Letter To Michael Eriera At The Start Of A NewsRevue Run, 16 April 1993

An interesting letter to Michael Eriera, with whom I got on well and who liked my material. Useful as proof that some songs, about which I was unsure whether or not they ever featured in the show, were in fact used.

                                               16 April 1993

Dear Michael

Congratulations on a fine opening night.  I enjoyed the show and get the feeling that the other writers have been re-inspired.  Please pass on my compliments to the team.  Now that I have sobered up, I thought that some comments (hopefully they are constructive ones) may be helpful.

SLOWER NUMBERS (NORMAN LAMONT, WILL YOU EMPLOY ME)

I think these work surprisingly well the way you do them (I worry about the slow ones).  I was pleased to see the original Norman, rather than the less subtle rewrite that was in the show previously.  I decided I didn’t like Employ Me after I wrote it but you’ve made me change my mind.

JOHN MAJOR NUMBERS (DON’T FUCK UP THE ECONOMY, JOLTED JOHN)

I didn’t think there was anything else to say with Don’t Fuck Up, but Keith’s business with the cricket bat and that awful hat have brought it back to life.  Jolted John lacked something for me.  Perhaps Keith should be prepared to sound a bit less like John Major and more like a nerd in the original tune.  Try the spoken bits in between like theatrical asides.  That could also make it less static for the first few verses.

BETTER FACE

Needs something else.  I love the idea of Sonia doing it but it lacked the laughs.  It needs some OTT theatricality to it as it is not really a subtle song (rather, it has one subtle point and smells subtle).  I had the dubious privilege of seeing the video for the first time this morning and it gave me a few visual ideas.  Consider making one of the chorus a soldier rather than a child – you could spoof the “bass” in the last chorus.  Consider candle waving at the end (as long as you don’t burn down the pub).  If all else fails then by all means drop it – it’s had a good run before.  Please also remember to attribute the money to Save The Children Fund as I assigned the rights to them when I wrote it.

MAASTRICHT

Total success.  Proves the point that sailing close to the wind by doing some really difficult songs pays dividends.  Well done.

DESIGNER

Needs something.  I don’t think people could hear all the words.  It is really “a belter” – it cannot be too loud or too melodramatic.  I visualise him virtually in tears by the end – he is a ruined man and he’s telling us about it.  Consider knicker throwing – the Tom Jones/knickers mind set is so strong.  I also thought that it was too soon after the cigarette pun sketch for more puns.  If all else fails – try Grunge Clobber Wearer instead which is more topical (and is my pet song of the month).

Hope my comments are helpful.  I hope it doesn’t seem too critical as basically I believe that you are on track for a really good run.  Well done once again to you all – look forward to seeing you soon.

Easter Weekend With Phillie, Tony & Charlie In Ealing, 8 to 13 April 1993

My diary says that I played bridge with my gang at Tessa’s place on the Thursday evening. That would have been Tessa, Andrea and Maz.

Janie’s diary says that Phillie & family were arriving that day and that they were having dinner “at mum’s” that Thursday evening from 6.00 and that I would be coming over 12.30.

I think I had a key by then. Or this might have been the occasion that resulted in me having a key.

Anyway, Janie’s diary says that we all went for a meal at North China on the Friday evening. This is the gathering of Pauline, Phillie, Tony, Charlie, Janie and me, all around a Chinese restaurant table, that i recall so well from our early time together. I think we only ever did that as a group of six the once.

The diaries are very light on what we did. Possibly we didn’t do much.

To some extent Phillie, Tony & Charlie were probably using Sandall Close as a base to do other stuff.

Where the heck did everyone sleep at Sandall Close?

Anyway, we were all still talking to each other come the Tuesday, as the diary says we six (including Pauline) had a dinner party at Sandall Close on the Tuesday evening.

Janie and I both worked that day too.

I think the family stayed on with Janie until the Wednesday afternoon.

The Real Thing by Tom Stoppard, The Questors Theatre, 3 April 1993

It must have been dawning on me and Janie that our thing was the real thing…

…because this was a night at the theatre with Pauline; Janie’s mum.

According to Janie’s diary, we had drinks at Pauline’s place at 6:00 before going off to The Questors for a 7:45 show.

All I wrote in my diary was “Questors”.

A notice from a local paper – click here.

Janie and I felt motivated to see a professional production of The Real Thing a few years later at the Donmar Warehouse.I recall the play working much better, especially for Janie, second time around.

Still, I don’t think the evening went too badly. I’m pretty sure I treated the pair of them to dinner after show, but I do not recall where and both our diaries are silent on the matter.

It almost certainly would have been either Wine & Mousaka, Lisa’s or Noughts & Crosses in those days. I don’t know why, but I think it was Wine & Mousaka that first time.

We all lived to tell the tale.

Bosnia-Herzegovina, NewsRevue Lyric, 2 April 1993

What this one lacks in humour it can’t quite make up for with historical accuracy and clever rhymes on the names of obscure Slavic places and politicians names.

Some good lines though.

I cannot think of lyrics that work to Copacabana without remembering John Random’s classic: “His name was Tony, He was an arsehole, he used to drive his kids to school in a Japanese four-wheel cruiser.  It was a Shogun, from Mitsubishi…”

If we ask John nicely he might fill in the rest – I can recall some excellent fragments.

Anyway, my lyric that works to that tune reads like this:

BOSNIA-HERCEGOVINA

(To the Tune of “Copacabana”)

 

VERSE 1

His name was Owen, he was a shamen,

With his thick grey wavy hair, he looked like a grizzly bear,

And his friend Cyrus, did not inspire us,

From his compromising stance, you could see those Serbs ‘ad Vance;

Across poor Bosnia, those Serbs took Gorazde,

They were young and they had more weapons in Srebenica.

 

CHORUS 1

It’s Bosnia-Hercegovina, the place could not be more obscener;

In Bosnia-Hercegovina, when they’re not shooting, those Serbs are out looting,

In Bosnia, it’s hell on earth. {Bosnia-Hercegovina}

 

VERSE 2

Now Billy Clinton, hated what went on,

So he got his UN clone, to declare a no fly zone,

To aid the mission, for a partition,

In the way that Owen says, have ten separate provinces;

But Serbs won’t play along, they’ve had their way too long,

They’ve killed and raped and maimed and looted, but claim they’re not wrong.

 

CHORUS 2

It’s Bosnia-Hercegovina, the Serbs took to the ethnic cleaners,

Poor Bosnia-Hercegovina, Serbs break the silence, with combat and violence,

In Bosnia, it’s getting worse. {Bosnia-Hercegovina}

 

VERSE 3

One day Lord Owen, that aging shamen,

Got that old Serb git Radovan, to sign the Vance-Owen plan,

The folks in Britain, were truly smitten,

They didn’t realise this plan, had really only just began,

The UN went in more, they said they must make sure,

That the Muslims, Serbs and Croats really stop the war.

 

CHORUS 3

In Bosnia-Hercegovina, these rhymes get progressively thinner,

With Bosnia-Hercegovina, (once) they stop berating we’ll start celebrating,

For Bosnia, let’s hope peace lasts.

Here is Barry Manilow singing Copacabana with lyrics:

In June 1993 I updated Verse 3 and Chrus 3:

VERSE 3
 
One day Lord Owen, that aging shamen,
Was shocked when he learned Radovan, would not back the Owen plan,
Muslims and Croats, then had a go at,
Each other – the Vance-Owen plan, went right back where it began;
The UN’s best defence, was sitting on the fence,
Hoping Muslims, Serbs and Croats someday cease offence.
 
CHORUS 3
 
In Bosnia-Hercegovina, the vultures are the only winners
With Bosnia-Hercegovina, if they stop berating we’ll start celebrating,
For Bosnia, let’s hope for peace.

The Ultimate Love Song, Ben Murphy Recording, 1993

As part of The Ultimate Love Song‘s 25th birthday celebrations (born 29 February 1992, so perhaps six-and-a-quarterth birthday…

…and because I find it hard to resist responding to requests (thank you, Andrew Poole)…

…I think I have fiddled around and successfully uploaded an MP3 of Ben Murphy’s rendition of The Ultimate Love Song, which was on Ben’s 1993 cassette album “Cover of the Rolling Stone” along with several other songs of mine.  More on that anon…

…here’s The Ultimate Love Song, sung by Ben Murphy.

Leon The Pig Farmer, Followed By Dinner In Bristol With Hilary & Family, 26 to 28 March 1993

Janie’s diary is full of information for the Friday evening:

6.00 Leon Pig Farmer – Gary at Ian confirm?

7.15 starts (7.30) Kensington Odeon

Yes, I am pretty sure Janie and I saw Leon the Pig Farmer at Kensington Odeon.

I do not recall Gary (Davison, presumably) joining us at the movies that night.

Here is the IMDb resource for the movie.

Below is its trailer:

It was a quirky, rather corny film with some excellent actors in it.

I am pretty sure we ate and stayed at mine, not least because Janie treated one of her Saudi princess clients in town on Saturday moirning before we went off to Bristol. I don’t suppose they discussed Leon The Pig Farmer.

My diary is not at all forthcoming about the details of this weekend. All I wrote for the Friday evening and then Saturday were a couple of very short words:

PIG.

Hils.

Then some arrows and stuff across the Sunday, implying that we stayed in Bristol, Janie also had a symbolic line through Sunday.

With no other information about where we stayed, I’m guessing this is the one and only time that we stayed at Janie’s sister Hil and Chris Boswell’s house, in the conservatory, on their Z bed. (Sounds like a Cluedo accusation).

Memory suggests that we ate a very good meal with some good wine. Were “entertained” by the boys squabbling with each other and then tried our best to sleep on the Z bed.

Titty Titty Bum Bum, Presumably For A NewsRevue Smoker, 28 March 1993

My journal note for this lyric reads:

Tribute to the comedy legend Terry Randall

I’m going to guess that I wasn’t overly enamoured of Terry Randall’s March to April 1993 NewsRevue run. Presumably I wrote this for a smoker or just to show around the writers, some others of whom might well have been similarly disaffected:

TITTY TITTY BUM BUM

(A Song in memory of Terry Randall’s run to the Tune of “Chitty Chitty Bang Bang”)

 

INTRO

Titty bum bum, titty titty bum bum,

Titty bum bum, titty titty bum bum,

Titty bum bum, titty titty bum bum;

 

CHORUS 1

Ha ha titty titty bum bum, titty titty bum bum’s what we do,

And this titty titty bum bum, is a pretty dull dum News Revue;

Where has all the audience gone, they’re to thick to get the joke,

Bum bum titty titty bum bum, push pricks pubes paps and poke,

Bum bum titty titty bum bum, with TV sport and soap.

 

TV SPORT AND SOAP

East Enders screw everyone,

Brookside viewers read the Sun,

While Sky TV’s dropping like a stone;

Paul Gascoigne’s knee’s terrible,

And Vinnie Jones gropes the ball,

Mike Gatting is batting his bone.

 

CHORUS 2

Ha ha titty titty bum bum, titty titty bum bum’s all we’ve got,

And this titty titty bum bum, is a shitty rum numb not a lot;

Where have all the writers got to, they all know they’re out of luck,

Bum bum titty titty bum bum, so News Revue is stuck,

Bum bum titty titty bum bum, but we don’t give a fuck.

{Titty titty bum bum, titty titty bum bum, you’re all wankers, titty titty bum}

Below is embedded the Chitty Chitty Bang Bang Theme Tune:

Here is a link to those Chitty Chitty Bang Bang lyrics.

Ma Stricht, NewsRevue Lyric, 28 March 1993

25 years later Europe still dominates our politics here in the UK – oh boy.

Anyway, the Maastricht Treaty was the hot potato in 1993. I wrote this:

MA STRICHT

(To the Tune of “Ma Baker”)

 

FEMALE VOICE:Freeze, this here’s the Ma Stricht treaty.  Put your hands in the air and gimme all your constitutional powers.

MALE VOICE:This is the story of Ma Stricht.  The longest bill in old Westminster town.

 

VERSE 1

It was the longest bill, At the third reading stage,

A repetitious bill,It seemed to take an age,

It was no fun at all,No no no fun at all;

It was the tritest act, In old Westminster town,

A most prosaic act, They tried to bring it down,

Till the whips came along,Then Tories played along.

 

CHORUS 1

Ma ma ma ma, Ma Stricht is, Parliament’s main fight,

Ma ma ma ma, Ma Stricht keeps, MPs up all night,

Ma ma ma ma, Ma Stricht is, as boring as hell,

Ma ma ma ma, Ma Stricht cos it’s the Lords match as well.

 

VERSE 2

She was the meanest cow,In old Westminster town,

An old and bitter cow,In her red Ermine gown;

She had no heart at all,No no no heart at all;

She used her heavy mob,These thugs all owed her credit,

An evil heavy mob,Lord Joseph and Lord Tebbit;

They had no heart at all,And had no brains to call.

 

CHORUS 2

Ma ma ma ma, Marge Thatcher, she and her old Peers,

Ma ma ma ma, Marge Thatcher, fought Europe for years,

Ma ma ma ma, Marge Thatcher, she thought the EC,

Ma ma ma ma, Marge Thatcher ought to stage World War Three.

 

MAJOR:This is a special bulletin.  Marge Thatcher is the Tory Whip’s most considerably wanted woman.  Oh yes.  If you see anyone voting with this woman, please report it immediately to Tory Central Office.

THATCHER:Don’t anybody move.  Hand over that treaty.

 

VERSE 3

John Major’s dull and thick, But he knows Thatcher’s ploys,

He’ll make the treaty stick,With his Tory whip boys,

Though it won’t work at all,Cos it’s not meaningful.

 

CHORUS 3

Ma ma ma ma, Ma Stricht oh, when will the end come?

Ma ma ma ma, Ma Stricht needs, a referendum,

Ma ma ma ma, Ma Stricht has, got nowhere to go,

Ma ma ma ma, Ma Stricht cos half of Europe says “no”.

Here is a vid of Boney M (probably) singing Ma Baker:

Here is a link to Ma Baker lyrics.

Jimmy Knapp, NewsRevue Lyric, 28 March 1993

Jimmy Knapp was the leader of the National Union Of Railwaymen (latterly and by the time of this lyric the RMT).

The “Reid” mentioned in the lyric is Bob Reid, who chaired British Rail at that time, not John Reid who was Minister of Transport a few year’s later.

Jimmy Knapp was somewhat in the news most of the time but in truth wasn’t big news that spring. I don’t think this lyric was used.

JIMMY KNAPP

(To the Tune of “Jimmy Mack” – backing vocals are easier done than read)

CHORUS 1

Jimmy Knapp, Jimmy, oh Jimmy Knapp, when are trains coming back?

Jimmy Knapp, Jimmy, oh Jimmy Knapp, you’re running off the track.

VERSE 1

MacGregor’s cursing you,

Bob Reid feels the same way too;

You stick to your lines like glue,

BR staff’s relying on you;

Worker’s chief fear is that you will fail,

To save those jobs in British Rail.

CHORUS 2

Hey, Jimmy, Jimmy, oh Jimmy Knapp, you’re taking all the flak,

Jimmy, Jimmy, oh Jimmy Knapp, it’s trains that Britons lack.

VERSE 2

He calls Reid on the phone,

About three times a day;

But it’s hard to listen to,

What Knapp has to say;

Cos everything Jim says to you,

Is in a deep Glasweigan hue.

CHORUS 3

Hey, Jimmy, Jimmy, oh Jimmy Knapp, you’re an old union hack,

Jimmy, Jimmy, oh Jimmy Knapp, you’re like a BR snack {stale and vapid}

{Jimmy Knapp, you’re an old union hack, Jimmy Knapp, you’re like a BR snack}

 

VERSE 3

I wanna say, un-i-ons aren’t getting stronger,

But the trains don’t run any longer,

Briton’s trains are empty,

Cos Jimmy he’s in charge of the RMT.

CHORUS 4

Hey, Jimmy, Jimmy, oh Jimmy Knapp, you’d better mind the gap,

Jimmy, (costs are rising), Jimmy, oh Jimmy Knapp, cos British Rail is crap.

I attempted an updated version in June 1995, which went as follows:

JIMMY KNAPP
(To the Tune of “Jimmy Mack” – backing vocals are easier done than read)

CHORUS 1

Jimmy Knapp, Jimmy, oh Jimmy Knapp, when are trains coming back?
Jimmy Knapp, Jimmy, oh Jimmy Knapp, you’re striking Railtrack.

VERSE 1

Railtrack are cursing you, commuters feel the same way too;
You stick to your lines like glue, signalmen aren’t working for you;
You took the bosses by surprise, with union action for a huge pay rise.

CHORUS 2

Hey, Jimmy, Jimmy, oh Jimmy Knapp, you’re taking all the flak,
Jimmy, Jimmy, oh Jimmy Knapp, it’s trains that Britons lack.

VERSE 2

He calls Bob on the phone, about three times a day;
But it’s hard to listen to, what Knapp has to say;
Cos everything Jim says to you, is in a deep Glasweigan hue.

CHORUS 3 (SUNG IN A VERY DEEP GLASWEIGAN HUE)

Hey, Jimmy, Jimmy, oh Jimmy Knapp, you’re an old union hack,
Jimmy, Jimmy, oh Jimmy Knapp, you’re like a BR snack {stale and vapid}
{Jimmy Knapp, you’re an old union hack, Jimmy Knapp, you’re like a BR snack}

VERSE 3 (BACK TO NORMALITY)

I wanna say, un-i-ons aren’t getting stronger,
And the trains don’t run any longer,
Briton’s trains are empty,
Cos Jimmy he’s in charge of the RMT.

CHORUS 4

Hey, Jimmy, Jimmy, oh Jimmy Knapp, you mind the income gap,
Jimmy, {wages rising}, Jimmy, oh Jimmy Knapp, cos British Rail is crap.

Here are Martha and the Vandellas singing Jimmy Mack – embedded below or click this link to also see lyrics in YouTube:

Stand By Norman, NewsRevue Lyric, 27 March 1993

Well, I wrote far better lyrics about Norman Lamont – not least this pre-NewsRevue one…

Norman Lamont, Topical Lyric, 17 January 1992

…and the following, from after his demise, which is undoubtedly my favourite:

Norman The Chancellor, Topical Lyric, 30 May 1993

But while Lamont’s gig as Chancellor hung in the balance, I wrote this lyric – which I am pretty sure didn’t make the cut.

I can’t think of a lyric to this tune without thinking of Ivan Shakespeare’s wonderful piece: “Sometimes it’s hard to be a new man…Stand by your flan…” – a true classic.

STAND BY NORMAN

(To the Tune of “Stand By Your Man”)

 

VERSE 1 – JOHN MAJOR 

Sometimes it’s hard to be the PM,

Giving all your trust to just one man;

I have a wrecker,

In the exchequer,

Doing things that no-one understands.

 

VERSE 2 – STILL JOHN MAJOR

But as I’m desperate I’ll forgive him,

Even though the pound’s gone down the pan;

Wherever we go,

He fuels my ego,

Cos I look smart beside Norman.

 

CHORUS 1 – OF SUBTLE DOUBTERS

Stand by Norman,

Give him a rope to cling to,

Just hope he doesn’t hang you,

When you’re back is turned for moments.

 

CHORUS 2 – OF LESS SUBTLE DOUBTERS

Stamp on Norman,

And show the world we’re changing,

We want less mouse and need more man,

Stamp on Norman.

Here is Tammy Wynette singing Stand By Your Man with the lyrics popping up on the screen:

If that one doesn’t work, try this one:

…and a link to these lyrics.