Richard II by William Shakespeare, Almeida at Gainsborough, 20 May 2000

We were still at the stage that I thought Janie might just be converted on to Shakespeare, so I booked a couple of Bard productions that spring: Ralph Fiennes playing the title role in this one and Tony Sher playing the title role in the Scottish one.

The idea didn’t really work on Janie – especially Richard II, which she found long and dull, despite a great cast and very solid production.

If I remember correctly, Gainsborough was a pop up theatre on the site of a disused film studio in Hoxton. This was one of the Almeida’s homes for a while, during which time the theatre was being poshed-up a bit.

Ralph Fiennes was a nodding acquaintance of mine back then – one of several actors who frequented Lambton Place in those days. This I disclose in the interests of openness and transparency, not that nodding acquaintanceship might affect my judgment.

I thought this production was very good, but I have always had my doubts about Richard II as a play. It is one that I “studied” at school, as a precursor to Henry IV Part one being my ‘O’ Level text. If Michael Lempriere couldn’t make it interesting for me, even Ralph, Jonathan Kent directing and an excellent supporting cast were going to struggle.

Paul Taylor in The Independent liked it but was a little underwhelmed:

Richard Taylor IndependentRichard Taylor Independent 13 Apr 2000, Thu The Independent (London, Greater London, England) Newspapers.com

Nicholas de Jongh in The Standard was more impressed by the set than anything else:

Richard de Jongh StandardRichard de Jongh Standard 13 Apr 2000, Thu Evening Standard (London, Greater London, England) Newspapers.com

Even Charles Spencer in The Telegraph described it as “far from electrifying” and “dull”:

Richard Spencer TelegraphRichard Spencer Telegraph 14 Apr 2000, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

Not our greatest weekend of theatre, 19/20 May 2000. But you cannot win them all.

The Madness of George III by Alan Bennett, Lyttelton Theatre, 30 September 1992

I believe we did a date swap for this one. It is in my diary for Saturday 17 October, but I ended up going to see Death And The Maiden with Janie, John and Mandy that night.

I think Bobbie had a problem with that October weekend and we arranged to swap with a friend of hers to see this production midweek, on 30 September.

My production log says:

Went with Bobbie. Very good.

So what else is there to say? I remember it being a very big, busy play, with an enormous cast of courtiers attending to the protagonists. I remember laughing quite a lot. I suspect I would find it a bit cheesy if I saw it again now.

Nigel Hawthorne was very impressive and I suppose it is “quite a thing” that I saw him perform live.

The Wikipedia entry links to rave reviews on both sides of the channel. The subject matter very naturally had appeal for the USA so it is no surprise that it was also a hit there and also made into a film.

I was probably quite tired that evening, as the diary shows I spent a long day flying up to West Lothian the day before on business – that will have been Sky with Michael – a memorable working day.

I suspect that this was the last time I went to the theatre with Bobbie. We probably had a post theatre meal, perhaps at the RNT itself or perhaps somewhere like RSJs or the Archduke.

Here is the Theatricalia entry for this production.

Below is Michael Coveney’s review from the Observer:

Madness of George III, Michael CoveneyMadness of George III, Michael Coveney Sun, Nov 24, 1991 – 59 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michael Billington’s review from The Guardian:

Madness of George III, BillingtonMadness of George III, Billington Sat, Nov 30, 1991 – 25 · The Guardian (London, Greater London, England) · Newspapers.com

The Voysey Inheritance by Harley Granville-Barker, Cottesloe Theatre, 1 July 1989

I noted that this was a very good production and I’m sure that was true. Richard Eyre in charge of an infeasibly good cast in that intimate little Cottesloe Theatre.

Here is the Theatricalia entry for the production with so many top notch theatrical names on the list…

…David Burke, Michael Bryant, Jeremy Northam, Graham Crowden, Sarah Winman, Stella Gonet, Selina Cadell, Suzanne Burden, Wendy Nottingham… it was difficult to work out which names from the cast list to leave out from this highlights version of the list.

In truth I don’t think Granville-Barker is really for me. I find his plays stylised and very Edwardian – which is, after all, what they are.

This one is at least replete with interesting moral dilemmas but in truth it’s not Ibsen.

But I do recall really enjoying this particular evening in the theatre and I suspect that this is the best Granville-Barker experience I have ever had and ever will.

Below is Michael Billington’s Guardian review:

Billington on VoyseyBillington on Voysey Thu, Jun 29, 1989 – 24 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Kate Kellaway’s Observer review:

Kellaway on VoyseyKellaway on Voysey Sun, Jul 2, 1989 – 41 · The Observer (London, Greater London, England) · Newspapers.com

I don’t recall exactly what Bobbie thought of it but I think she, like me, was much taken with the production. I also don’t recall what we did (i.e. where we ate) afterwards. Bobbie might just remember.