s October 2018 as I write and apparently I can’t do English irony…never could it seems…according to the leader of her majesty’s loyal opposition at least.
Of course the term “DTI” in a UK context is outdated at the time of writing but it doesn’t take much wit to replace that term with, for example, “FCA”.
Here is a video of Buddy Holly & The Crickets singing Oh Boy:
…and the following is the record version with lyrics on the screen:
OLD BOYS – EXECUTIVE PAY REMIX
(To the Tune of “Oh Boy”)
VERSE 1
All our class,
All our status,
The proletariat rightly hate us;
Old boys, we’re pals from school,
Old boys, I held your tool,
And now you scratch my back.
VERSE 2
All our lives,
We’ve been a-waiting,
For high class mutual….fund creating;
Old boys, jobs for our people,
Old boys, we don’t want equal,
Opportunities.
MIDDLE EIGHT
Greenbury say’s we’ve raped the nation,
Because we run huge corporations;
Buy options when they’re low and sell them when they’re high,
But only tax the stuff for the small time guy.
VERSE 3
All through our,
Fine education,
We learnt the best means of exploitation;
Old boys, we are a team,
Old boys, we take the cream,
And milk the country dry:
We milk the country dry.
When I left Binders and started Z/Yen, I traded as a sole trader for a couple of months while forming the group of companies and getting the corporate business ready to trade.
I was very careful to make sure that all of my self-employed income was properly invoiced and recorded at that time. Following consultattion with the tax authorities on the phone, we agreed that, for that short period of time, I couldn’t/shouldn’t try to separate my writer/media self from my business start-up self, so for a short while I invoiced my writing activities through Z/Yen and even (for some of the weeks) paid over VAT on the royalties.
This was the second of the invoices, raised on the same day as the first. The electronic version of the first seems to have become corrupted, but I shall probably be able to dig out a physical version of it and scan it up to Ogblog in the fullness of time.
I will have raised the invoice only after receiving the dosh, so Harriet will not have had to do anything with the invoice – I suspect she studied it for at least 5 seconds before deep filing it in the wastepaper basket. Harriet?
Despite my efforts, I have not been able to find out who you are yet. No matter, we shall meet soon no doubt. I enclose your starter pack of lyrics and tape for my offerings. The pack consists of new songs, and one or two rewrites of older ones etc. If you want me to work on an old chestnut of mine that you might have uncovered in the archive, just let me know.
Feel free to call me and let me know if you are short of any subjects or styles and I shall try to oblige. Also, if any of these need a bit of rewrite then I am happy to change them on request.
Actually, the version I am showing first below, which I think is the version that ran in the show for much of that autumn, is dated 12 October 1994 – adapted as the story unfolded.
The piece works better as a solo for Princess Diana I think – the original one (further down this page) was a duet.
Not sure if memory is playing tricks on me, but I think the wonderful Sarah Moyle did an especially good Princess Di for this one.
CALLING ON THE MOBILE PHONE – HEWITT REMIX
(To the tune of “Hanging on the Telephone”)
VERSE 1 – DIANA
I’m on the car phone I am calling from the Palace,
I call up Olly and I do it out of malice,
I hate the Queen, Prince Charles and Princess Alice;
I’m just calling on this mobile phone,
Hope no-one’s tracing up my mobile phone.
VERSE 2 – STILL DIANA
I get no answer so I’ll call up Major Hewitt,
I’ll take a chance and I am sure Winkie can do it,
We’d dine in France except I’m sure that I would spew it;
Oh he has a master nack,
I’ll kill Anna Pasternak,
I shall call that bastard back.
Be a nuisance with this mobile phone,
And I’ll sue them for this treasoned tome.
VERSE 3 – DIANA
I’ll call obsessively until some people show up,
Some say depressively but some say I should grow up,
I’ll eat a lettuce leaf and then I’ll have to throw up.
And so I’ll chunder on the mobile phone,
Steal Chuck’s thunder with my mobile phone,
You’d go under paying for this phone.
Here’s Blondie singing Hanging On The Telephone with lyrics on the screen:
For the completists amongst us, here is the earlier version, based around a duet with Oliver Hoare rather than Di singing solo about James Hewitt:
CALLING ON THE MOBILE PHONE
(To the tune of “Hanging on the Telephone”)
VERSE 1 – DIANA
I’m on the car phone I am calling from the Palace,
I call up Olly and I do it out of malice,
I hate the Queen, Prince Charles and Princess Alice;
I’m just calling on this mobile phone,
Hope no-one’s tracing up my mobile phone.
VERSE 2 – OLIVER HOARE
Please don’t laugh at me just because my name is Hoare,
(I said don’t laugh)
Di calls me up and so I’m sure that I could score,
I’m pals with Charles but he looks less good in the raw;
Oh a bloody call again,
Guess that cow will bawl again,
Drives me up the wall again.
That’s why I traced Diana’s mobile phone,
And have disgraced Diana’s use of phones.
VERSE 3 – DIANA
I’ll call obsessively until some people show up,
Some say depressively but some say I should grow up,
I’ll eat a lettuce leaf and then I’ll have to throw up.
I had a interesting chat with Mark after the show on Saturday; he suggested that I drop you a note with my thoughts on redressing the balance of the show.
I suspect that you probably only need to change about 6 items in the show to beef it up substantially and improve the balance. The table below shows ones I can remember. Many of them may well be in your reserve pile anyway.
I wasn’t sure about the opening and closing numbers. I felt the pace of the show wasn’t right at the start (it took quite a while to warm up) and then it was really great until a lull towards the end. The home run was fine (Merchant Ivory ->).
On a more upbeat note, I really don’t think the show needs that much change to convert it from “a good show” to “a really good/great show”. I loved the Necrotising Faciitis song – I’m amazed it has never had an airing before.
Best wishes to you all on your trip – and don’t kidnap Mike Hodd this time.
Must have been really slow news that summer. This one marked the 50th anniversary of the ill-fated 1944 attempt on Hitler’s life.
_ WHY DID YOU THINK ABOUT KILLING MR HITLER? _
(To the Tune of “Who Do You Think You Are Kidding Mr Hitler?”)
SPOKEN INTRO
VOICE OFF:And now, at News Revue, we are going to celebrate the fiftieth anniversary of the unsuccessful attempt on Hitler’s life. So dig out your old gas mask, fry up some spam fritters and enjoy the jolly old show.
VERSE
Why did you think about killing Mr Hitler, When the war was almost won? You and your boys need not have got in the shtuck, We and our boys would have let you off the hook. VOICE OFF:We did! (add some meat hook visual symbolism to help the pun) So why did you think about killing Mr Hitler, Once the Nazis were near done?
MIDDLE EIGHT
Stauffenberg, Was on the verge, Of blasting Hitler higher; Gestapo came round later, With some thick piano wire. (add piano effect to emphasise the point)
OUTRO
But why didn’t you think about killing Mr Hitler, Back in 1931?
Below is Who Do You Think You Are Kidding Mr Hitler, aka the Dad’s Army theme song, with lyrics on the screen:
When did I first meet Mike Ward of the Actors’ Workshop in Halifax? All the evidence suggests 14 July 1994, when he came to NewsRevue, with his son Adam if I recall correctly.
Mike Ward 18 July 1994 [address redacted] Halifax
Dear Mike
SONGS
It was a pleasure to meet you at News Revue last week. I enclose the selection of songs I promised you. As I said that evening, I have recordings of all of the originals of these which I shall happily tape for you should you request it.
Please do not hesitate to call for a tape or to discuss any other material I might have for you.