Category: Theatre

The Resistible Rise of Arturo Ui by Bertolt Brecht, Olivier Theatre, 18 January 1992

This was the first of two visits to the Olivier Theatre with Bobbie in the space of 48 hours. Go figure.

The second visit was this one:

Murmuring Judges by David Hare, Olivier Theatre, 20 January 1992

We rated Arturo Ui higher than Murmuring Judges.

Very good indeed,

I wrote in my log.

Superb cast, headed by Tony Sher but also with Michael Bryant, Sally Rogers, Peter Wight, Anthony O’Donnell, Karl Johnson, Adrian Scarborough…

…oh my giddy goose, what a cast.

Here is a link to the Theatricalia entry.

“What did those with a more critical eye think of the production?”, I hear you cry.

Below is Michael Billington’s Guardian review:

Billington on UiBillington on Ui Sat, Aug 10, 1991 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Coveney’s Observer review:

Coveney on UiCoveney on Ui Sun, Aug 11, 1991 – 49 · The Observer (London, Greater London, England) · Newspapers.com

Blood Wedding by Federico Garcia Lorca, Cottesloe Theatre, 14 December 1991

Gosh I thought this was very good.

I think it might have been my first experience of a Lorca play and by gosh this production of Blood Wedding was powerful.

I saw this with Bobbie.

Subsequently Janie and I both became very keen on Lorca and saw a good production of Blood Wedding at the Almeida in 2005.

But returning to this production, the Theatricalia entry for it is here. A very young Helen McCrory starred as the bride and Cyril Nri was the groom.

It seems that we saw a preview, as press night was three days after our sight of it.

Below is Michael Coveney’s review from The Observer:

Coveney On Blood WeddingCoveney On Blood Wedding Sun, Jan 5, 1992 – 41 · The Observer (London, Greater London, England) · Newspapers.com

I think they got their timing wrong having press night on 17 December… a rare Cottesloe opening that missed out on Michael Billington or indeed anyone from the Guardian. But in my view it was the critics who missed out on a very good production.

Becket by Jean Anouilh, Theatre Royal Haymarket, 30 November 1991

I thought this play/production was very good. I think Bobbie did too.

At the time, this medieval period was not one of my favourites, whereas now, writing in March 2020 nearly 30 years later, I have been doing a bit of my own writing (albeit fun stuff) on the topic…

Dear William, My Peformance Piece For Threadmash 5, Gladstone Arms, 5 February 2020

…so would now be better equipped with the historical backdrop.

But I digress.

I was, at that time, especially partial to a bit of Jean Anouilh, which was quite popular at that time, soon after his death.

Derek Jacobi as Becket, Robert Lindsay as Henry II. That’s a pretty decent line up and the supporting cast was pretty good too. Elijah Moshinsky (better known for opera) directed it.

Michael Billington in the Guardian admired the production for its acting and directing more than he liked the play:

Billington on BecketBillington on Becket Wed, Oct 9, 1991 – 38 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney in the Observer didn’t like the piece much:

Michael Coveney on BecketMichael Coveney on Becket Sun, Oct 13, 1991 – 56 · The Observer (London, Greater London, England) · Newspapers.com

But it isn’t about those guys, it is about what we thought…and we thought it very good. I suspect I would now agree with Billington that the thrill of this production was the acting. I wonder if I have a copy of the play somewhere so I can quickly read it again after all this time?

Henry IV Parts One & Two by William Shakespeare, Royal Shakespeare Theatre, Part Of A Back-Aching Weekend In Stratford With Bobbie, 27 to 29 September 1991

Back in the day, when I didn’t look much like the bard, Bobbie and I were partial to a bit of Shakespeare.

This sounded like the real deal, with Robert Stephens as Falstaff and Michael Maloney as Hal. A little-known (at that time) actress Linda Bassett played Mistress Quickly and Adrian Noble directed the thing.

Besides, I had studied Henry IV Part One for my English ‘O’ Level, so obviously I knew what I was talking about.

Here is a link to the Theatricalia entry for Henry IV Part One – which we saw on Friday 27 September.

My log for Henry IV Part One reads:

Back-aching but worth it

Whereas for Henry IV Part Two, which we saw on Saturday 28 September, it reads:

Seriously back-aching but still worth it

Here is a link to the Theatricalia entry for Henry IV Part Two.

Both plays were long – hence the back ache. I was still suffering the aftermath of my multiple lower back disc prolapses the previous year.

They were very good productions though.

Below is Michael Coveney’s Observer review of Henry IV Part One:

Coveney on Henry IV Part OneCoveney on Henry IV Part One Sun, Apr 21, 1991 – 56 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michael Billington’s take on Part One in the Guardian

Billington on Henry IV Part OneBillington on Henry IV Part One Thu, Apr 18, 1991 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Kate Kellaway’s Observer review of Part Two

Kate Kellaway on Henry Part TwoKate Kellaway on Henry Part Two Sun, Jun 2, 1991 – 72 · The Observer (London, Greater London, England) · Newspapers.com

Here’s Michael Billington in The Guardian ecstatic about the pair after seeing Part Two

Billington On Part TwoBillington On Part Two Sat, Jun 1, 1991 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

We stayed in an unmemorable B&B on the edge of town. I vaguely recall a bossy (i.e. rule-laden) owner.

I think we ate good food. Fatty Arbuckle’s or Lambs, and then The Glory Hole, if I recall correctly. I’m pretty sure the latter on the Saturday night because Henry IV Part Two was so darned, back-achingly long, there was only one eatery in Stratford open that late in those days.

We suffered for our art, going to Stratford, back then.

The Seagull by Anton Chekhov, Barbican Theatre, 14 September 1991

Stellar cast for this RSC production of the great Chekhov play. Alfred Burke, Simon Russell Beale, Amanda Root, John Carlisle, Susan Fleetwood, Roger Allam…to name but a few. In the capable hands of Terry Hands.

The Theatricalia entry for this one can be found here.

Bobbie and I both enjoyed this production a lot.

I hadn’t realised that this production was Terry Hands’s swansong for the RSC, but Nicholas de Jongh made much of that fact while praising the production in The Guardian:

De Jongh on SeagullDe Jongh on Seagull Sat, Jul 13, 1991 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Napoli Milionaria by Eduardo De Filippo, Lyttelton Theatre, 24 August 1991

I recorded the following about this one:

Very good. Performed in scouse accents if I remember correctly.

I suspect that the second note had something to do with a little Bobbie annoyance at the use of scouse accents to depict Neapolitans. Ian McKellen as scouser seemed a little strange to our ears too, but of course the bloke can act. Clare Higgins as his missus, Richard Eyre directing, fine supporting cast…what’s not to like?

I think we both enjoyed the show.

Here’s the Theatricalia entry for that production.

Intriguing-sounding character, Eduardo De Filippo.

Anyway, Michael Billington was most impressed in the Guardian:

Billington on NapoliBillington on Napoli Sat, Jun 29, 1991 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Billington said it reminded him of O’Casey at his best and I think Bobbie and I formed exactly that view without having seen Billington’s comment.

Michael Coveney in The Observer also liked it a lot:

Coveney on NapoliCoveney on Napoli Sun, Jun 30, 1991 – 48 · The Observer (London, Greater London, England) · Newspapers.com

The White Devil by John Webster, Olivier Theatre, 6 July 1991

My log from the time simply says:

Josette Simon was indisposed the night we went, which was a real shame.

I can now exclusively reveal that the understudy we saw instead was Souad Faress. I subsequently did get to see Josette Simon; in The Maids, a few years later. Bobbie might not have been so lucky.

I’m not sure I was wild about the play either. Jacobean tragedies don’t always float my boat and I have a feeling that I sensed that this one wasn’t entirely my cup of tea. The White Devil is heavy on courtly intrigue and light on laughs.

Fine cast as always with a National production, with Eleanor Bron and Denis Quilley as the big draw names along with Josette Simon. Philip Prowse directed. Here is the Theatricalia entry for this production.

Michael Billington was not so keen on this one, claiming that it wasted the actors:

Billington on White DevilBillington on White Devil Thu, Jun 20, 1991 – 23 · The Guardian (London, Greater London, England) · Newspapers.com

Whereas Michael Coveney loved the production:

Coveney on White DevilCoveney on White Devil Sun, Jun 23, 1991 – 61 · The Observer (London, Greater London, England) · Newspapers.com

Black Snow by Keith Dewhurst, Cottesloe Theatre, 15 June 1991

I don’t really remember much about this one, which suggests it was not so memorable an evening at the theatre.

Bobbie might remember it better, but I doubt it.

Excellent cast of National Theatre usual suspects. Ron Cook, Marion Bailey, Sally Rogers, Paul Moriarty, Peter Wight, Gillian Barge, Karl Johnson and many others. William Gaskill directed. The Theatricalia entry for this one can be found here.

Michael Coveney absolutely loved it in The Observer:

Coveney on Black SnowCoveney on Black Snow Sun, Apr 28, 1991 – 56 · The Observer (London, Greater London, England) · Newspapers.com

Michael Billington also thought it was well worth seeing.

Billington on Black SnowBillington on Black Snow Sat, Apr 27, 1991 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

I think there was just too much going on for me. Wonderful acting and all that, but I struggled to engage with it. My bad.

Invisible Friends by Alan Ayckbourn, Cottesloe Theatre, 4 May 1991

I think I’d grown out of Alan Ayckbourn by the time I saw this one. Or perhaps I just had grown out of Ayckbourn that was aimed at a young audience.

Not really my sort of thing

…I said.

Another Saturday evening at the Cottesloe with Bobbie.

The Theatricalia entry for this one can be found here.

Michael Billington explains what the play and production was about, recommending that adults should only attend if accompanied by children!

Billington on Invisible FriendsBillington on Invisible Friends Fri, Mar 15, 1991 – 37 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney in The Observer makes no excuses for the play/production, simply suggesting that invisible was risible.

Coveney on InvisibleCoveney on Invisible Sun, Mar 17, 1991 – 56 · The Observer (London, Greater London, England) · Newspapers.com

I do recall Bobbie telling me about her imaginary friend, some time before this production. But as far as I know that didn’t all go horribly wrong for her. I certainly don’t remember this production generating additional revelations from Bobbie.

The Closing Number by Mladen Materic, Hampstead Theatre, 5 April 1991

Hmm, my memory on this one is very poor.

My diary says I went to see this play with Jilly. Possibly someone Jilly knew/knows had something to do with it.

The performers were Tony Anthony, Denise Wong, Phil Daniels and Kate France. Materic directed the piece himself and it was a Shared Experience production; possibly the first of theirs I saw.

There’s a good interview with Mladen Materic in The List from that time, about this production – linked here. A rare on-line resource from that era.

Michael Billington to the rescue! He previewed the thing in The Guardian – what would we do without him?

Billington Previews Closing NumberBillington Previews Closing Number Thu, Mar 14, 1991 – 31 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney reviewed it in The Observer – let’s just say he didn’t much like the show.

Michael Coveney on Closing NumberMichael Coveney on Closing Number Sun, Mar 24, 1991 – 60 · The Observer (London, Greater London, England) · Newspapers.com

As for my poor recollection of the evening – perhaps Jilly can come to the rescue on that aspect.