Tag: Sophie Parrott CDG

Amsterdam by Maya Arad Yasur, Orange Tree Theatre, 7 September 2019

Amsterdam - Keizersgracht 387
Amsterdam – Keizersgracht
Click picture for attribution and link

Gosh, this was a truly fascinating short play at the Orange Tree – our first venture to see a play for some while and a great start, from our point of view, to our autumn season at the theatre. We were seeing a preview.

The Orange Tree Theatre’s blurb on this piece can be found by clicking here.

This is not a naturalistic piece. The cast of four narrate the piece, about an unnamed Israeli violinist who is 9 months pregnant living in an apartment in Amsterdam, on the Keizersgracht (one of the canal-side streets).

Are we merely being taken on a voyage through the violinists own febrile, paranoid imaginings or is this a thriller about the uncovering of secrets from Amsterdam’s era of Nazi occupation or are we witnessing a strange brew, mixing those things?

Janie would have preferred some more answers by the end of it, whereas I thought this 80 minute piece was very deliberately leaving a trail of enigmas and unanswerable questions, while at the same time keeping us entertained and weaving sufficient plot lines to tell a story.

All four cast members were excellent; we’d seen Fiston Barek and Hara Yannas recently at the Orange Tree. Daniel Abelson and Michal Horowicz were also strong.

We’d also seen director Matthew Xia’s work at the Orange Tree recently. The style is a bit “workshoppy”, but I think that is the nature of the play and it is hard to imagine how the piece might work in a more stagey syle.

But the greatest plaudits from me go to the writing. I have now read and seen one heck of a lot of plays, so it is rare now to find a writer’s voice so novel and pleasing. For sure I will look out for Maya Arad Yasur’s work again.

Did Janie and I decompress/discuss at length over Spanish food at Don Fernando’s this time? Of course we did.

Did we get home in time to see Bianca Andreescu beat Serena Williams at Flushing? Yes, but only because Bianca kindly lost 4 games in a row (including a championship point) to keep the match alive long enough for us to get home and see the last two games.

Did we play tennis the next morning as usual and then go on to Gunnersbury Museum to see some aspects of BEAT? Yes, yes.

Anyway, returning to the subject of Amsterdam at The Orange Tree; it’s running until 12 October 2019 and we would thoroughly recommend it to anyone who likes imaginative, modern drama.

Reviews for this production, if/when they come, might be found here.

Rust by Kenny Emson, Bush Studio, 6 July 2019

A rare miss for us at the Bush Studio. Nothing wrong with this play or the production, but it simply didn’t float our boats. It sounded modern, witty, interesting from the description, but in truth it is simply the story of an extra-marital affair.

Here is a link to the Bush resource on this play/production.

I got a bit more out of it than Janie did, in that I felt able to enter the couple’s world. But in truth the story was very simple and the characters were so much the architects of their own misfortune it was hard to sympathise with them.

Below is the trailer for this play/production:

We ran into a gentleman I know as a nodding acquaintance from the health club, BWW, who sat virtually next to us. I wonder what he and his companion made of it. I might one day find out.

Janie was underwhelmed by the acting. I thought both were fine, I think it was the roles that were underwhelming and that the man, Jon Foster, in particular did not seem especially well cast. We’ve seen him several times before when, in my view, better cast and therefore better able to shine.

What Janie and I both agreed was that we didn’t sense the sexual chemistry the play was supposed to conjure. But we did have Nuki afterwards, by which I mean, a takeaway meal from Nuki’s Thai Kitchen. Very tasty.