Calling On The Mobile Phone, NewsRevue Lyric, 10 September 1994

Actually, the version I am showing first below, which I think is the version that ran in the show for much of that autumn, is dated 12 October 1994 – adapted as the story unfolded.

The piece works better as a solo for Princess Diana I think – the original one (further down this page) was a duet.

Not sure if memory is playing tricks on me, but I think the wonderful Sarah Moyle did an especially good Princess Di for this one.

The first of my lyrics on this theme was written a couple of years earlier and had a reasonable run of its own in the show – click here.

CALLING ON THE MOBILE PHONE – HEWITT REMIX
(To the tune of “Hanging on the Telephone”)

VERSE 1 – DIANA

I’m on the car phone I am calling from the Palace,
I call up Olly and I do it out of malice,
I hate the Queen, Prince Charles and Princess Alice;

I’m just calling on this mobile phone,
Hope no-one’s tracing up my mobile phone.

VERSE 2 – STILL DIANA

I get no answer so I’ll call up Major Hewitt,
I’ll take a chance and I am sure Winkie can do it,
We’d dine in France except I’m sure that I would spew it;

Oh he has a master nack,
I’ll kill Anna Pasternak,
I shall call that bastard back.

Be a nuisance with this mobile phone,
And I’ll sue them for this treasoned tome.

VERSE 3 – DIANA

I’ll call obsessively until some people show up,
Some say depressively but some say I should grow up,
I’ll eat a lettuce leaf and then I’ll have to throw up.

And so I’ll chunder on the mobile phone,
Steal Chuck’s thunder with my mobile phone,
You’d go under paying for this phone.

Here’s Blondie singing Hanging On The Telephone with lyrics on the screen:

For the completists amongst us, here is the earlier version, based around a duet with Oliver Hoare rather than Di singing solo about James Hewitt:

CALLING ON THE MOBILE PHONE

(To the tune of “Hanging on the Telephone”)

 

VERSE 1 – DIANA

 

I’m on the car phone I am calling from the Palace,

I call up Olly and I do it out of malice,

I hate the Queen, Prince Charles and Princess Alice;

 

I’m just calling on this mobile phone,

Hope no-one’s tracing up my mobile phone.

 

VERSE 2 – OLIVER HOARE

 

Please don’t laugh at me just because my name is Hoare,

(I said don’t laugh)

Di calls me up and so I’m sure that I could score,

I’m pals with Charles but he looks less good in the raw;

 

Oh a bloody call again,

Guess that cow will bawl again,

Drives me up the wall again.

 

That’s why I traced Diana’s mobile phone,

And have disgraced Diana’s use of phones.

 

VERSE 3 – DIANA

 

I’ll call obsessively until some people show up,

Some say depressively but some say I should grow up,

I’ll eat a lettuce leaf and then I’ll have to throw up.

 

And so I’ll chunder on the mobile phone,

Steal Chuck’s thunder with my mobile phone,

You’d go under paying for this phone.

Letter To Mark Keagan re SportsRevue, 5 September 1994

Mark Keagan tried out a sports-oriented version of NewsRevue. I think the show was good but the idea did not really take off.

I seem to recall that we first encountered Tracy Ann Oberman through this sports instantiation of NewsRevue or am I mistaken?

Was SportsRevue performed at the Canal Cafe or at the Willesden place?

Mark (and others) should remember these details.

(As I know that Mark has long-since moved on from North Acton, I need not redact the address below).

Mark Keagan 6 September 1994
30 Perry Avenue
Acton
London
W3 6YQ
 
Dear Mark
 
SPORTS SHOW

 
I enclose songs for your sports show. If you need tapes of any of these, do let me know and I’ll get them to you pdq.
 
See you soon.
 
Yours sincerely
 
 
Ian Harris
 
encs

Letter To Jonathan Linsley, 5 September 1994

Jonathan Linsley 5 September 1994
News Revue
Canal Cafe Theatre
Delamere Terrace
London
W2
 

Dear Jonathan
 
NHS SHOW

I enclose some stuff for the NHS show. I also enclose a “mini-opera” synopsis which might be a fun thread for the show, if you can swing it.
 
If you need tapes of any of these, do leave a message on my machine and I shall get it to you pdq.
 
 
 
Yours sincerely
 
 
 
 
 
 
Ian Harris
 
encs
 

The Secret Diary Of Adrian Burn Aged 49 3/4, A Spoof Produced For A BDO Consulting Multiple Leaving Do, 30 August 1994

I wrote the quoted pieces below for sharing at a leaving do for several BDO Consulting folk who were leaving BDO Binder Hamlyn, including me, although i had technically left the firm at the beginning of that month.

The background to this spoof of The Secret Diary Of Adrian Mole might be gleaned from the first part of The Z/Yen Story – click here or below:

In short, my firm, BDO Binder Hamlyn, was to be taken over by Arthur Andersen. I didn’t think the latter firm would appreciate my hair style.

Adrian Burn was the Managing Partner of BDO Binder Hamlyn. The character Pandoreuss is Elisabeth Reuss, now Elisabeth Mainelli, who was Adrian’s personal assistant.

Enough background:

THE SECRET DIARY OF ADRIAN BURN AGED 49 3/4 by SUSAN TOWNSLEY-WHITT
 

Tuesday 22 March 1994 
 
I received a visit from a Mr Waddia, a most helpful gentleman from another leading firm of accountants like mine, except his firm is named Arthur Andersen. Mr Waddia is the most important man in Arthur Andersen and he said that he would pay a lot of money for a merger with Binder Hamlyn. He would give several Binder Hamlyn partners (including me!) equity in the merged firm and everyone would be happy. It sounded almost too good to be true, but I asked my friends James, David and John and they all said it sounded simply super and we should go for it. It’s a deal! Hurrah!
 
Monday 28 March 1994 
 
I’m not very pleased today. The Sunday Times has spilled the beans on my splendid deal and lots of my junior partners have quite clearly failed to understand the benefits of the arrangement. I found some of their comments most unhelpful. I had to spend the whole day going round 20 Old Bailey explaining to all those junior partners and their staff oiks that the Andersen’s thing would be good for everybody and no-one would get fired (except for all the people that Mr Waddia told me I would have had to fire anyway). I am now in a foul mood and shall go off and investigate a bit of Queens Moat tomorrow to make myself feel better.
 
Wednesday 30 March 1994 
 
One of my less astute junior partners who is not really my friend, William Casey, turned up in my office today. He had a sun tan and said he had been in Africa on consultancy business (I think that is what he does) until today and had only just got the news. He said that Andersens wouldn’t want a consultancy practice because they already have a big one and what was I going to do about it. I explained the bit about no-one getting fired and several partners getting equity in Andersen’s and he went away looking much happier. I asked my adorable secretary, Pandoreuss, what she thought of it all and she just said “Dumkopf”. I asked my friend Richard what this means and he said it is a compliment a German person gives to you when they think you have done a clever thing. Oh Pandoreuss! I really didn’t know you cared!
 
Monday 22 April 1994
 
I’m a bit miffed today. Mr Waddia says that he will have to pay millions of pounds to BDO so that he can buy Binder Hamlyn. “I hope you’re not expecting much cash or many equity partners, Adam, or else your going to be disappointed”, he said, “and you’d better get rid of a heap of your dead wood partners and managers PDQ”. I didn’t find those comments particularly helpful. I went off to close down a bit more of Queens Moat which took my mind off and made me feel a bit better.
 
Thursday 26 May 1994 
 
Not a very good day. Mr Waddia has spoken to Mr Hall and apparently only two Binder Hamlyn partners will be allowed equity in Arthur Andersen. Fortunately one of them is me (hurrah) and the other is my friend James. Mr Hall has also told Mr Waddia that by the time they have paid BDO to let Binder Hamlyn out, Arthur Andersen can only afford £2.54 for Binder Hamlyn. “I thought you were the most important man in Arthur Andersen, Mr Waddia”, I said. “I am”, he replied, “in Arthur Andersen UK. Mr Hall is the most important man in Andersen Consulting UK. He is a more most important man than I am”. I think I understand. I told Pandoreuss and she just said “du bist ein schtick fleisch” which my friend Richard tells me means that I am a first class negotiator. Oh Pandoreuss! One day you will be mine!
 
Wednesday 10 August 1994 
 
I am not very pleased. Mr Waddia tells me that Mr Burgess has told him that my consultancy cannot call itself a consultancy because only his (Mr Burgess’s) consultancy is allowed to do that. “I thought Mr Hall was the most important man in Andersens”, I said. “He is”, replied Mr Waddia, “in Andersen Consulting UK. Mr Burgess is the most important man in Andersen Consulting Worldwide. Mr Burgess is a more most important man than Mr Hall”. These people really ought to sort themselves out! William (who is not really my friend) went up the wall when I told him. I said that he could revive the incredibly successful former name, Binder Hamlyn Small Fry and he went away seeming happy. These consultancy (sorry, small fry) types just need a few kind words and they are all motivated, networking and selling work like crazy. William must have done a great job after he saw me today, because three strangers called me asking me to give personal references for William. Pandoreuss told me that William “ist ein schlemiel”, which apparently means good salesman. I went off and investigated a bit more of Queens Moat.
 
Tuesday 30 August 1994 
 
I decided to stand up to Mr Waddia. I told him that I was not happy about having to sack 10 of my equity partners and a whole group of managers after all that we had been through together. “Heck, Adam”, he said. “Adrian”, I corrected (I can stick up for myself you know). “I know how you feel, Adrian. I am going to have to sack two of my equity partners in a few months time so I know how uncomfortable you feel.” His words made me feel a lot better (they have a superb manner, these big six types, although we’re more than a match for them, yes indeed). Mr Waddia continued “perhaps you could give me a few tips on how to go about sacking equity partners, I’ve never had to do it before”. It’s good to see that we are already starting to influence the Arthur Andersen Worldwide Organisation.
 
NEXT WEEK:  Adrian Burn, the Wilderness Years.

In addition, I circulated the following “song list”:


AND NOW:  Adrian Burn’s top five favourite records of all time.
 
 
1) A medley of songs from the musical “Half Binders Andersen”, including:
 
* We’re Half Binders Andersen, we’ve many accounts to sell;
* Lynchworm, lynchworm, measuring the office space;
* Wonderful, wonderful, old Chicago, centre of Andersen’s style;
* There Once Was an Ugly Merging;
* No two businesses ever we’re so unlike;
* Fumble Binders, fumble Binders, tiny little thing;
* We’re signing on the dole together, the dole together, the dole together, we’re altogether redundant as a pubic hair in soap.
   
2) Arthur’s, We Love You (the paranoid Android song) c/w You’re in the army now.
   
3) Routs and Mergers, routs and mergers, soon consultancy will work for Burgess, Binder Hamlyn’s over, cos this merger is a takeover.
   
4) Arthur’s theme “When you get going between the dole and new employment”.
   
5) Binder’s is merging in the autumn, ding dong lets hope it will survive; Arthur’s no vulture, it’s just a strong culture, so change the way you work, just change the way you work, for gawd’s sake change the way you work in time.

Letter To Harold Davison, 29 August 1994

This letter to the late Harold Davison regarding a request by Harold for me to write a party lyric for Arthur Crames and regarding the Sammy Cahn Obituary Lyric:

Harold Davison 29 August 1994
The Addison
1500 South Ocean Boulevard
Appt S101
Boca Raton
Florida
33432 USA


Dear Harold
 
SATIRICAL SONGS

 
It was a pleasure to speak with you on the phone yesterday. I shall work on the Arthur Crames song and shall send you a first draft as soon as I am able.
 
In the meanwhile, to wet your appetite, I enclose the Sammy Cahn Obituary Song, which I wrote in January 1993 just after he died. I thought that Gary had sent it to you at the time, but hope that this tribute, like the great man’s work, is timeless.
 
Yours sincerely
 
 
Ian Harris
 
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Broken Glass by Arthur Miller, Lyttelton Theatre, 13 August 1994

The play is well described on Wikipedia here. We saw the UK premier at the RNT.

What a cast; Henry Goodman, Margot Leicester, Ken Stott…David Thacker directed it. Theatricalia has this record for the play/production we saw – click here.

Janie and I rated it “very good indeed” at the time. I do recall it being a very interesting play and the RNT production was top notch, as RNT productions were wont to be at that time.

Here is a link to a review of the original New York production of this play, a few months before the RNT production.

Here’s Michael Billington’s review:

Billington On Broken GlassBillington On Broken Glass Sat, Aug 6, 1994 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney hated it:

Coveney On Broken GlassCoveney On Broken Glass Sun, Aug 7, 1994 – 68 · The Observer (London, Greater London, England) · Newspapers.com

Lots of Olivier Awards for the RNT production, including BBC Best Play Award.

Letter To Jonathan Linsley Re Edinburgh Show, 7 August 1994

                   7 August 1994
 
Dear Jonathan
 
EDINBURGH SHOW
 
I had a interesting chat with Mark after the show on Saturday; he suggested that I drop you a note with my thoughts on redressing the balance of the show.
 
I suspect that you probably only need to change about 6 items in the show to beef it up substantially and improve the balance. The table below shows ones I can remember. Many of them may well be in your reserve pile anyway.

I wasn’t sure about the opening and closing numbers. I felt the pace of the show wasn’t right at the start (it took quite a while to warm up) and then it was really great until a lull towards the end. The home run was fine (Merchant Ivory ->).
 
On a more upbeat note, I really don’t think the show needs that much change to convert it from “a good show” to “a really good/great show”. I loved the Necrotising Faciitis song – I’m amazed it has never had an airing before.
 
Best wishes to you all on your trip – and don’t kidnap Mike Hodd this time.  

Why Did You Think About Killing Mr Hitler, 25 July 1994

Must have been really slow news that summer. This one marked the 50th anniversary of the ill-fated 1944 attempt on Hitler’s life.

_ WHY DID YOU THINK ABOUT KILLING MR HITLER? _

(To the Tune of “Who Do You Think You Are Kidding Mr Hitler?”)

SPOKEN INTRO

VOICE OFF:And now, at News Revue, we are going to celebrate the fiftieth anniversary of the unsuccessful attempt on Hitler’s life. So dig out your old gas mask, fry up some spam fritters and enjoy the jolly old show.

VERSE

Why did you think about killing Mr Hitler,
When the war was almost won?
You and your boys need not have got in the shtuck,
We and our boys would have let you off the hook.
VOICE OFF:We did! (add some meat hook visual symbolism to help the pun)
So why did you think about killing Mr Hitler,
Once the Nazis were near done?

MIDDLE EIGHT

Stauffenberg,
Was on the verge,
Of blasting Hitler higher;
Gestapo came round later,
With some thick piano wire. (add piano effect to emphasise the point)

OUTRO

But why didn’t you think about killing Mr Hitler,
Back in 1931?

Below is Who Do You Think You Are Kidding Mr Hitler, aka the Dad’s Army theme song, with lyrics on the screen:

Young Australians Playing Instruments Not Cricket, Royal Albert Hall, 23 July 1994

It wasn’t even an Ashes summer, in truth.

Here is a link to the BBC stub for this Prom.

This will have been the very first time that Janie and I pandered to her mum’s (Pauline “The Duchess of Castlebar”) taste for seeing youth orchestras.

Yakov Kreizberg conducting the Australian Youth Orchestra.

We heard:

  • Brenton Broadstock – Festive Overture
  • Jean Sibelius – Violin Concerto
  • Béla Bartók – The Miraculous Mandarin – suite
  • Maurice Ravel – Pavane pour une infante défunte (Orchestral version)
  • Nikolai Rimsky-Korsakov – Capriccio espagnol, Op 34

Cho-liang Lin was a superb soloist on the violin for the Sibelius, which was worth the price of admission alone.

Here’s the kid playing the first movement with The Philharmonia under Esa-Pekka Salonen:

Stephen Johnson in the Independent was full of praise:

Kreizburg Prom Johnson IndyKreizburg Prom Johnson Indy 25 Jul 1994, Mon The Independent (London, Greater London, England) Newspapers.com

Letter To Mike Ward, 20 July 1994

Mike Ward 20 July 1994
[address redacted]
Halifax

Dear Mike
 
TAPE
 
Thank you for the message you left earlier today. I’m glad you like the stuff I sent you. I enclose tape recordings of the ones you requested.
 
Please do get in touch if you need any more material I might have for you – I have a portfolio of over 200 of the things (although many were very topical and are of historical interest only now).
 
On the matter of filthy lucre, please note that I have assigned the rights to the Better Face lyrics to Save The Children Fund (the address is on the song). Please send any money for Better Face directly to them. If you use any of the others, please send any money directly to me.
 
I look forward to hearing from you again soon.
 
Yours sincerely
 
 
 
 
 
 
Ian Harris
 
enc