I liked this play and production far more than Janie did. Where I liked the intellectual aspects of the content, Janie found them pretentious and at times confusing.
Wikipedia gives a decent synopsis of the play – here.
Janie has never much liked plays that jump backwards and forwards in time, although, coincidentally, we saw Emma Fielding in a similarly time-shifting play recently (autumn 2019) which Janie really liked.
Michael Coveney revewed it the day after we saw it:
Sun, Apr 18, 1993 – 57 · The Observer (London, Greater London, England) · Newspapers.com
I think that’s one-nil to Janie in the “confusing rather than clever” stakes.
Michael Billington liked it more, I think:
Wed, Apr 14, 1993 – 26 · The Guardian (London, Greater London, England) · Newspapers.com