Tolstoy by James Goldman, Richmond Theatre, 5 April 1996

I lost all record of this one, other than the diary notes. If I recall correctly, the programmes weren’t yet available as we saw a preview of this ill-fated play/production at The Richmond Theatre.

Janie made the arrangements and it seems we took The Duchess with us. So if the play was as tedious as the reviews and poor audiences suggest, we had quite an evening. No wonder I blotted it out of my mind.

Here is the Theatricalia entry, which on this occasion is my sole canonical source of “who was in it” type information – thanks for that.

Michael Billington in The Guardian (a friendly critic, not known for his damning reviews), describes the piece as a “piffling bio-play”.

Billington on TolstoyBillington on Tolstoy Wed, May 1, 1996 – 2 · The Guardian (London, Greater London, England) · Newspapers.com

Paul Taylor in The Independent describes it as “a largely dire production” – click this link to read on-line.

Peter Preston wrote a biting obituary for the play/production when it closed due to poor audiences (see below):

Preston on TolstoyPreston on Tolstoy Sun, May 19, 1996 – 58 · The Observer (London, Greater London, England) · Newspapers.com

With the cast including F. Murray Abraham, Matthew Marsh and Gemma Jones, there should have been some salvation in the performances, but it clearly wasn’t a good play/production.

I suspect that The Duchess was not impressed and that it was our fault that the theatrical part of the evening did not meet her high expectations. I’m guessing we ate at Don Fernando’s in Richmond, as we hadn’t booked anything and that’s where we would go without a booking.

Macbeth by William Shakespeare, Barbican Theatre, 19 February 1994

Janie is not partial to Shakespeare, but this production directed by Adrian Noble with Derek Jacobi as Macbeth and Cheryl Campbell as Lady Macbeth was quite special and we both thought it very good.

Theatricalia sets out the deal here.

I now learn that one of the three witches was Tracy-Ann Oberman, who went on (shortly after this production I think), to perform in NewsRevue/SportsRevue. Not our first sighting of her, that was in The Changeling at Stratford:

Returning to The Scottish Play, though, this is one of two productions Janie and I have seen; the other being the Tony Sher/Harriet Walter production to be Ogblogged “in the fullness”.

A couple of contemporaneous reviews survive on-line:

Here is Michael Billington’s review:

Billington On MacbethBillington On Macbeth Sat, Dec 18, 1993 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Here’s the Michael Coveney clipping:

Coveney On MacbethCoveney On Macbeth Sun, Dec 19, 1993 – 58 · The Observer (London, Greater London, England) · Newspapers.com

Not brilliantly well received, then.