The Shape of Things by Neil LaBute, Almeida Theatre At King’s Cross, 25 May 2001

Superb.

That was my one word log entry for this one, which both of us o indeed remember as superb. We were deep into Neil LaBute back then and might still be if he was still writing plays like this one.

Add to that Almeida quality of production and four fine actors: Rachel Weisz, Paul Rudd, Gretchen Mol and Frederick Weller – it wasn’t going to go wrong. I don’t normally approve of playwrights directing their own work, but Neil LaBute was actually very good at doing the director’s job with his own material.

Here is a link to the Thetaricalia entry.

A rare visit to the Almeida on a Friday for us – it was a bank holiday weekend and we had little else on, so I think this will only have come down to getting good seats for a preview.

Here’s what the critics had to say best part of a week after we had seen it. Charles Spencer was very impressed in The Telegraph:

Shape Spencer Telegraph Shape Spencer Telegraph 1 Jun 2001 The Daily Telegraph (London, Greater London, England) Newspapers.com

#Susannah Clapp was less sure, but still heaped praise:

Shape Clapp Observer Shape Clapp Observer 3 Jun 2001 The Observer (London, Greater London, England) Newspapers.com

Our friend Michael Billington was not so sure:

Shape Billington Guardian Shape Billington Guardian 31 May 2001 The Guardian (London, Greater London, England) Newspapers.com

Indeed, this analytical piece form The Guardian suggest that tis piece divided the critics. The stuff we like best often does:

Shape Guardian analysis Shape Guardian analysis 9 Jun 2001 The Guardian (London, Greater London, England) Newspapers.com

Lulu by Frank Wedekind, Almeida Theatre At Kings Cross, 24 March 2001

To the bus station we went that Saturday to see Lulu very early in the Almeida run. The theatre was being refurbished that season – hence the bus station.

This play might have benefitted from the more intimate atmosphere of the Almeida Theatre itself. The coldness of the bus station served to emphasise the absence of warmth in a sex worker’s craft.

With Anna Friel, Oliver Milburn and Alan Howard taking lead roles and Jonathan Kent directing, it was always going to be a well put together show. Here is a link to the Theatricalia entry.

Nicholas de Jongh was captivated by Anna Friel’s Lulu, but several of his critic colleagues were not. The following piece from the Standard shows the critical divide.

Lulu de Jongh Standard Lulu de Jongh Standard 20 Mar 2001 Evening Standard (London, Greater London, England) Newspapers.com

Janie and I were similarly conflicted over this one It wasn’t just about the bus station setting. Wedekind’s work is open to wide interpretation and this version seemed to be hedging its bets.

Our friend, Michael Billington, expressed similar sentiments well:

Lulu Billington Guardian Lulu Billington Guardian 20 Mar 2001 The Guardian (London, Greater London, England) Newspapers.com

Susannah Clapp was kinder to it than most:

Lulu & Boston Marriage, Clapp Observer Lulu & Boston Marriage, Clapp Observer 25 Mar 2001 The Observer (London, Greater London, England) Newspapers.com

Were we glad to have seen this production? Of course we were.